Andrew Lovatt Antiques has dated this piece to the 19th Century.
Signed by the artist bottom right.
Frame size 52cm tall x 61cm wide
Picture size 25cm tall x 35.5cm wide
George Goodwin Kilburne,[1] R.I., R.O.I, R.M.S, (24 July 1839 – 1924 London) was an English genre painter specialising in accurately drawn interiors with figures. He favoured the watercolour medium, although he also worked in oils, pencil and initially trained as a wood-engraver.
Kilburne was educated at Hawkhurst, Kent – his father's old school. On leaving at the age of 15, he went to London to serve a five-year apprenticeship as a wood-engraver with the Dalziel brothers. He was highly regarded by his employers, who described him as "industrious and constant" and "one of the most satisfactory pupils we ever had."[4] His time as an engraver served him well, allowing him to develop the accuracy and detail which would enhance his subsequent painting. He remained with the firm for a further year before leaving to take up watercolour and oil painting professionally, quickly becoming one of the most sought after and well-known artists in England.
In June 1862, Kilburne married Janet Dalziel at Old Church, St. Pancras, London. She was the daughter of the painter Robert Dalziel, the brother of his former employers. They had three sons and two daughters – of these his eldest son, George Goodwin Kilburne Jnr., became a very well known painter of animals and figures, principally of sporting subjects. In 1881 the family were recorded as living in Hampstead, London.[5] Janet died in 1882. In 1889 Kilburne married Edith Golightly (34 years his junior), with whom he had a further two children – Edith May (born 1900) and Constance Ivy (born 1902).
Kilburne was a keen sportsman and equestrian and involved himself in hunting, cycling and golf. He possessed a good collection of arms and armour, mainly swords, which often figured in his pictures. He was said to be very quiet and almost retiring in manner, yet very companionable and a friendly and a genial host.
He lived for many years at Hawkhurst House, 39 Steeles Road, Haverstock Hill, Hampstead in London and was a member of the Artists' Society Club at Langham Chambers. At the time of his death, in 1924, he was living at 16 Albion Road, Swiss Cottage, London, but died at his daughter Florence's home, next door to his old house, 38 Steeles Road, Haverstock Hill, Hampstead, London.
He died on 21 June 1924, aged 84, and was buried in the Kilburne family grave on the eastern side of Highgate Cemetery.
Work
George's paintings often portrayed the upper classes and ultra-fashionable female beauties in opulent late 18th- and early 19th-century settings. His depiction of this beauty was heightened by his attention to detail with dress, and richly decorated interiors. During that period his paintings would have been considered traditional, especially compared to the work of contemporaries such as James McNeill Whistler and the Pre-Raphaelite Brotherhood.
Andrew Lovatt Antiques has dated this piece to the 19th Century.
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George Goodwin Kilburne Watercolour "Repairing the Damages"
