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ID #SA760708
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Portrait of ‘Whimsical Walker’ by Lucy Kemp-welch (1869-1958)
For sale by William Morris Antiques
for sale €1,112     $1,207
£950

William Morris Antiques

Sellingantiques Verified Since Jul 2020
Browse dealers 22 items
  • About Us
    Jess william morris established himself in the antiques business in 1999 after being awarded an rics accredited fine art valuation degree
Id #SA760708
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Portrait of ‘Whimsical Walker’ by Lucy Kemp-welch (1869-1958)

1900 - 1920
Description

Portrait of ‘Whimsical Walker’ aka Thomas Dawson Walker (1851-1934) by Lucy Kemp-Welch (1869-1958)

Oil on canvas

Size: 20 x 16 ins.

Initial "L.K.W." lower left

Lucy Kemp-Welch was a circus enthusiast and followed Lord George Sanger’s Circus (1854-1911) around for a number of years. 'Whimsical Walker' was one of the best known pantomime artistes and circus performers of the late 19th early 20th century. He was also a clown and an acrobat. There is quite a lot written about him. ' Mention the name "Whimsical Walker" and many different versions of who he was will be presented. This is the definitive outline:

Whimsical Walker toured the world 3 times, during the fourteen years he was with Hengler's Circus; and played 21 seasons in pantomime at the Drury Lane Theatre.

He came into the world on 21st July 1851, as Thomas Henry (Dawson) Walker - the son of the landlady of the inn The March of Intellect, in Hull, and Robert Stanley Walker, an advance man for Cooks' Circus.

At the age of eight he was performing in Pablo Fanque's circus. He learnt all aspects of the business, and became an equestrian; tumbler; ropewalker; clown and all-round adept circus performer.

He was a frequent visitor to America - having visited 16 times. His first visit was in 1874 with a contract to John Murray's Railroad Circus. It was some eight years later (October 1882) before he returned to the UK.

In 1887, whilst with Barnum & Bailey, he purchased 'Jumbo' the elephant for them, from the London Zoological Gardens, for the sum of £2000. The fee was more than paid back in just a few performances.

Walker put on a profitable pantomime presentation of W. S. Gilbert's The Three Wishes, at the Metropolitan Alcazar Theatre, New York - thus becoming the only person to put on a successful English pantomime (in America) in his day. However, he became bankrupt due to a defective theatre balcony.

In 1886 he was commanded to appear at the first Royal Command Performance, staged at Windsor Castle, before Queen Victoria. His last performance before royalty was for the first visit to a circus of the Princess Elizabeth in 1934. He died later that year (10th November) in Gorleston-on-Sea, aged 83.' (Written by Robert Breen - great grandson of Whimsical Walker)

Physical Dimensions
Height
50.8cm (20.00")
Width
40.6cm (15.98")
Declaration

William Morris Antiques has dated this Lucy Kemp Welch Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA760708
Description
Portrait of ‘Whimsical Walker’ aka Thomas Dawson Walker (1851-1934) by Lucy Kemp-Welch (1869-1958)

Oil on canvas

Size: 20 x 16 ins.

Initial "L.K.W." lower left

“
Lucy Kemp-Welch was a circus enthusiast and followed Lord George Sanger’s Circus (1854-1911) around for a number of years.
William Morris Antiques

'Whimsical Walker' was one of the best known pantomime artistes and circus performers of the late 19th early 20th century. He was also a clown and an acrobat. There is quite a lot written about him. ' Mention the name "Whimsical Walker" and many different versions of who he was will be presented. This is the definitive outline:

Whimsical Walker toured the world 3 times, during the fourteen years he was with Hengler's Circus; and played 21 seasons in pantomime at the Drury Lane Theatre.

He came into the world on 21st July 1851, as Thomas Henry (Dawson) Walker - the son of the landlady of the inn The March of Intellect, in Hull, and Robert Stanley Walker, an advance man for Cooks' Circus.

At the age of eight he was performing in Pablo Fanque's circus. He learnt all aspects of the business, and became an equestrian; tumbler; ropewalker; clown and all-round adept circus performer.

He was a frequent visitor to America - having visited 16 times. His first visit was in 1874 with a contract to John Murray's Railroad Circus. It was some eight years later (October 1882) before he returned to the UK.

In 1887, whilst with Barnum & Bailey, he purchased 'Jumbo' the elephant for them, from the London Zoological Gardens, for the sum of £2000. The fee was more than paid back in just a few performances.

Walker put on a profitable pantomime presentation of W. S. Gilbert's The Three Wishes, at the Metropolitan Alcazar Theatre, New York - thus becoming the only person to put on a successful English pantomime (in America) in his day. However, he became bankrupt due to a defective theatre balcony.

In 1886 he was commanded to appear at the first Royal Command Performance, staged at Windsor Castle, before Queen Victoria. His last performance before royalty was for the first visit to a circus of the Princess Elizabeth in 1934. He died later that year (10th November) in Gorleston-on-Sea, aged 83.' (Written by Robert Breen - great grandson of Whimsical Walker)

Height
50.8cm (20.00")
Width
40.6cm (15.98")
Date of Manufacture

William Morris Antiques has dated this Lucy Kemp Welch Oil Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA760708
William Morris Antiques
Sellingantiques verified Since Jul 2020

Jess william morris established himself in the antiques business in 1999 after being awarded an rics accredited fine art valuation degree

Dealer Profile

You can view the stock and full dealer information on the William Morris Antiques Profile Page

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An impressionistic oil portrait depicting a theatrical performer in makeup with a feathered headpiece set against a vivid red background.
1 / 1
Archive I An impressionistic oil portrait depicting a theatrical performer in makeup with a feathered headpiece set against a vivid red background.

Portrait of ‘Whimsical Walker’ by Lucy Kemp-welch (1869-1958)

Enlarged Archival View
Telephone 0800 324 7028
Location
115 St Georges Road
Brighton
East Sussex
BN2 1EA
United Kingdom
Verified Since Jul 2020
Items For Sale 22
Items Sold 263
William Morris Antiques
Verified Since Jul 2020
View Dealer Info
Location: 115 St Georges Road, Brighton, East Sussex, BN2 1EA, United Kingdom
Verified
Jul 2020
For Sale
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Sold
263
An impressionistic oil portrait depicting a theatrical performer in makeup with a feathered headpiece set against a vivid red background.
Portrait of ‘Whimsical Walker’ by Lucy Kemp-Welch (1869-1958)
Ref: SA760708
An impressionistic oil portrait depicting a theatrical performer in makeup with a feathered headpiece set against a vivid red background.
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period1900 - 1920
  • StyleBritish Impressionism
  • MaterialOil on Canvas, Pigment
  • ColourRed and Ochre
  • MotifsHeavy impasto brushwork, Feathered headpiece, Character makeup, High-contrast lighting
  • SizeH 50.8 cm (20 in) x W 40.6 cm (16 in)

This British Impressionist fine art piece from 1910 is an oil on canvas portrait of Thomas Dawson Walker, known as Whimsical Walker, painted by Lucy Kemp-Welch. The painting shows the theatrical performer wearing character makeup, a dark garment with red and ochre embellishments, and a large feathered headpiece set against a vibrant red background with heavy impasto brushwork. The initials L.K.W. appear in the lower left corner. The canvas measures 50.8 cm high by 40.6 cm wide. Such a maximalist artwork suits a home interior as a focal point mounted above the mantel in a living room or study. The visible high-contrast lighting accentuates the performer's facial features and the textured surface of the medium. The subject reflects late nineteenth and early twentieth-century circus and pantomime culture, providing historical context for collectors of theatrical memorabilia and British portraiture.

British Impressionism emerged in the late 19th and early 20th centuries, combining plein-air colour theories with structured figuration. Artists used gestural brushwork, rich impasto, and dramatic lighting to capture theatrical performers and character studies.

Artists typically employed oil pigments bound with linseed oil applied directly to stretched cotton canvas, linen, or wooden panel. Heavy impasto application was favoured to build texture and dimension in expressive portraits.

Authentic paintings display natural craquelure consistent with age, period signatures or artist inscriptions, and characteristic surface impasto. Inspection under ultraviolet light often reveals aged varnish and any subsequent retouching.

A dramatic portrait functions well as a focal point above a fireplace mantel or console table. Pairing theatrical subject matter with neutral walls and dark timber furniture highlights the vivid colours and textured brushstrokes.

Keep the painting away from direct sunlight, humidity fluctuations, and heat sources. Surface dust should be removed gently using a soft, dry camel-hair brush, avoiding damp cloths or liquid cleaning agents.
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