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ID #SA1242315
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£4,500
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Holy Men of India Important British Colonial Watercolour by William Tayler C.1830-40
For sale by Radnorshire Fine Arts Ltd
for sale €5,265     $5,715
£4,500
Radnorshire Fine Arts Ltd

Radnorshire Fine Arts Ltd

Sellingantiques Verified Since Sep 2026
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    We buy and sell paintings, watercolours, prints and drawings from the 17th to the 20th century
Id #SA1242315
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Holy Men of India Important British Colonial Watercolour by William Tayler C.1830-40

19th century
Description

William Tayler – Byragees at Puri, India, circa 1830-40

Watercolour on thick paper, titled in ink to lower margin, ‘Byragees at Pooree, drawn by W. Tayler’. The painting shows a group of seated and standing Hindu sadhus (holy men), three are white with ash, all are gathered in front of a domed hut. The central figure in the composition stands displaying his long nails with his right arm raised. By growing their nails long, these men demonstrate their commitment to a life of asceticism, detachment from the material world, deep in spiritual devotion. The longer the nails, the more profound their renunciation is perceived to be.

Sheet: 11 x 8 3/4 in. (28 x 22.3 cm.)

Condition: There is a small piece of paper missing from the bottom left corner, otherwise the picture is in very good condition retaining strong colours. This item is to be sold in its present condition without a mount or a frame.

William Tayler (1808-1892), British colonial administrator and artist employed by the East India Company in British India, 1829-1867, who became commissioner of Patna in 1855. A gifted amateur artist and caricaturist, he sketched and painted landscapes and scenes of everyday life in India. His Sketches Illustrating the Manners and Customs of the Indians and Anglo Indians: Drawn on Stone from the Original Drawings from Life (London: Thomas McLean, 1842), a rare portfolio of six colour lithographs after his original watercolours, titled: The Young Civilians Toilet, The Young Ladies Toilet, The Breakfast, The Women Grinding at the Mill, The Sunyasees, and The Village Barber. The present watercolour of Byragees, a sect of Hindu fakirs or sadhus, may have been another drawing considered for the project.

Declaration

Radnorshire Fine Arts Ltd has dated this British Colonial Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1242315
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Description
William Tayler – Byragees at Puri, India, circa 1830-40

Watercolour on thick paper, titled in ink to lower margin, ‘Byragees at Pooree, drawn by W. Tayler’.

“
The painting shows a group of seated and standing Hindu sadhus (holy men), three are white with ash, all are gathered in front of a domed hut.
Radnorshire Fine Arts Ltd

The central figure in the composition stands displaying his long nails with his right arm raised. By growing their nails long, these men demonstrate their commitment to a life of asceticism, detachment from the material world, deep in spiritual devotion. The longer the nails, the more profound their renunciation is perceived to be.

fig 1. A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.
fig 1. Holy Men of India Important British Colonial Watercolour by William Tayler C.1830-40

Sheet: 11 x 8 3/4 in. (28 x 22.3 cm.)

Condition: There is a small piece of paper missing from the bottom left corner, otherwise the picture is in very good condition retaining strong colours. This item is to be sold in its present condition without a mount or a frame.

fig 2. A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.
fig 2. Holy Men of India Important British Colonial Watercolour by William Tayler C.1830-40

William Tayler (1808-1892), British colonial administrator and artist employed by the East India Company in British India, 1829-1867, who became commissioner of Patna in 1855. A gifted amateur artist and caricaturist, he sketched and painted landscapes and scenes of everyday life in India. His Sketches Illustrating the Manners and Customs of the Indians and Anglo Indians: Drawn on Stone from the Original Drawings from Life (London: Thomas McLean, 1842), a rare portfolio of six colour lithographs after his original watercolours, titled: The Young Civilians Toilet, The Young Ladies Toilet, The Breakfast, The Women Grinding at the Mill, The Sunyasees, and The Village Barber. The present watercolour of Byragees, a sect of Hindu fakirs or sadhus, may have been another drawing considered for the project.

Date of Manufacture

Radnorshire Fine Arts Ltd has dated this British Colonial Watercolour Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1242315
Radnorshire Fine Arts Ltd
Radnorshire Fine Arts Ltd
Sellingantiques verified Since Sep 2026

We buy and sell paintings, watercolours, prints and drawings from the 17th to the 20th century

Dealer Profile

You can view the stock and full dealer information on the Radnorshire Fine Arts Ltd Profile Page

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A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.
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Archive I A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.

Holy Men of India Important British Colonial Watercolour by William Tayler C.1830-40

Archive II A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View II
Archive III A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View III
Archive IV A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View IV
Archive V A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View V
Archive VI A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View VI
Archive VII A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds. View VII
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Telephone 07790 208712
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Dealer Profile Page sellingantiques.co.uk/rfa
Verified Since Sep 2026
Items For Sale 37
Items Sold 2
Radnorshire Fine Arts Ltd
Radnorshire Fine Arts Ltd
Verified Since Sep 2026
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Location: Powys, Wales, United Kingdom, , By appointment.
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A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.
Holy Men of India Important British Colonial Watercolour by William Tayler c.1830-40
Ref: SA1242315
A nineteenth-century watercolour painting depicting a group of Indian ascetics gathered outside a thatched hut beneath palm fronds.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFine Art
  • Period19th century
  • StyleBritish Colonial
  • MaterialPaper, Watercolour, Ink
  • ColourEarthy Brown
  • MotifsAscetic figures, Thatched bamboo hut, Palm fronds, Traditional drapery

British Colonial art from this era often comprises watercolours and sketches created by European officials, travellers, or commissioned Indian artists. These works primarily focus on topographical views, architectural monuments, local customs, and ethnographic studies of regional figures.

Watercolours from this period were composed of finely ground mineral and botanical pigments suspended in a water-soluble binder, such as gum arabic. These pigments were applied to heavy rag-based paper using natural hair brushes.

Authentication involves examining paper characteristics, such as watermarks and edge wear, along with evidence of historic pigment aging and hand-applied pencil or ink inscriptions. Verification of provenance and signature comparison against period records also provides key evidence.

Artwork of this nature works well within dark wood environments such as libraries or studies. Framing the piece in a UV-protective museum glass mount with a simple wooden moulding complements contemporary dark academia or traditional classic interiors.

Watercolours must be kept out of direct sunlight and mounted using acid-free archival mats to prevent foxing and pigment fading. Maintaining stable humidity and temperature levels prevents paper warping and degradation over time.
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