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ID #SA1226533
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£3,000
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Hyacinthe Colin De Vermont the Death of Attis
For sale by Darnley Fine Art
for sale €3,510     $3,810
£3,000

Darnley Fine Art

Sellingantiques Verified Since Jul 2026
Browse dealers 77 items
Id #SA1226533
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Hyacinthe Colin De Vermont the Death of Attis

18th century
For Sale by Darnley Fine Art
Description

Red chalk on paper

Image size: 9 x 7 inches (23 x 17.75 cm)

Acid free mount and handmade gilt frame

The Greek god Attis was the spouse of Cybele, the fertility goddess. He was from Phrygia, a kingdom in central Anatolia, and is often depicted wearing a Phrygian cap.  These were made of soft material in a conical shape with the apex bent over to the front.

Attis was about to marry a king’s daughter when, outraged, Cybele drove him mad. This led to Attis castrating and then killing himself under a palm tree, the scene depicted in this drawing. Attis can be seen brandishing his dagger aloft, ready to inflict the final blow. His discarded cap can be seen on the ground to his right.

Attis (French ‘Atys’) was a prominent figure in French artistic culture: there is a celebrated 1780 opera by Piccinni for the Paris Opera, which culminates with Attis’s suicide.

Colin de Vermont’s drawing is free in its rendering with looser lines and forms than would be required from a drawing that was used to make a print. It is likely that this work was intended as a quick preliminary sketch encouraged by the qualities of the medium.

As can be seen here, chalk is especially appropriate for rendering effects of mass and atmosphere. However, from the late Renaissance red chalk began to be used as a medium in its own right for finished drawings. 

Many thanks to Professor John Adamson for his identification of the subject.

Physical Dimensions
Height
17.75cm (6.99")
Width
23cm (9.06")
Declaration

Darnley Fine Art has dated this French Red Chalk Drawing to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1226533
Description
Red chalk on paper

Image size: 9 x 7 inches (23 x 17.75 cm)

Acid free mount and handmade gilt frame

The Greek god Attis was the spouse of Cybele, the fertility goddess. He was from Phrygia, a kingdom in central Anatolia, and is often depicted wearing a Phrygian cap.  These were made of soft material in a conical shape with the apex bent over to the front.

Attis was about to marry a king’s daughter when, outraged, Cybele drove him mad.

“
This led to Attis castrating and then killing himself under a palm tree, the scene depicted in this drawing.
Darnley Fine Art

Attis can be seen brandishing his dagger aloft, ready to inflict the final blow. His discarded cap can be seen on the ground to his right.

fig 1. An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame.
fig 1. Hyacinthe Colin De Vermont the Death of Attis

Attis (French ‘Atys’) was a prominent figure in French artistic culture: there is a celebrated 1780 opera by Piccinni for the Paris Opera, which culminates with Attis’s suicide.

Colin de Vermont’s drawing is free in its rendering with looser lines and forms than would be required from a drawing that was used to make a print. It is likely that this work was intended as a quick preliminary sketch encouraged by the qualities of the medium.

As can be seen here, chalk is especially appropriate for rendering effects of mass and atmosphere. However, from the late Renaissance red chalk began to be used as a medium in its own right for finished drawings. 

Many thanks to Professor John Adamson for his identification of the subject.

Height
17.75cm (6.99")
Width
23cm (9.06")
Date of Manufacture

Darnley Fine Art has dated this French Red Chalk Drawing to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1226533
Darnley Fine Art
Sellingantiques verified Since Jul 2026
Dealer Profile

You can view the stock and full dealer information on the Darnley Fine Art Profile Page

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An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame.
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Archive I An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame.

Hyacinthe Colin De Vermont the Death of Attis

Archive II An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame. View II
Enlarged Archival View
Telephone 0207 379 0499
Location
2-4 Cecil Court
London
WC2N 4HE
United Kingdom

Opening Times
Monday to Saturday: 10:30 - 5:30
(excluding Bank Holidays)
Dealer Profile Page sellingantiques.co.uk/dfa
Verified Since Jul 2026
Items For Sale 77
Darnley Fine Art
Verified Since Jul 2026
View Dealer Info
Location: 2-4 Cecil Court, London, WC2N 4HE, United Kingdom, , Opening Times, Monday to Saturday: 10:30 - 5:30, (excluding Bank Holidays)
Verified
Jul 2026
For Sale
77
An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame.
Hyacinthe Colin de Vermont The Death of Attis
Ref: SA1226533
An eighteenth-century red chalk drawing of a reclining male figure mounted on a grey mat and housed in a gilded frame.
Detail View 1
Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Drawing
  • Period18th century
  • StyleFrench Rococo
  • MaterialPaper, Red chalk, Gilded wood, Glass
  • ColourTerracotta, Gold, Grey
  • MotifsReclining male figure, Red chalk study, Classical posture, Gilded frame
  • SizeH 17.75 cm (7 in) x W 23 cm (9 in)

This eighteenth-century French Rococo framed drawing depicts the death of Attis by Hyacinthe Colin de Vermont. Executed in terracotta red chalk on paper, the artwork portrays a classical reclining male figure brandishing a dagger. The paper is bordered by a layered cream mat within a broad, textured gold-gilded wooden frame. Inside the frame, a neutral grey mount surrounds the drawing, and the entire assembly is protected by a glazed surface. The drawing measures 17.75 cm in height and 23 cm in width. It sits above a sideboard in a living room or study, bringing a historical classical design vibe to a home interior today.

French Rococo artists during the eighteenth century frequently used sanguine, or red chalk, for figurative draughtsmanship and preparatory studies for grand mythological oil paintings.

These artworks were rendered using natural iron oxide chalk on laid paper, which was often mounted onto card and framed behind glass to prevent smudging.

Authentic works feature hand-laid paper with watermarks or chain lines, natural oxidation, anatomical precision consistent with period studio training, and genuine chalk texture.

A framed classical master study brings architectural interest and historical context when displayed above a sideboard, mantelpiece, or integrated into a gallery wall.

Keep the drawing away from direct sunlight and fluctuating humidity, ensuring it is housed behind UV-filtering glass with acid-free mounting materials.
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