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George Goodwin Kilburne Watercolour "Repairing the Damages"
Sold by Andrew Lovatt Antiques
sold SA1204439
Sorry, but this item has been sold.
Andrew Lovatt Antiques

Andrew Lovatt Antiques

Sellingantiques Verified Since May 2009
Browse dealers 47 items
  • About Us
    Lovatt antiques have been established for over 35 years we are located in staffordshire and specialise in quality.
  • Trade Associations
    Andrew Lovatt Antiques is a registered member of LAPADA 
Id #SA1204439
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George Goodwin Kilburne Watercolour "Repairing the Damages"

19th century
Sold 23 June 2026 · Andrew Lovatt Antiques
This “George Goodwin Kilburne Watercolour "Repairing the Damages"” found a buyer.

It was listed by Andrew Lovatt Antiques. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A very fine and detailed Water Colour painting by George Goodwin Kilburne 1839 - 1924 "Repairing the damages" a lady sat upright on a hall seat repairing lace whilst a young girl offers her a sewing basket, looking on from a further room stand a couple in discussion perhaps conversing of what led to damages being repaired?

Signed by the artist bottom right.

A really pleasing subject the painting retains its unfaded colours and is presented in a attractive gilt frame.

Frame size 52cm tall x 61cm wide

Picture size 25cm tall x 35.5cm wide

George Goodwin Kilburne,[1] R.I., R.O.I, R.M.S, (24 July 1839 – 1924 London) was an English genre painter specialising in accurately drawn interiors with figures. He favoured the watercolour medium, although he also worked in oils, pencil and initially trained as a wood-engraver.

Kilburne was educated at Hawkhurst, Kent – his father's old school. On leaving at the age of 15, he went to London to serve a five-year apprenticeship as a wood-engraver with the Dalziel brothers. He was highly regarded by his employers, who described him as "industrious and constant" and "one of the most satisfactory pupils we ever had."[4] His time as an engraver served him well, allowing him to develop the accuracy and detail which would enhance his subsequent painting. He remained with the firm for a further year before leaving to take up watercolour and oil painting professionally, quickly becoming one of the most sought after and well-known artists in England.

In June 1862, Kilburne married Janet Dalziel at Old Church, St. Pancras, London. She was the daughter of the painter Robert Dalziel, the brother of his former employers. They had three sons and two daughters – of these his eldest son, George Goodwin Kilburne Jnr., became a very well known painter of animals and figures, principally of sporting subjects. In 1881 the family were recorded as living in Hampstead, London.[5] Janet died in 1882. In 1889 Kilburne married Edith Golightly (34 years his junior), with whom he had a further two children – Edith May (born 1900) and Constance Ivy (born 1902).

Kilburne was a keen sportsman and equestrian and involved himself in hunting, cycling and golf. He possessed a good collection of arms and armour, mainly swords, which often figured in his pictures. He was said to be very quiet and almost retiring in manner, yet very companionable and a friendly and a genial host.

He lived for many years at Hawkhurst House, 39 Steeles Road, Haverstock Hill, Hampstead in London and was a member of the Artists' Society Club at Langham Chambers. At the time of his death, in 1924, he was living at 16 Albion Road, Swiss Cottage, London, but died at his daughter Florence's home, next door to his old house, 38 Steeles Road, Haverstock Hill, Hampstead, London.

He died on 21 June 1924, aged 84, and was buried in the Kilburne family grave on the eastern side of Highgate Cemetery.

Work

George's paintings often portrayed the upper classes and ultra-fashionable female beauties in opulent late 18th- and early 19th-century settings. His depiction of this beauty was heightened by his attention to detail with dress, and richly decorated interiors. During that period his paintings would have been considered traditional, especially compared to the work of contemporaries such as James McNeill Whistler and the Pre-Raphaelite Brotherhood.

Date of Manufacture

Andrew Lovatt Antiques has dated this George Goodwin Kilburne Watercolour to the 19th Century.

Physical Dimensions
Height
52cm (20.47")
Width
61cm (24.02")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Reference
SA1204439
Dealers Notes

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Please do not hesitate to contact me should you require any further information regarding your enquiry.

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Description
A very fine and detailed Water Colour painting by George Goodwin Kilburne 1839 - 1924 "Repairing the damages" a lady sat upright on a hall seat repairing lace whilst a young girl offers her a sewing basket, looking on from a further room stand a couple in discussion perhaps conversing of what led to damages being repaired?
fig 1. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 1. George Goodwin Kilburne Watercolour "Repairing the Damages"

Signed by the artist bottom right.

“
A really pleasing subject the painting retains its unfaded colours and is presented in a attractive gilt frame.
Andrew Lovatt Antiques

Frame size 52cm tall x 61cm wide

Picture size 25cm tall x 35.5cm wide

fig 2. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 2. George Goodwin Kilburne Watercolour "Repairing the Damages"

George Goodwin Kilburne,[1] R.I., R.O.I, R.M.S, (24 July 1839 – 1924 London) was an English genre painter specialising in accurately drawn interiors with figures. He favoured the watercolour medium, although he also worked in oils, pencil and initially trained as a wood-engraver.

fig 3. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 3. George Goodwin Kilburne Watercolour "Repairing the Damages"

Kilburne was educated at Hawkhurst, Kent – his father's old school. On leaving at the age of 15, he went to London to serve a five-year apprenticeship as a wood-engraver with the Dalziel brothers. He was highly regarded by his employers, who described him as "industrious and constant" and "one of the most satisfactory pupils we ever had."[4] His time as an engraver served him well, allowing him to develop the accuracy and detail which would enhance his subsequent painting. He remained with the firm for a further year before leaving to take up watercolour and oil painting professionally, quickly becoming one of the most sought after and well-known artists in England.

fig 4. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 4. George Goodwin Kilburne Watercolour "Repairing the Damages"

In June 1862, Kilburne married Janet Dalziel at Old Church, St. Pancras, London. She was the daughter of the painter Robert Dalziel, the brother of his former employers. They had three sons and two daughters – of these his eldest son, George Goodwin Kilburne Jnr., became a very well known painter of animals and figures, principally of sporting subjects. In 1881 the family were recorded as living in Hampstead, London.[5] Janet died in 1882. In 1889 Kilburne married Edith Golightly (34 years his junior), with whom he had a further two children – Edith May (born 1900) and Constance Ivy (born 1902).

fig 5. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 5. George Goodwin Kilburne Watercolour "Repairing the Damages"

Kilburne was a keen sportsman and equestrian and involved himself in hunting, cycling and golf. He possessed a good collection of arms and armour, mainly swords, which often figured in his pictures. He was said to be very quiet and almost retiring in manner, yet very companionable and a friendly and a genial host.

fig 6. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 6. George Goodwin Kilburne Watercolour "Repairing the Damages"

He lived for many years at Hawkhurst House, 39 Steeles Road, Haverstock Hill, Hampstead in London and was a member of the Artists' Society Club at Langham Chambers. At the time of his death, in 1924, he was living at 16 Albion Road, Swiss Cottage, London, but died at his daughter Florence's home, next door to his old house, 38 Steeles Road, Haverstock Hill, Hampstead, London.

fig 7. An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
fig 7. George Goodwin Kilburne Watercolour "Repairing the Damages"

He died on 21 June 1924, aged 84, and was buried in the Kilburne family grave on the eastern side of Highgate Cemetery.

Work

George's paintings often portrayed the upper classes and ultra-fashionable female beauties in opulent late 18th- and early 19th-century settings. His depiction of this beauty was heightened by his attention to detail with dress, and richly decorated interiors. During that period his paintings would have been considered traditional, especially compared to the work of contemporaries such as James McNeill Whistler and the Pre-Raphaelite Brotherhood.

Date of Manufacture

Andrew Lovatt Antiques has dated this George Goodwin Kilburne Watercolour to the 19th Century.

Height
52cm (20.47")
Width
61cm (24.02")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Ref
SA1204439
Andrew Lovatt Antiques
Andrew Lovatt Antiques
Sellingantiques verified Since May 2009

Lovatt antiques have been established for over 35 years we are located in staffordshire and specialise in quality.

Dealer Profile

You can view the stock and full dealer information on the Andrew Lovatt Antiques Profile Page

Trade Associations

Andrew Lovatt Antiques is a registered member of LAPADA 

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SAVE
An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. SOLD23 JUN 26
1 / 12
Archive I An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. SOLD23 JUN 26

George Goodwin Kilburne Watercolour "Repairing the Damages"

Archive II An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View II
Archive III An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View III
Archive IV An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View IV
Archive V An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View V
Archive VI An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View VI
Archive VII An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View VII
Archive VIII An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View VIII
Archive IX An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View IX
Archive X An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View X
Archive XI An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View XI
Archive XII An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount. View XII
Enlarged Archival View
Location
Staffordshire
United Kingdom
Dealer Profile Page sellingantiques.co.uk/lovatt
Verified Since May 2009
Items For Sale 47
Items Sold 1,109
Andrew Lovatt Antiques
Andrew Lovatt Antiques
Verified Since May 2009
View Dealer Info
Location: Staffordshire, United Kingdom
Verified
May 2009
For Sale
47
Sold
1,109
An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
George Goodwin Kilburne Watercolour "Repairing The Damages"
Ref: SA1204439
An antique framed watercolour painting depicting an interior scene with figures, enclosed in an ornate gold-gilt moulding frame with a cream mount.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectFramed Art
  • Period19th century
  • StyleVictorian & Gothic
  • Material[Paper, Pigment, Gilt Wood, Glass]
  • ColourGold
  • MotifsOrnate gilt moulding, Figurative genre scene, Window mount, Period costume details
  • SizeH 52 cm (20 in) x W 61 cm (24 in) x D 3 cm (1 in)

Victorian watercolour paintings are artworks executed in water-soluble pigments on paper during the 19th century, often depicting genre scenes, landscapes, or historical subjects with fine detail.

Traditional framing typically involves a heavy giltwood or compo frame, protective glass, and acid-free window mounts or mats to preserve the delicate paper surface.

Authenticity is assessed by examining the paper type, watermark, artist signature, pigment characteristics under magnification, and the age-related patination of the framing materials.

An antique painting can be integrated into a modern setting by hanging it against neutral walls to highlight its craftsmanship, or mixing it within a curated gallery wall.

Watercolours should be displayed away from direct sunlight to prevent fading, and kept in rooms with stable humidity and temperature levels to protect the paper and pigments.
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