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Henry Bone Ara Enamel Portrait of Felicity Trotter
Sold by Wigs on the Green
sold SA1233754
Sorry, but this item has been sold.
Wigs on the Green

Wigs on the Green

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    Small portraiture of character & historical interest
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Henry Bone Ara Enamel Portrait of Felicity Trotter

18th century
Sold 1 January 1900 · Wigs on the Green
This “Henry Bone Ara Enamel Portrait of Felicity Trotter” found a buyer.

It was listed by Wigs on the Green. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Henry Bone’s copy in miniature of Sir Thomas Lawrence’s masterful portrait of Felicity Jean Trotter does not lose any of the original’s rich magnificence. The portrait shows a radiant Felicity set before a blood red drape. She wears a black silk dress with a starched white buffon fill-in and knotted neck-tie accessorised with gold jewellery. Her upswept curls are topped with a fashionable turban headdress with trailing lace falling over her shoulder.

Painted in enamel on copper signed within on the counter-enamel ‘HBone pinx.t/Feb.y 1799’, the portrait is set in a handsome gold frame that is glazed reverse to show foiled green glass with a border of braided hair set with gold lettering ‘9 Feb. 1797’ and ‘Felicity’. This inscription appears to confirm that the Lawrence portrait was painted in early 1797 when Felicity was just 23 years of age.

Born in 1774, Felicity was the daughter of Scottish-born Royal Navy captain Samuel Swinton and his French-born wife Felicité Jeanne le Febre. Aged 19, Felicity married Archibald Mitchelson-Hepburn of Midlothian and with him had a daughter, Isabella. Following the dissolution of that marriage, she then married John Trotter of Dyrham Park in two ceremonies, firstly in Edinburgh in July 1804 and then in London in September 1804. Trotter was a partner in his uncle’s cabinet-making and upholstery business but made his true fortune as a military contractor to the Government during the Napoleonic Wars. When his warehouses were no longer needed for military supplies, being ever inventive, Trotter converted them to establish the Soho Bazaar, an indoor market primarily intended for the widows and daughters of army personnel to sell handicrafts. This proved to be yet another lucrative venture ensuring that Felicity and their family could continue to lead a charmed life of comfort.

A preliminary drawing for this portrait is recorded in R. Walker, ‘Henry Bone’s Pencil Drawings’ The Walpole Society, vol. LXI, 1999, p.347. Henry Bone also completed two enamel portraits of John Trotter after Sir William Beechey, the preliminary drawings for which are in the V & A Museum.

Henry Bone was born in Cornwall, the son of a cabinet-maker. His artistic career began in Plymouth where he painted china before moving to London where he graduated to enamelling designs for watches. Bone first exhibited miniature portraits at the Royal Academy in 1781 and was appointed Enamel Painter in Ordinary to George III in 1809. He was in his 80th year when he died at his house in Clarendon Square in December 1834.

The Lawrence oil portrait of Felicity remained in the family until 1985 whereupon it was sold by Phillips Auctions. It was subsequently sold by Christie’s in New York in 2026 for a mighty US$241,300.

Framed Size: 77 x 64mm

Provenance: Christie's, March 1981 ; Collection of Dr Erika Pohl Stroher, Sotheby's 2021 (£13,860) ; The Twinight Collection

Literature: preliminary drawing is recorded in R. Walker, Henry Bone's Pencil Drawings, The Walpole Society, vol. LXI, 1999, p. 347, under no. 522

Date of Manufacture

Wigs on the Green has dated this Georgian Enamel Portrait Miniature to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1233754
Dealers Internal Reference
7827
Dealers Notes

All prices include UK postage. International shipping will be at cost.

Description
Henry Bone’s copy in miniature of Sir Thomas Lawrence’s masterful portrait of Felicity Jean Trotter does not lose any of the original’s rich magnificence. The portrait shows a radiant Felicity set before a blood red drape.
“
She wears a black silk dress with a starched white buffon fill-in and knotted neck-tie accessorised with gold jewellery.
Wigs on the Green

Her upswept curls are topped with a fashionable turban headdress with trailing lace falling over her shoulder.

fig 1. A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
fig 1. Henry Bone Ara Enamel Portrait of Felicity Trotter

Painted in enamel on copper signed within on the counter-enamel ‘HBone pinx.t/Feb.y 1799’, the portrait is set in a handsome gold frame that is glazed reverse to show foiled green glass with a border of braided hair set with gold lettering ‘9 Feb. 1797’ and ‘Felicity’. This inscription appears to confirm that the Lawrence portrait was painted in early 1797 when Felicity was just 23 years of age.

fig 2. A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
fig 2. Henry Bone Ara Enamel Portrait of Felicity Trotter

Born in 1774, Felicity was the daughter of Scottish-born Royal Navy captain Samuel Swinton and his French-born wife Felicité Jeanne le Febre. Aged 19, Felicity married Archibald Mitchelson-Hepburn of Midlothian and with him had a daughter, Isabella. Following the dissolution of that marriage, she then married John Trotter of Dyrham Park in two ceremonies, firstly in Edinburgh in July 1804 and then in London in September 1804. Trotter was a partner in his uncle’s cabinet-making and upholstery business but made his true fortune as a military contractor to the Government during the Napoleonic Wars. When his warehouses were no longer needed for military supplies, being ever inventive, Trotter converted them to establish the Soho Bazaar, an indoor market primarily intended for the widows and daughters of army personnel to sell handicrafts. This proved to be yet another lucrative venture ensuring that Felicity and their family could continue to lead a charmed life of comfort.

fig 3. A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
fig 3. Henry Bone Ara Enamel Portrait of Felicity Trotter

A preliminary drawing for this portrait is recorded in R. Walker, ‘Henry Bone’s Pencil Drawings’ The Walpole Society, vol. LXI, 1999, p.347. Henry Bone also completed two enamel portraits of John Trotter after Sir William Beechey, the preliminary drawings for which are in the V & A Museum.

fig 4. A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
fig 4. Henry Bone Ara Enamel Portrait of Felicity Trotter

Henry Bone was born in Cornwall, the son of a cabinet-maker. His artistic career began in Plymouth where he painted china before moving to London where he graduated to enamelling designs for watches. Bone first exhibited miniature portraits at the Royal Academy in 1781 and was appointed Enamel Painter in Ordinary to George III in 1809. He was in his 80th year when he died at his house in Clarendon Square in December 1834.

The Lawrence oil portrait of Felicity remained in the family until 1985 whereupon it was sold by Phillips Auctions. It was subsequently sold by Christie’s in New York in 2026 for a mighty US$241,300.

Framed Size: 77 x 64mm

Provenance: Christie's, March 1981 ; Collection of Dr Erika Pohl Stroher, Sotheby's 2021 (£13,860) ; The Twinight Collection

Literature: preliminary drawing is recorded in R. Walker, Henry Bone's Pencil Drawings, The Walpole Society, vol. LXI, 1999, p. 347, under no. 522

Date of Manufacture

Wigs on the Green has dated this Georgian Enamel Portrait Miniature to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1233754
Dealers Internal Ref
7827
Wigs on the Green
Wigs on the Green
Sellingantiques verified Since May 2020

Small portraiture of character & historical interest

Dealer Profile

You can view the stock and full dealer information on the Wigs on the Green Profile Page

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A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. SOLD6+ MONTHS AGO
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Archive I A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. SOLD6+ MONTHS AGO

Henry Bone Ara Enamel Portrait of Felicity Trotter

Archive II A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. View II
Archive III A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. View III
Archive IV A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. View IV
Archive V A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop. View V
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Telephone 07962 257915
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Yorkshire
United Kingdom
Verified Since May 2020
Items For Sale 83
Items Sold 319
Wigs on the Green
Wigs on the Green
Verified Since May 2020
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Location: York, Yorkshire, United Kingdom
Verified
May 2020
For Sale
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A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
Henry Bone ARA Enamel Portrait of Felicity Trotter
Ref: SA1233754
A circular Georgian portrait miniature depicted in enamel, set within a polished gold frame with an attached suspension loop.
Detail View 1
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPortrait Miniatures
  • Period18th century
  • StyleGeorgian
  • MaterialEnamel, Gold, Copper
  • ColourBlack and Gold
  • MotifsSuspension loop, Vitreous glaze finish, Round gold mount

This Georgian portrait miniature by Henry Bone depicts Felicity Jean Trotter set against a blood red drape, wearing a black silk dress, a starched white buffon fill-in with a knotted neck-tie, gold earrings and necklace, upswept curls, and a black turban headdress with trailing lace. Painted in enamel on copper with a vitreous glaze finish and signed on the counter-enamel, the work dates to the 18th Century and sits within a round polished gold frame featuring a suspension loop at the top. The framed piece measures 77 x 64 mm in size. The reverse of the frame holds foiled green glass surrounded by braided hair and gold lettering that reads 9 Feb. 1797 and Felicity. This portrait functions as a collectible decorative antique item that can be displayed within a home cabinet, on a display shelf, or worn as a pendant necklace using the attached suspension loop.

An enamel portrait miniature is a small-scale portrait painted using powdered glass enamels fused onto a metal plate, usually copper or gold, through high-temperature firing. Popular during the 18th and 19th centuries, these durable works served as intimate tokens of affection or remembrance.

Artisans painted metallic oxide pigments onto a counter-enamelled metal base, firing the piece multiple times in a kiln to set each colour layer. The finished enamel was then set into a gold, gilt-brass, or silver mount, often fitted with a loop for suspension.

Authentic enamel miniatures exhibit depth of glaze, fine brushwork, and subtle surface inconsistencies from firing rather than flat modern print dots. They typically feature hand-engraved metal mounts, period-appropriate reverse backing, and lack synthetic resins under magnification.

Group miniature portraits together in a salon-style gallery wall or display them on brass easel stands within a glazed cabinet or bookshelf. Combining these detailed historical accents with clean, contemporary lines creates a sophisticated visual contrast.

Keep enamel miniatures out of direct sunlight, extreme humidity, and sudden temperature shifts to prevent stress fractures or metal tarnishing. Clean gently with a dry, soft microfibre cloth, avoiding liquid polishes or chemical cleaners that could penetrate the mount casing.
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