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ID #SA1233414
FOR SALE
£185
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19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury
Radnorshire Fine Arts Ltd
for sale €216     $235
£185

Radnorshire Fine Arts Ltd

Sellingantiques Verified Since Sep 2026
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Id #SA1233414
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19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

19th century
Description

Pencil and watercolour with white highlights and touches of ink on thick grey/blue paper. Indistinctly inscribed in pencil (upper right) together with the title written in brown ink (lower right). Backing paper: Blue Ingres, laid. Presented in a clear archival acid-free polyester sleeve.

Sheet: 3 13/16 x 5 in. (9.7 x 12.7 cm.)

Backing paper: 8 5/16 x 10 5/8 in. (21 x 27 cm.)

Included in the sale is a transcript of a letter written in 1878 by the artist’s daughter to her mother, a small passage in the letter mentions a scrap album from where this drawing originated.

Provenance: The drawing was removed from a scrap album which had been compiled by Smetham's daughter Edie and her siblings. Throughout his life Smetham suffered from bouts of mental illness but it was in the fall of 1877 that he succumbed to a debilitating attack, he became delusional and virtually ceased talking. Almost a year had passed since his attack when the album was gifted to him by his children. After a decade of emotional and psychological anguish, he died on February 5, 1889. The album was inscribed on the frontispiece; Scraps from Sketch Books – Jas. Smetham.

We are currently holding a sale of our collection, the prices range from as little as £28 to £185. You can view them from the menu bar on our home page - @ Radnorshire Fine Arts - James Smetham “SALE”

James Smetham (1821-1889) produced over four hundred paintings during his lifetime. Like his good friend Dante Gabriel Rossetti, who was a major influence on his art, Smetham was a poet as well as a painter. He also wrote criticisms and recorded fascinating details on many celebrated personages of his day. His paintings ranged from portraits to Biblical interpretations, arcadian vignettes and landscapes. Smetham had great hopes and complicated theories about how audiences would understand and buy his art, but he was sadly disappointed with critical response. However, he received praise from some eminent contemporaries like John Ruskin, George Frederick Watts and Dante Gabriel Rossetti who hailed his friends’ paintings as “the flower of modern art”.

Declaration

Radnorshire Fine Arts Ltd has dated this James Smetham Watercolour Study to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1233414
Description
Pencil and watercolour with white highlights and touches of ink on thick grey/blue paper.
Indistinctly inscribed in pencil (upper right) together with the title written in brown ink (lower right).
Radnorshire Fine Arts Ltd

Backing paper: Blue Ingres, laid. Presented in a clear archival acid-free polyester sleeve.

fig 1. A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
fig 1. 19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

Sheet: 3 13/16 x 5 in. (9.7 x 12.7 cm.)

Backing paper: 8 5/16 x 10 5/8 in. (21 x 27 cm.)

Included in the sale is a transcript of a letter written in 1878 by the artist’s daughter to her mother, a small passage in the letter mentions a scrap album from where this drawing originated.

fig 2. A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
fig 2. 19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

Provenance: The drawing was removed from a scrap album which had been compiled by Smetham's daughter Edie and her siblings. Throughout his life Smetham suffered from bouts of mental illness but it was in the fall of 1877 that he succumbed to a debilitating attack, he became delusional and virtually ceased talking. Almost a year had passed since his attack when the album was gifted to him by his children. After a decade of emotional and psychological anguish, he died on February 5, 1889. The album was inscribed on the frontispiece; Scraps from Sketch Books – Jas. Smetham.

fig 3. A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
fig 3. 19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

We are currently holding a sale of our collection, the prices range from as little as £28 to £185. You can view them from the menu bar on our home page - @ Radnorshire Fine Arts - James Smetham “SALE”

fig 4. A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
fig 4. 19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

James Smetham (1821-1889) produced over four hundred paintings during his lifetime. Like his good friend Dante Gabriel Rossetti, who was a major influence on his art, Smetham was a poet as well as a painter. He also wrote criticisms and recorded fascinating details on many celebrated personages of his day. His paintings ranged from portraits to Biblical interpretations, arcadian vignettes and landscapes. Smetham had great hopes and complicated theories about how audiences would understand and buy his art, but he was sadly disappointed with critical response. However, he received praise from some eminent contemporaries like John Ruskin, George Frederick Watts and Dante Gabriel Rossetti who hailed his friends’ paintings as “the flower of modern art”.

Date of Manufacture

Radnorshire Fine Arts Ltd has dated this James Smetham Watercolour Study to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1233414
Radnorshire Fine Arts Ltd
Sellingantiques verified Since Sep 2026
Dealer Profile

You can view the stock and full dealer information on the Radnorshire Fine Arts Ltd Profile Page

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A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
1 / 5
Archive I A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.

19th Century Drawing / Watercolour Painting by James Smetham at Aylesbury

Archive II A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury. View II
Archive III A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury. View III
Archive IV A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury. View IV
Archive V A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury. View V
Enlarged Archival View
Telephone 07790 208712
Location
Powys
Wales
United Kingdom

By appointment.
Dealer Profile Page sellingantiques.co.uk/rfa
Verified Since Sep 2026
Items For Sale 9
Radnorshire Fine Arts Ltd
Verified Since Sep 2026
View Dealer Info
Location: Powys, Wales, United Kingdom, , By appointment.
Verified
Sep 2026
For Sale
9
A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
19th century Drawing / Watercolour Painting by James Smetham at Aylesbury
Ref: SA1233414
A 19th-century watercolour and graphite study sheet depicting detailed sketches of sheep, dogs, and a farm worker, inscribed with Aylesbury.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

19th-century British studies are defined by detailed naturalistic observation, delicate graphite underdrawing, and light watercolour washes on handmade rag paper, often used as preparatory works for larger oil paintings.

Artists during this era typically utilised graphite pencils, gum arabic-based watercolour pigments, iron gall ink, and woven or laid cotton rag paper.

Authentic period works display natural paper toning, historical watermark impressions, hand-applied graphite or wash layerings, and period inscriptions or signatures consistent with the artists known hand.

Framing the study in a archival conservation mount with a simple wooden moulding allows it to sit comfortably within both traditional gallery wall arrangements and minimalist contemporary interiors.

Works on paper must be kept away from direct sunlight, framed behind UV-filtering glass, and mounted using acid-free, reversible materials in a climate-controlled room to prevent foxing and fading.
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