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William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924
Sold by Jeckyll & Co
sold SA965775
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Jeckyll & Co

Sellingantiques Verified Since May 2022
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William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924

1900 - 1920
Sold 24 January 2025 · Jeckyll & Co
This “William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924” found a buyer.

It was listed by Jeckyll & Co. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Image plate size:15cm x 35cm, signed in pencil. Framed and glazed, overall size including frame and mount: 40cm x 58cm

William Walcott was born near Odessa of Scottish/Russian parentage and studied Arts and Architecture at The Imperial Academy of The Arts in St. Petersburg.

He was a trained architect, however on moving to London in the early years of the 20th century his focus became principally art and illustration, and it was here too where he developed his distinctive impressionistic style.

He enjoyed numerous commissions from the leading architects of the day including Sir Edwin Lutyens, Sir Herbert Baker and Sir Aston Webb.

An example of this etching is held in the permanent collection of The National Gallery of Art, Washington DC.

Condition: plate-excellent, original mount (with date stamp) -with some light and isolated foxing/dust specks.

I would be happy to wrap and post this framed and glazed picture to UK destinations at cost price, probably around £15 including insurance.

Please let me know if you have any questions

Date of Manufacture

Jeckyll & Co has dated this William Walcott Etching to the 1920s.

Physical Dimensions
Height
15cm (5.91")
Width
35cm (13.78")
Reference Numbers
Sellingantiques Reference
SA965775
Description
Image plate size:15cm x 35cm, signed in pencil. Framed and glazed, overall size including frame and mount: 40cm x 58cm
“
William Walcott was born near Odessa of Scottish/Russian parentage and studied Arts and Architecture at The Imperial Academy of The Arts in St.
Jeckyll & Co

Petersburg.

fig 1. A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner.
fig 1. William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924

He was a trained architect, however on moving to London in the early years of the 20th century his focus became principally art and illustration, and it was here too where he developed his distinctive impressionistic style.

fig 2. A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner.
fig 2. William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924

He enjoyed numerous commissions from the leading architects of the day including Sir Edwin Lutyens, Sir Herbert Baker and Sir Aston Webb.

An example of this etching is held in the permanent collection of The National Gallery of Art, Washington DC.

fig 3. A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner.
fig 3. William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924

Condition: plate-excellent, original mount (with date stamp) -with some light and isolated foxing/dust specks.

I would be happy to wrap and post this framed and glazed picture to UK destinations at cost price, probably around £15 including insurance.

Please let me know if you have any questions

Date of Manufacture

Jeckyll & Co has dated this William Walcott Etching to the 1920s.

Height
15cm (5.91")
Width
35cm (13.78")
Reference Numbers
Sellingantiques Ref
SA965775
Jeckyll & Co
Sellingantiques verified Since May 2022

Instagram: jeckyllandco

Dealer Profile

You can view the stock and full dealer information on the Jeckyll & Co Profile Page

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A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner. SOLD6+ MONTHS AGO
1 / 4
Archive I A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner. SOLD6+ MONTHS AGO

William Walcott (1887-1943) the Bullfight, Drypoint Etching, 1924

Archive II A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner. View II
Archive III A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner. View III
Archive IV A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner. View IV
Enlarged Archival View
Telephone 07735 072466
Location
Edinburgh
United Kingdom
Verified Since May 2022
Items For Sale 61
Items Sold 314
Jeckyll & Co
Verified Since May 2022
View Dealer Info
Location: Edinburgh, United Kingdom
Verified
May 2022
For Sale
61
Sold
314
A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner.
William Walcott (1887-1943) The Bullfight, drypoint etching, 1924
Ref: SA965775
A framed monochrome drypoint etching depicting a bullfight scene with architectural seating in the background, signed in the lower corner.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Art
  • Period1900 - 1920
  • StyleArt Deco
  • MaterialPaper, Ink
  • ColourMonochrome
  • MotifsFine linework, Architectural perspective, Figurative scene, Artist signature
  • SizeH 15 cm (6 in) x W 35 cm (14 in)

Drypoint is a printmaking technique in which an image is scratched directly onto a metal plate using a hard, pointed needle, creating a raised ridge called a burr that holds ink during printing.

Traditional intaglio printing utilises a metal plate, usually copper or zinc, specialised printing inks, damp cotton paper, and a heavy press to transfer the image.

Authentic period etchings typically feature a distinct plate mark impression in the paper, slight ink burrs characteristic of drypoint lines, and often bear pencil signatures or edition numbers from the artist.

An antique etching looks best framed in a simple, neutral mount with a slim timber or gilded frame, allowing the intricate linework to stand out against plain walls.

Vintage paper works must be protected from direct sunlight, framed using acid-free materials, and kept in rooms with stable humidity levels to prevent foxing and fading.
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