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Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving
Sold by Brave Fine Art
sold SA958020
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Brave Fine Art

Brave Fine Art

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    Exquisite antique paintings that capture the imagination.
Id #SA958020
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Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving

18th century
Sold 4 December 2024 · Brave Fine Art
This “Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving” found a buyer.

It was listed by Brave Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This fine early 18th-century engraving by flemish printmaker Jacques Coelemans (1654-1732) was commissioned by Jean-Baptiste II de Boyer (1645-1709) and formed part of ‘Recueil D'Estampes D'Aprés Les Tableaux Des Peintres Les Plus Celebres D'Italie, Des Pays-Bas Et De France, Qui sont à Aix dans le Cabinet de M. Boyer d'Aguilles’.

Within mountainous terrain and partially hidden by rocks, a muscular man, devoid of all clothing, carries a scythe as a weapon. The work, originally painted by an artist known as ‘Chivoli’, possibly Lodovico Cardi (1559-1613), was owned by Jean-Baptiste II de Boyer, the Lord of Éguilles. His awe-inspiring collection included works by Raphael, Titian, Michelangelo, Caravaggio, Veronese, Tintoretto, Nicolas Poussin, Rubens, Anthony Van Dyck among others. So it’s little surprise that he sought to catalogue them all as engravings in a folio.

However, Boyer was unlike other collectors as he produced many of the engravings himself. A worthy skill, which earned him high praise from peers, such as Pitton de Tournefort who referred to him as: “A man of quality, who moreover fulfils the duties of his office, could not relax more nobly.”

Jacques Coelemans engraved this particular piece, which is a striking example of his chiaroscuro mastery. The Royal Collection and British Museum hold complete copies of the folio.

Signed in the plate lower left and held within a contemporary glazed frame.

Medium: Engraving on hand-laid paper

Overall size: 14” x 17½” / 36cm x 44cm

Year of creation: c. 1709

Condition: Artwork presents well. Minor foxing in the top right.

Jacques Coelemans trained under Frederik Bouttats the Younger at the Antwerp Guild of Saint Luke.

Learn more about Jacques Coelemans in our directory.

Date of Manufacture

Brave Fine Art has dated this Antique Engraved Print to the 1700s.

Physical Dimensions
Height
44cm (17.32")
Width
36cm (14.17")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Reference
SA958020
Description
This fine early 18th-century engraving by flemish printmaker Jacques Coelemans (1654-1732) was commissioned by Jean-Baptiste II de Boyer (1645-1709) and formed part of ‘Recueil D'Estampes D'Aprés Les Tableaux Des Peintres Les Plus Celebres D'Italie, Des Pays-Bas Et De France, Qui sont à Aix dans le Cabinet de M. Boyer d'Aguilles’.
“
Within mountainous terrain and partially hidden by rocks, a muscular man, devoid of all clothing, carries a scythe as a weapon.
Brave Fine Art

The work, originally painted by an artist known as ‘Chivoli’, possibly Lodovico Cardi (1559-1613), was owned by Jean-Baptiste II de Boyer, the Lord of Éguilles. His awe-inspiring collection included works by Raphael, Titian, Michelangelo, Caravaggio, Veronese, Tintoretto, Nicolas Poussin, Rubens, Anthony Van Dyck among others. So it’s little surprise that he sought to catalogue them all as engravings in a folio.

fig 1. A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame.
fig 1. Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving

However, Boyer was unlike other collectors as he produced many of the engravings himself. A worthy skill, which earned him high praise from peers, such as Pitton de Tournefort who referred to him as: “A man of quality, who moreover fulfils the duties of his office, could not relax more nobly.”

fig 2. A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame.
fig 2. Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving

Jacques Coelemans engraved this particular piece, which is a striking example of his chiaroscuro mastery. The Royal Collection and British Museum hold complete copies of the folio.

Signed in the plate lower left and held within a contemporary glazed frame.

fig 3. A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame.
fig 3. Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving

Medium: Engraving on hand-laid paper

Overall size: 14” x 17½” / 36cm x 44cm

Year of creation: c. 1709

Condition: Artwork presents well. Minor foxing in the top right.

Jacques Coelemans trained under Frederik Bouttats the Younger at the Antwerp Guild of Saint Luke.

Learn more about Jacques Coelemans in our directory.

Date of Manufacture

Brave Fine Art has dated this Antique Engraved Print to the 1700s.

Height
44cm (17.32")
Width
36cm (14.17")
Depth
2cm (0.79")
Reference Numbers
Sellingantiques Ref
SA958020
Brave Fine Art
Brave Fine Art
Sellingantiques verified Since Nov 2018

Exquisite antique paintings that capture the imagination.

Dealer Profile

You can view the stock and full dealer information on the Brave Fine Art Profile Page

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A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. SOLD6+ MONTHS AGO
1 / 8
Archive I A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. SOLD6+ MONTHS AGO

Jacques Coelemans After Chivoli, from the Cabinet of Jean-baptiste II De Boyer - Antique Engraving

Archive II A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View II
Archive III A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View III
Archive IV A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View IV
Archive V A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View V
Archive VI A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View VI
Archive VII A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View VII
Archive VIII A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame. View VIII
Enlarged Archival View
Telephone 01684 215986
Location
21 Enterprise Way
Arle Road
Cheltenham
Cotswolds
GL51 8LZ
United Kingdom

Under appointment only.
Verified Since Nov 2018
Items For Sale 75
Items Sold 1,854
Brave Fine Art
Brave Fine Art
Verified Since Nov 2018
View Dealer Info
Location: 21 Enterprise Way, Arle Road, Cheltenham, Cotswolds, GL51 8LZ, United Kingdom, , Under appointment only.
Verified
Nov 2018
For Sale
75
Sold
1,854
A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame.
Jacques Coelemans After Chivoli, From The Cabinet Of Jean-Baptiste II De Boyer - Antique Engraving
Ref: SA958020
A framed antique monochrome engraving depicting a figure holding a sickle, set within a cream mount and a dark wooden frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPrints & Engravings
  • Period18th century
  • StyleBaroque
  • MaterialPaper, ink, wood, glass
  • ColourMonochrome
  • MotifsFigurative scene, Hatch shading, Inscribed text margin, Decorative crest
  • SizeH 44 cm (17 in) x W 36 cm (14 in) x D 2 cm (1 in)

An antique engraving is a print created by cutting a design into a hard material, traditionally a copper or steel plate, using a sharp tool called a burin. Ink was then applied to the plate and transferred to paper under high pressure to produce fine, highly detailed lines.

Traditional engravings were typically printed on hand-made rag paper derived from linen or cotton fibres, using oil-based inks. The plates themselves were most commonly made of copper during the seventeenth and eighteenth centuries, before steel facing became more common in the nineteenth century.

Authentic antique engravings display a characteristic indentation in the paper known as a plate mark, created by the heavy pressure of the printing press. Under magnification, genuine impressions reveal ink sitting slightly proud of the paper surface within distinct lines, rather than the dot matrix pattern characteristic of modern photographic reproductions.

Framed antique engravings add academic depth and sophisticated contrast to contemporary spaces. They are frequently displayed in traditional wooden frames with neutral mounts to complement both minimalist and maximalist interior styles.

Antique prints should be displayed away from direct sunlight to prevent fading and paper degradation. Using acid-free framing materials and maintaining stable indoor humidity levels protects the paper from foxing, discolouration, and structural damage over time.
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