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ID #SA385052
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£8,650
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Portrait of a Lady C.1685: Circle of Adriaen Hanneman.
For sale by Roy Precious - Antiques & Fine Art
for sale €10,121     $10,986
£8,650
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

Sellingantiques Verified Since Mar 2003
Browse dealers 92 items
  • About Us
    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
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Portrait of a Lady C.1685: Circle of Adriaen Hanneman.

17th century
Description

Oil on canvas in a very fine Italian carved and giltwood frame.

This excellent painting is a good example of the art of the Baroque period, with great care give to the depiction of the sitter's expensive silks and lace.

Adriaen Hanneman (c. 1603 - buried 11 July 1671) was a Dutch Golden Age painter best-known today for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.

He was born into a wealthy Catholic patrician family in the Hague, and studied drawing with Hague portrait artist Jan Antonisz. van Ravesteyn

SIZE:43 x 37 inches inc. frame.

PROVENANCE: From a Belgian chateau and by descent.

Declaration

Roy Precious - Antiques & Fine Art has dated this 17th Century Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA385052
Dealers Internal Reference
8930
Description
Oil on canvas in a very fine Italian carved and giltwood frame.
“
This excellent painting is a good example of the art of the Baroque period, with great care give to the depiction of the sitter's expensive silks and lace.
Roy Precious - Antiques & Fine Art
fig 1. An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.
fig 1. Portrait of a Lady C.1685: Circle of Adriaen Hanneman.

Adriaen Hanneman (c. 1603 - buried 11 July 1671) was a Dutch Golden Age painter best-known today for his portraits of the exiled British royal court. His style was strongly influenced by his contemporary, Anthony van Dyck.

fig 2. An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.
fig 2. Portrait of a Lady C.1685: Circle of Adriaen Hanneman.

He was born into a wealthy Catholic patrician family in the Hague, and studied drawing with Hague portrait artist Jan Antonisz. van Ravesteyn

SIZE:43 x 37 inches inc. frame.

PROVENANCE: From a Belgian chateau and by descent.

Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 17th Century Portrait Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA385052
Dealers Internal Ref
8930
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.
1 / 7
Archive I An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.

Portrait of a Lady C.1685: Circle of Adriaen Hanneman.

Archive II An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View II
Archive III An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View III
Archive IV An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View IV
Archive V An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View V
Archive VI An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View VI
Archive VII An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame. View VII
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Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art
Telephone 01249 815048 or 07710 222273
Location
Wiltshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 92
Items Sold 683
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
Profile: sellingantiques.co.uk/rp
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Mar 2003
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An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.
Portrait of a Lady c.1685: Circle of Adriaen Hanneman.
Ref: SA385052
An oval 17th-century oil painting depicting a noblewoman dressed in a blue drape and lace-trimmed gown within an ornate carved giltwood frame.
Detail View 1
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Cataloguer’s note

Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period17th century
  • StyleBaroque
  • MaterialOil on Canvas, Giltwood, Gold Leaf
  • ColourGold and Blue
  • MotifsOval composition, Carved giltwood frame, Silk drapery, Pearl jewellery

This seventeenth-century fine art piece is a Baroque oil on canvas portrait of a noblewoman set within an ornate carved giltwood frame. The sitter wears an orange and white lace-trimmed gown draped in brilliant blue silk, accented by pearl earrings and styled with brown hair. The Italian carved giltwood frame displays raised floral motifs, rope-twist mouldings, and a central sunflower finial at the top. The entire composition measures 109 x 94 cm including the frame. Suitable for period homes and traditional interior schemes, this artwork is designed to hang prominently above a fireplace mantel in a drawing room or formal dining space. The dark background contrasts with the rich fabrics of the sitter's dress and the reflective gold leaf of the frame, bringing character to a reception room or study wall.

FAQs

Late 17th-century Baroque portraiture is characterised by dramatic chiaroscuro lighting, rich colour tones, elaborate drapery, and a focus on status through detailed rendering of fabrics and jewellery.

Artists during this era typically used oil-based pigments applied to hand-woven linen canvas or wooden panels, framed within hand-carved, gilded timber frames.

Authentic period paintings show natural craquelure consistent with age, historic canvas lining or hand-tacked edges, oxidation on the reverse timber, and period-correct carving techniques on the frame.

Designers often mount large antique oil portraits above sideboards or fireplace mantels to create an anchor point, contrasting historical artwork with minimalist modern furniture.

Keep the painting away from direct sunlight, extreme temperature fluctuations, and high humidity. Dust the frame gently with a dry, soft-bristled brush and avoid using chemical cleaning liquids on the painted surface.
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