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Alexandre Decamps (1803-1860) Oil Painting
Country Homes Antiques Stirling
for sale €4,446     $4,826
£3,800
Country Homes Antiques Stirling

Country Homes Antiques Stirling

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Alexandre Decamps (1803-1860) Oil Painting

19th century
Description

ALEXANDRE DECAMPS ( 1803 – 1860 )

An important painting by Alexandre Gabriel Decamps depicting women with children bathing and taking water from a fountain, village in the background at sunset. The work is unlined on its original canvas and signed lower right to the edge of the fountain base. A superb painting with beautiful light and colour and in very good original condition. The artist is very highly regarded and examples of his work can be seen in dozens of museums around the world including The Louvre, The Hermitage and the Metropolitan Museum.

Title: “By the Fountain – Sunset”

Signature: Signed to edge of fountain basin

Medium: Oil on original canvas

Provenance: Private French collection

Size: c. 11.5 x 18 inches unframed / 17.5 x 24 framed

Condition: Unlined original canvas – very good for age – a few tiny marks

Alexander Gabriel Decamps was born in Paris on 3 March 1803. In a letter he says humorously that his parents were suspected of not registering his birth promptly because of his ‘huge size’, but goes on to say that this did not prevent him from ‘being sickly and puny.’ Part of his boyhood was spent at the foot of an almost deserted valley in Picardy.

Decamps developed a passion for travel that took him to Switzerland, then to the south of France, the Orient, Asia Minor and finally Italy. When, with Gameray, he was sent on an official mission to Greece and Turkey to collect documentation on the victory at Navarino, he returned with enough sketches and souvenirs to sustain his whole career as a painter of oriental subjects. He never returned to the East.

Decamps participated in the Salon until 1855, though with some irregularity and with varying fortunes. When he returned to Paris after his travels in the Orient Decamps exhibited at his first Salon in 1827, Hunting Lapwings, and when this went unnoticed he considered abandoning painting for lithography and caricature. He had his first success as a painter at the 1831 Salon with Cadgi-Bey, Chief of Police in Smyrna, Doing his Round, which gained him a second-class medal. Exhibited at the same time were View Taken in the Levant.

Museum and Gallery Holdings

Amsterdam: Truffle Hunter; Knife Grinder; Turkish Executioners; Neapolitan

Bayonne (Mus. Bonnat): Four Boats; Doe Lying on a Rock

Béziers: View in Holland

Bordeaux (MBA): Livestock Market; Landscape with Animals

Bucharest (Muz. National de Arta al României): Mosque

Caen (MBA): Orange Seller

Châlons-en-Champagne: Old Fisherman; Old Peasant

Chambéry (MBA): Landscape; Coming out of the Turkish School

Chantilly (Mus. Condé): Turkish Landscape (before 1833); Troop of Turkish Guards on the Road to Smyrna in Magnesia (1833); Memory of Asian Turkey: Turkish Children Playing with a Tortoise (1836); Turkish Children beside a Fountain (1846); Turkish Standard Bearer (c. 1839); Turkish School (1846); Rebecca at the Fountain (1848); Landscape; Bertrand and Raton (1846, according to the fable by Jean de La Fontaine); Child Feeding a Sheep (1847); Cavalry from Asiatic Turkey Crossing a Ford (1848); March of Bashi-Bouzouks (1846); View of Ebra in Palestine (watercolour and gouache)

Compiègne: Monkey Musicians

Frankfurt am Main: Yoke of Oxen

Glasgow: St Jerome

Graz: Storyteller

Lille (MBA): Hunting (1847)

London (Wallace Collection): Arabs Reposing or Eastern Figures Reposing (c. 1832-1833, oil on canvas); The Finding of Moses (1837, oil on canvas); A Well in the East (1847, oil on canvas); The Villa Doria-Pamphili, Rome (c. 1835, oil on canvas); The Bookworm (1846?, oil on canvas); The Roman Campagna (c. 1847, oil/panel); The Miraculous Drau

Physical Dimensions
Height
44.4cm (17.48")
Width
61cm (24.02")
Depth
7cm (2.76")
Declaration

Country Homes Antiques Stirling has dated this 19th Century French Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA828918
Dealers Notes

500 pieces of quality antique furniture at Country Homes Antiques Stirling Scotland. View website. Trade welcome

Plus BenView garden centre authentic general antiques shop, carrying around 400 select and rare antique items. Selected by Andrew Christie former Fine Arts Auctioneer.

Description
ALEXANDRE DECAMPS ( 1803 – 1860 )
An important painting by Alexandre Gabriel Decamps depicting women with children bathing and taking water from a fountain, village in the background at sunset.
Country Homes Antiques Stirling

The work is unlined on its original canvas and signed lower right to the edge of the fountain base. A superb painting with beautiful light and colour and in very good original condition. The artist is very highly regarded and examples of his work can be seen in dozens of museums around the world including The Louvre, The Hermitage and the Metropolitan Museum.

fig 1. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 1. Alexandre Decamps (1803-1860) Oil Painting

Title: “By the Fountain – Sunset”

Signature: Signed to edge of fountain basin

Medium: Oil on original canvas

Provenance: Private French collection

Size: c. 11.5 x 18 inches unframed / 17.5 x 24 framed

fig 2. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 2. Alexandre Decamps (1803-1860) Oil Painting

Condition: Unlined original canvas – very good for age – a few tiny marks

Alexander Gabriel Decamps was born in Paris on 3 March 1803. In a letter he says humorously that his parents were suspected of not registering his birth promptly because of his ‘huge size’, but goes on to say that this did not prevent him from ‘being sickly and puny.’ Part of his boyhood was spent at the foot of an almost deserted valley in Picardy.

fig 3. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 3. Alexandre Decamps (1803-1860) Oil Painting

Decamps developed a passion for travel that took him to Switzerland, then to the south of France, the Orient, Asia Minor and finally Italy. When, with Gameray, he was sent on an official mission to Greece and Turkey to collect documentation on the victory at Navarino, he returned with enough sketches and souvenirs to sustain his whole career as a painter of oriental subjects. He never returned to the East.

fig 4. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 4. Alexandre Decamps (1803-1860) Oil Painting

Decamps participated in the Salon until 1855, though with some irregularity and with varying fortunes. When he returned to Paris after his travels in the Orient Decamps exhibited at his first Salon in 1827, Hunting Lapwings, and when this went unnoticed he considered abandoning painting for lithography and caricature. He had his first success as a painter at the 1831 Salon with Cadgi-Bey, Chief of Police in Smyrna, Doing his Round, which gained him a second-class medal. Exhibited at the same time were View Taken in the Levant.

fig 5. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 5. Alexandre Decamps (1803-1860) Oil Painting

Museum and Gallery Holdings

Amsterdam: Truffle Hunter; Knife Grinder; Turkish Executioners; Neapolitan

Bayonne (Mus. Bonnat): Four Boats; Doe Lying on a Rock

Béziers: View in Holland

Bordeaux (MBA): Livestock Market; Landscape with Animals

fig 6. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 6. Alexandre Decamps (1803-1860) Oil Painting

Bucharest (Muz. National de Arta al României): Mosque

Caen (MBA): Orange Seller

Châlons-en-Champagne: Old Fisherman; Old Peasant

Chambéry (MBA): Landscape; Coming out of the Turkish School

Chantilly (Mus. Condé): Turkish Landscape (before 1833); Troop of Turkish Guards on the Road to Smyrna in Magnesia (1833); Memory of Asian Turkey: Turkish Children Playing with a Tortoise (1836); Turkish Children beside a Fountain (1846); Turkish Standard Bearer (c. 1839); Turkish School (1846); Rebecca at the Fountain (1848); Landscape; Bertrand and Raton (1846, according to the fable by Jean de La Fontaine); Child Feeding a Sheep (1847); Cavalry from Asiatic Turkey Crossing a Ford (1848); March of Bashi-Bouzouks (1846); View of Ebra in Palestine (watercolour and gouache)

fig 7. A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
fig 7. Alexandre Decamps (1803-1860) Oil Painting

Compiègne: Monkey Musicians

Frankfurt am Main: Yoke of Oxen

Glasgow: St Jerome

Graz: Storyteller

Lille (MBA): Hunting (1847)

London (Wallace Collection): Arabs Reposing or Eastern Figures Reposing (c. 1832-1833, oil on canvas); The Finding of Moses (1837, oil on canvas); A Well in the East (1847, oil on canvas); The Villa Doria-Pamphili, Rome (c. 1835, oil on canvas); The Bookworm (1846?, oil on canvas); The Roman Campagna (c. 1847, oil/panel); The Miraculous Drau

Height
44.4cm (17.48")
Width
61cm (24.02")
Depth
7cm (2.76")
Date of Manufacture

Country Homes Antiques Stirling has dated this 19th Century French Oil Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA828918
Country Homes Antiques Stirling
Country Homes Antiques Stirling
Sellingantiques verified Since Nov 2016

Fine period furniturnishings-timeless design

Dealer Profile

You can view the stock and full dealer information on the Country Homes Antiques Stirling Profile Page

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A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
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Archive I A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.

Alexandre Decamps (1803-1860) Oil Painting

Archive II A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View II
Archive III A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View III
Archive IV A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View IV
Archive V A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View V
Archive VI A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View VI
Archive VII A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View VII
Archive VIII A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View VIII
Archive IX A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View IX
Archive X A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame. View X
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A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
Alexandre Decamps (1803-1860) Oil painting
Ref: SA828918
A nineteenth-century French oil painting depicting figures beside a well against a sunset landscape in a carved gilt frame.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Paintings from this period often feature dramatic chiaroscuro lighting, rich earthy colour palettes, narrative or mythological subjects, and atmospheric representations of distant landscapes influenced by French Romanticism.

Artists typically painted using oil pigments bound with linseed oil on stretched linen canvas or wooden panels, housed within hand-carved wooden frames finished with gold leaf gilding.

Authenticity is evaluated through physical markers such as age-appropriate craquelure patterns across the varnish, original canvas stretcher construction, artist signatures or monograms, and provenance documentation.

Classical oil paintings serve as effective focal points when hung above fireplace mantels or sideboards, contrasting against modern muted wall tones or complementing dark, textured wallpaper in traditional schemes.

Paintings should be kept in climate-controlled environments away from direct sunlight and heat sources. Framing gilded wood requires gentle dusting with a soft dry brush, while canvas cleaning should only be undertaken by a professional conservator.
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