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Genre Oil Painting of a Girl with a Cat Charles Burton Barber
Benton Fine Art
for sale €11,115     $12,065
£9,500
Benton Fine Art

Benton Fine Art

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Genre Oil Painting of a Girl with a Cat Charles Burton Barber

19th century
For Sale by Benton Fine Art
Description

Charles Burton Barber

British, (1845-1894)

Coaxing is better than Scratching

Oil on canvas, signed & dated 1883

Image size: 14.75 inches x 9.75 inches

Size including frame: 22.75 inches x 17.75 inches

Provenance: Exhibited at the Royal Institute of Painters in Oil in 1883, no. 203. A sketch of the painting appeared in the illustrated catalogue and was also reproduced in The Graphic on 15 December, 1883, p20; Mr C.J. Eno Esq. London, c1885.

A delightful genre painting of a young girl with a cat by Charles Burton Barber. A girl with blonde hair can be seen leaning back against a table with a saucer of milk in her hand. Meanwhile, a tabby cat rubs its head against her arm as she holds the dish away from it. This painting was exhibited at the Royal Institute of Painters in Oil in 1883, no. 203. A sketch of the painting appeared in the illustrated catalogue of the exhibition and was also reproduced in The Graphic on 15 December, 1883, p20. The painting received positive reviews from art critics at the time.

Charles Burton Barber was born in Great Yarmouth in 1845 to Charles and Elizabeth Lake Barber (née Blowers). His father was a printer and bookseller who later joined his wife’s family firm of upholsters, Blowers and Barber and was able to give his children a good education. At the age of 18 he left Great Yarmouth to study at the Royal Academy where he won a silver medal for drawing in 1864. In 1866, he began exhibiting at the RA with a work entitled ‘Favourite Dogs’ from an address in Notting Hill.

He married Mary Margaret Williams on 8 April, 1875 at Marylebone. The couple moved to 1 Titchfield Villa in Marylebone where they started a family. By the time of his marriage, he had begun using his middle name of Burton to sign his works, most likely to distinguish himself from another artist with the same name. Although he started his career painting sporting scenes and animals in landscapes, he became best known as a painter of children and domestic animals.

His work attracted the patronage of well-known animal lovers including Queen Victoria who commissioned him to paint many portraits of her grandchildren and her dogs. A number of these works were exhibited at the RA including ‘Her Majesty’s Favourite Collie’ in 1873 and ‘Fozzy’ the Prince of Wales’s dog in 1878. As well as exhibiting at the RA he also exhibited at Royal Institute of Oil Painters, the Walker Art Gallery and Manchester Art Gallery. In 1883 he was elected a member of the Royal Institute of Oil Painters.

Barber died on 27 November 1874, at the age of only 49 after having recently completed his final work, a commission for Queen Victoria of her grandchildren in her pony carriage. The Queen sent a telegram to his family to express her sympathy as well as a wreath to his funeral. A number of his works are still held in the Royal Collection as well as by art galleries and museums including the Cornwall Museum, Kirklees Museum, Lady Lever Art Gallery, New Art Gallery Walsall, Reading Museum, Touchstones Rochdale and the Wilson.

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Physical Dimensions
Height
58cm (22.83")
Width
45cm (17.72")
Depth
7cm (2.76")
Declaration

Benton Fine Art has dated this Victorian Genre Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Reference
SA1204244
Dealers Notes

Members of the British Antique Dealers Association (BADA) the London and Provincial Antique Dealers Association (LAPADA).

We use a professional, fully insured and tracked door to door service for our UK and international deliveries. Please contact us for further information and shipping quotes.

Viewing is by APPOINTMENT ONLY. However, we can also arrange for you to view the item in your home, depending on the location.

For a wider range of stock please visit www.bentonfineart.com.

If you would like to purchase this item or have any questions, please email us at pictures@bentonfineart.com or call 07710 540549.

© Benton Fine Art

Description
Charles Burton Barber

British, (1845-1894)

Coaxing is better than Scratching

Oil on canvas, signed & dated 1883

Image size: 14.75 inches x 9.75 inches

Size including frame: 22.75 inches x 17.75 inches

Provenance: Exhibited at the Royal Institute of Painters in Oil in 1883, no. 203.

A sketch of the painting appeared in the illustrated catalogue and was also reproduced in The Graphic on 15 December, 1883, p20; Mr C.
Benton Fine Art

J. Eno Esq. London, c1885.

fig 1. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 1. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

A delightful genre painting of a young girl with a cat by Charles Burton Barber. A girl with blonde hair can be seen leaning back against a table with a saucer of milk in her hand. Meanwhile, a tabby cat rubs its head against her arm as she holds the dish away from it. This painting was exhibited at the Royal Institute of Painters in Oil in 1883, no. 203. A sketch of the painting appeared in the illustrated catalogue of the exhibition and was also reproduced in The Graphic on 15 December, 1883, p20. The painting received positive reviews from art critics at the time.

fig 2. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 2. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

Charles Burton Barber was born in Great Yarmouth in 1845 to Charles and Elizabeth Lake Barber (née Blowers). His father was a printer and bookseller who later joined his wife’s family firm of upholsters, Blowers and Barber and was able to give his children a good education. At the age of 18 he left Great Yarmouth to study at the Royal Academy where he won a silver medal for drawing in 1864. In 1866, he began exhibiting at the RA with a work entitled ‘Favourite Dogs’ from an address in Notting Hill.

fig 3. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 3. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

He married Mary Margaret Williams on 8 April, 1875 at Marylebone. The couple moved to 1 Titchfield Villa in Marylebone where they started a family. By the time of his marriage, he had begun using his middle name of Burton to sign his works, most likely to distinguish himself from another artist with the same name. Although he started his career painting sporting scenes and animals in landscapes, he became best known as a painter of children and domestic animals.

fig 4. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 4. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

His work attracted the patronage of well-known animal lovers including Queen Victoria who commissioned him to paint many portraits of her grandchildren and her dogs. A number of these works were exhibited at the RA including ‘Her Majesty’s Favourite Collie’ in 1873 and ‘Fozzy’ the Prince of Wales’s dog in 1878. As well as exhibiting at the RA he also exhibited at Royal Institute of Oil Painters, the Walker Art Gallery and Manchester Art Gallery. In 1883 he was elected a member of the Royal Institute of Oil Painters.

fig 5. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 5. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

Barber died on 27 November 1874, at the age of only 49 after having recently completed his final work, a commission for Queen Victoria of her grandchildren in her pony carriage. The Queen sent a telegram to his family to express her sympathy as well as a wreath to his funeral. A number of his works are still held in the Royal Collection as well as by art galleries and museums including the Cornwall Museum, Kirklees Museum, Lady Lever Art Gallery, New Art Gallery Walsall, Reading Museum, Touchstones Rochdale and the Wilson.

fig 6. A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
fig 6. Genre Oil Painting of a Girl with a Cat Charles Burton Barber

Presentation: The painting is housed in its original gilt frame which is in excellent condition.

Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished.

© Benton Fine Art

Height
58cm (22.83")
Width
45cm (17.72")
Depth
7cm (2.76")
Date of Manufacture

Benton Fine Art has dated this Victorian Genre Oil Painting to the 1880s.

Reference Numbers
Sellingantiques Ref
SA1204244
Benton Fine Art
Benton Fine Art
Sellingantiques verified Since Sep 2012

Specialists in 19th & early 20th century original oil paintings by listed artists

Dealer Profile

You can view the stock and full dealer information on the Benton Fine Art Profile Page

Trade Associations

Benton Fine Art is a registered member of LAPADA  BADA  CINOA

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A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
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Archive I A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.

Genre Oil Painting of a Girl with a Cat Charles Burton Barber

Archive II A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View II
Archive III A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View III
Archive IV A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View IV
Archive V A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View V
Archive VI A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View VI
Archive VII A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View VII
Archive VIII A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View VIII
Archive IX A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View IX
Archive X A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table. View X
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Benton Fine Art
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Verified Since Sep 2012
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Location: Near Broadway, Worcestershire, United Kingdom, , By appointment only.
Verified
Sep 2012
For Sale
210
A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
Genre oil painting of a girl with a cat Charles Burton Barber
Ref: SA1204244
A 19th-century framed oil painting depicting a young girl in a white apron offering a saucer to a tabby cat beside a table.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Victorian genre painting focuses on everyday scenes, often incorporating domestic settings, narrative storytelling, children, and pets to capture contemporary life.

Victorian artworks were predominantly created using oil pigments on stretched canvas or wooden panels, housed in timber frames decorated with gesso composition moulding and finished with gold leaf.

Authentic period paintings display natural craquelure across the paint layer, age-related varnish discolouration, period-appropriate stretcher construction, and light oxidisation on the gilded frame.

Position the artwork as a focal point above a mantelpiece or console table, allowing the detailed gold leaf frame to contrast against dark dramatic walls or clean neutral plaster.

Display the artwork away from direct sunlight and fluctuating humidity. Dust the frame gently with a soft dry brush, and consult a professional art restorer for cleaning the painted canvas.
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