349  PAGES BROWSED TODAY PAGES TODAY 0 ANTIQUES UPLOADED TODAYNEW ARRIVALS
LATEST STOCK
Sort Order
Items Per Page
Browse Categories
Sort order
Relevant Links
Items per page
ID #SA1231837
FOR SALE
£9,200
Email Buy
Save
Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)
Period Portraits
for sale €10,764     $11,684
£9,200
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
View Dealers Stock Page
  • About Us
    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
Id #SA1231837
PDF SHARE
SAVE

Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

17th century
For Sale by Period Portraits
Description

Fine quality and sensitively rendered 17th century English portrait of Algernon Capel, 2nd Earl of Essex (1670-1710) from the studio of Sir Godfrey Kneller (1646 - 1723). The handsome sitter is depicted half length in armour with a white stock and full wig.

A soldier and courtier that succeeded his father as second Earl of Essex in 1683 at the age of thirteen. Algernon Capel was closely involved with both King William III and Queen Anne, as part of the Whig-supported Protestant Succession.

Contemporary comments state that Capel ‘is a good companion; loves the interest of his country; hath no genius for business, nor will ever apply himself that way; is a well bred gentleman; brown complexioned and well shaped, but his mouth is always open’. He also had the reputation of being ‘the lewdest young man of the town’.

In 1692, Capel married Mary, daughter of Hans Willem Bentinck (King William’s favourite and later first Earl of Portland), having been appointed Gentleman of the Bedchamber immediately on William’s accession in 1688.

Capel also sat in the House of Lords, and was Lord-Lieutenant first of Dorset then of Hertfordshire from 1692 until his death, a post which made him responsible for local militia. He distinguished himself at the Battle of Landen in 1693. Under Queen Anne, who succeeded in 1702, he was promoted to Major General, and in 1707 he became Lieutenant General of the Queen’s forces. He was also Lord Lieutenant of Hertfordshire.

Capel also acted as Constable of the Tower of London, although both his father and grandfather had been imprisoned there his father was imprisoned in the Tower in 1683 on suspicion of involvement in the Rye House Plot, an attempt to kill Charles II and his brother James and before he could be tried he was found in his cell 'dead and wallowing in blood', having presumably cut his own throat. The second earl died suddenly in the Earl of Portland’s lodgings at Whitehall, London and was buried at Watford on 19th January 1710.

Algernon lives on in this beguiling portrait which not only makes strong allusions to the sitters military prowess through his costume, it also reveals his ebullient nature thanks to the artists acute observation of his character

This fine work is in an excellent state of conservation and is presented ready to hang and enjoy in its original carved and gilded 17th century ‘Lely’ style frame.

Higher resolution images on request. Worldwide shipping available.

Canvas: 86cm x 67cm. Framed: 105cm x 85 cm.

Price: £9,250

Physical Dimensions
Height
105cm (41.34")
Width
85cm (33.46")
Declaration

Period Portraits has dated this Baroque Portrait Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1231837
Description
Fine quality and sensitively rendered 17th century English portrait of Algernon Capel, 2nd Earl of Essex (1670-1710) from the studio of Sir Godfrey Kneller (1646 - 1723). The handsome sitter is depicted half length in armour with a white stock and full wig.
A soldier and courtier that succeeded his father as second Earl of Essex in 1683 at the age of thirteen.
Period Portraits

Algernon Capel was closely involved with both King William III and Queen Anne, as part of the Whig-supported Protestant Succession.

fig 1. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 1. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

Contemporary comments state that Capel ‘is a good companion; loves the interest of his country; hath no genius for business, nor will ever apply himself that way; is a well bred gentleman; brown complexioned and well shaped, but his mouth is always open’. He also had the reputation of being ‘the lewdest young man of the town’.

fig 2. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 2. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

In 1692, Capel married Mary, daughter of Hans Willem Bentinck (King William’s favourite and later first Earl of Portland), having been appointed Gentleman of the Bedchamber immediately on William’s accession in 1688.

fig 3. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 3. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

Capel also sat in the House of Lords, and was Lord-Lieutenant first of Dorset then of Hertfordshire from 1692 until his death, a post which made him responsible for local militia. He distinguished himself at the Battle of Landen in 1693. Under Queen Anne, who succeeded in 1702, he was promoted to Major General, and in 1707 he became Lieutenant General of the Queen’s forces. He was also Lord Lieutenant of Hertfordshire.

fig 4. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 4. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

Capel also acted as Constable of the Tower of London, although both his father and grandfather had been imprisoned there his father was imprisoned in the Tower in 1683 on suspicion of involvement in the Rye House Plot, an attempt to kill Charles II and his brother James and before he could be tried he was found in his cell 'dead and wallowing in blood', having presumably cut his own throat. The second earl died suddenly in the Earl of Portland’s lodgings at Whitehall, London and was buried at Watford on 19th January 1710.

fig 5. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 5. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

Algernon lives on in this beguiling portrait which not only makes strong allusions to the sitters military prowess through his costume, it also reveals his ebullient nature thanks to the artists acute observation of his character

fig 6. An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
fig 6. Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

This fine work is in an excellent state of conservation and is presented ready to hang and enjoy in its original carved and gilded 17th century ‘Lely’ style frame.

Higher resolution images on request. Worldwide shipping available.

Canvas: 86cm x 67cm. Framed: 105cm x 85 cm.

Price: £9,250

Height
105cm (41.34")
Width
85cm (33.46")
Date of Manufacture

Period Portraits has dated this Baroque Portrait Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1231837
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

PDF SHARE
SAVE
An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
1 / 13
Archive I An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.

Sir Godfrey Kneller (1646-1723) - Algernon Capel 2nd Earl of Essex (1670-1710)

Archive II An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View II
Archive III An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View III
Archive IV An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View IV
Archive V An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View V
Archive VI An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View VI
Archive VII An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View VII
Archive VIII An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View VIII
Archive IX An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View IX
Archive X An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View X
Archive XI An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View XI
Archive XII An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View XII
Archive XIII An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame. View XIII
FURTHER BROWSING

Visitors also looked at these ⇣

Enlarged Archival View
Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 48
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
48
Sold
61
An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
SIR GODFREY KNELLER (1646-1723) - ALGERNON CAPEL 2ND EARL OF ESSEX (1670-1710)
Ref: SA1231837
An oval Baroque oil portrait of a man in dark steel armour with a white cravat and full dark wig, set within an ornate carved gold frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Detail View 9
Detail View 10
Detail View 11
Detail View 12
Detail View 13
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Restoration era Baroque portraiture often emphasizes nobility, hierarchy, and power. Subjects were typically portrayed wearing formal attire such as plate armour, lace cravats, and styled wigs, set against dark or dramatic backdrop hues to accentuate the sitter.

Paintings from this era were created using hand-ground mineral and organic pigments mixed with linseed oil, applied onto stretched linen canvas. Frames were typically crafted from hand-carved wood finished with oil or water gilding.

Authenticity is verified through examining age-appropriate craquelure patterns, the construction of the wooden stretcher, original canvas weave, chemical composition of pigment layers, and period-accurate frame joinery.

A period portrait acts as a strong focal point when mounted above a mantelpiece or console table in a modern space. Combining traditional art with muted wall tones and minimal furniture creates a balanced, curated aesthetic.

Oil paintings require display away from direct sunlight, artificial heat sources, and damp environments. Dusting should be conducted using a soft, dry brush, while surface cleaning and varnish treatment should be left to a professional conservator.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories