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ID #SA1238044
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£16,000
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Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana
For sale by Period Portraits
for sale €18,720     $20,320
£16,000
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
Browse dealers 44 items
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Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

16th century
For Sale by Period Portraits
Description

Diminutive and jewel like 16th century Italian late Renaissance portrait of a noblewoman. The size and oval format of this work being consistent with the intimate and portable nature of such high-status commissions.

The sitter represents the idealised beauty standards of the late Renaissance or Mannerist period. She has a high, smooth forehead, pale porcelain skin with a subtle, rosy flush on her cheeks, and delicate features. Her dark eyes engage directly with us, and her expression is calm, composed, and enigmatic.

The sitters high status is further confirmed by her jewellery and this includes an impressive table cut ruby which is set in gold and pinned in her hair, from which a single pearl is suspended. The placement of this jewel is significant as a high forehead was a standard of Renaissance beauty, and wearing a striking jewel at the center of the hairline draws the viewer's eye directly to this idealised feature, highlighting the forehead's breadth and the sitters perceived refinement.

She also wears a large teardrop shaped pearl earring and a simple and elegant single strand of evenly matched pearls, which rests at the base of her neck. Her light brown or auburn hair is styled in an incredibly elaborate coiffure, typical of high-status women of the era. The front sections of which are tightly crimped or waved and pulled back, and the rest of the hair is arranged in a mass of complex curls at the crown and sides. The sitter is further adorned with a string of pearls which is woven into the braided and curled hair on the left side of her head.

Her costume is a luxurious, golden-yellow embroidered silk/brocade gown which features a subtle pattern of small, dark, diagonal dashes or slashes across the surface. It has a deep V-neckline framed by a dark lavender coloured trim. Beneath this heavy outer garment lies a sheer, delicate white undergarment (a chemise or partlet) crosses over her chest, it preserves her modesty and adds a layer of textural contrast to the heavy gold fabric.

This fine portrait has been conjured by a supremely talented hand and the meticulous rendering of these luxurious fabrics, precious jewels, and idealised features serve to emphasise the sitter's aristocratic elegance, wealth, and refined beauty.

This work is in a fine state of preservation and is housed in a later oval ebonised frame with gilt highlights.

Canvas: 18in x 16in / 46cm x 41cm.

Framed: 34.5in x 22in / 88cm x 56cm.

Price: £16000

Physical Dimensions
Height
88cm (34.65")
Width
56cm (22.05")
Depth
4cm (1.57")
Declaration

Period Portraits has dated this Italian Renaissance Portrait Painting to the 16th Century.

Reference Numbers
Sellingantiques Reference
SA1238044
Description
Diminutive and jewel like 16th century Italian late Renaissance portrait of a noblewoman.
“
The size and oval format of this work being consistent with the intimate and portable nature of such high-status commissions.
Period Portraits
fig 1. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 1. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

The sitter represents the idealised beauty standards of the late Renaissance or Mannerist period. She has a high, smooth forehead, pale porcelain skin with a subtle, rosy flush on her cheeks, and delicate features. Her dark eyes engage directly with us, and her expression is calm, composed, and enigmatic.

fig 2. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 2. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

The sitters high status is further confirmed by her jewellery and this includes an impressive table cut ruby which is set in gold and pinned in her hair, from which a single pearl is suspended. The placement of this jewel is significant as a high forehead was a standard of Renaissance beauty, and wearing a striking jewel at the center of the hairline draws the viewer's eye directly to this idealised feature, highlighting the forehead's breadth and the sitters perceived refinement.

fig 3. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 3. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

She also wears a large teardrop shaped pearl earring and a simple and elegant single strand of evenly matched pearls, which rests at the base of her neck. Her light brown or auburn hair is styled in an incredibly elaborate coiffure, typical of high-status women of the era. The front sections of which are tightly crimped or waved and pulled back, and the rest of the hair is arranged in a mass of complex curls at the crown and sides. The sitter is further adorned with a string of pearls which is woven into the braided and curled hair on the left side of her head.

fig 4. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 4. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

Her costume is a luxurious, golden-yellow embroidered silk/brocade gown which features a subtle pattern of small, dark, diagonal dashes or slashes across the surface. It has a deep V-neckline framed by a dark lavender coloured trim. Beneath this heavy outer garment lies a sheer, delicate white undergarment (a chemise or partlet) crosses over her chest, it preserves her modesty and adds a layer of textural contrast to the heavy gold fabric.

fig 5. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 5. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

This fine portrait has been conjured by a supremely talented hand and the meticulous rendering of these luxurious fabrics, precious jewels, and idealised features serve to emphasise the sitter's aristocratic elegance, wealth, and refined beauty.

fig 6. An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
fig 6. Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

This work is in a fine state of preservation and is housed in a later oval ebonised frame with gilt highlights.

Canvas: 18in x 16in / 46cm x 41cm.

Framed: 34.5in x 22in / 88cm x 56cm.

Price: £16000

Height
88cm (34.65")
Width
56cm (22.05")
Depth
4cm (1.57")
Date of Manufacture

Period Portraits has dated this Italian Renaissance Portrait Painting to the 16th Century.

Reference Numbers
Sellingantiques Ref
SA1238044
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

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An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
1 / 15
Archive I An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.

Italian Renaissance Portrait of a Noblewoman - Circle of Lavinia Fontana

Archive II An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View II
Archive III An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View III
Archive IV An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View IV
Archive V An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View V
Archive VI An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View VI
Archive VII An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View VII
Archive VIII An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View VIII
Archive IX An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View IX
Archive X An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View X
Archive XI An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View XI
Archive XII An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View XII
Archive XIII An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View XIII
Archive XIV An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View XIV
Archive XV An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background. View XV
Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 44
Items Sold 63
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
44
Sold
63
An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
ITALIAN RENAISSANCE PORTRAIT OF A NOBLEWOMAN - CIRCLE OF LAVINIA FONTANA
Ref: SA1238044
An antique oil painting depicting the bust portrait of an Italian Renaissance noblewoman wearing pearl jewellery and a gold gown against a dark background.
Detail View 1
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Detail View 4
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period16th century
  • StyleItalian Renaissance
  • MaterialOil Paint, Canvas, Linen
  • ColourWarm Brown
  • MotifsPearl earrings, Elaborate hair jewels, Gold attire, Pearl necklace
  • SizeH 88 cm (35 in) x W 56 cm (22 in) x D 4 cm (2 in)

This sixteenth century Italian late Renaissance oil painting depicts the bust portrait of a noblewoman wearing pearl jewellery and a gold gown against a dark background, created in the style of the Italian Renaissance. The work is executed in oil paint on canvas and linen, rendered in warm brown tones with a golden-yellow gown, dark lavender trim, and white undergarment, housed within an oval ebonised frame with gilt highlights showing minor wear along the moulded wooden edges. The entire piece measures 88 cm high, 56 cm wide, and 4 cm deep. It fits well in a gentleman's library or positioned above a sideboard in a reception room or study.

Italian Renaissance portraiture is recognised for its realistic rendering of sitters, detailed representation of clothing and jewellery, and focus on capturing social status and individual identity.

Artists during this era typically worked with ground natural pigments mixed with drying oils, applied onto linen canvas or wooden panels, and protected with natural resin varnish.

Authentic period works demonstrate age-appropriate craquelure across the paint surface, historical stretcher or panel construction, and pigment composition consistent with 16th and 17th-century methods.

A historic oil portrait can serve as a central focal point above a minimalist console table or mantelpiece, creating a strong visual contrast when set against neutral or dark moody walls.

Display the artwork away from direct sunlight and fluctuating humidity, and remove dust gently using a dry, soft natural bristle brush without applying liquid cleaners.
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