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Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1918
Bushells Antiques
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Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1918

19th century
For Sale by Bushells Antiques (Reserved for a buyer)
Description

Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1913

An enchanting oil on canvas signed by Clémentine Ballot (lower right) and titled Autumn in Pont Charraud on the back (dated 1918 on the stretcher). Bearing an exhibition label on the reverse, this work measures Painting: 29” x 24” Frame 36” x 32” Born Alphonsine Marie Antoinette Clementine Leroi in 1879, Clémentine Ballot hailed from the Creuse region of France. Encouraged by her husband, she settled there for much of her life, befriending fellow artists such as Eugene Alluaud, Anders Osterlind, Mania Mavro, Georges-Hanna Sabbagh, Alfred Smith, Francis Picabia, Paul Madeline, Armand Point, and Armand Guillaumin. Her travels and painting expeditions took her across Creuse, Brittany, the Lot and Dordogne, the Balearic Islands, and the South of France. Exhibiting in Parisian salons from 1923 onward—at venues like Galerie Georges Petit and, later, Bernheim Jeune—Ballot became known for her Impressionist-influenced style and her keen sensitivity to light and color. The soothing, delicate quality of her landscapes continues to captivate, earning her a place in numerous museum collections, including those in Ajaccio, Limoges, Montauban, Paris, and beyond.

Born Alphonsine Marie Antoinette Clémentine Leroi in Paris, December 20, 1891, she died in Paris, November 19, 1964. Clémentine Ballot is attached to the school of Crozant. She met Armand Guillaumin in 1906. Painter of landscape, she works in the Creuse, in Brittany, in the Lot and Dordogne, in the Balearic Islands and also in the South of France. In the Creuse Valley, she meets Eugène Alluaud, Anders Osterlind, Leon Detroy, Mania Mavro, Georges-Hanna-Sabbagh, Alfred Smith and Francis Picabia. She exhibited at the Georges Petit gallery in 1923 and at the Bernheim Jeune gallery in 1936. Amie of the painter Jean-Eugène Clary and his wife, she received from his widow the portrait of Suzanne Valadon at age twenty, painted by her husband around 1887. She would donate this work in 1956 to the Musée National d’Art Moderne. Clémentine Ballot wasdecorated with the Legion of Honor and received the Puvis de Chavannes Prize in 1950.

Declaration

Bushells Antiques has dated this French Impressionist Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Reference
SA1156111
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Description
Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1913
An enchanting oil on canvas signed by Clémentine Ballot (lower right) and titled Autumn in Pont Charraud on the back (dated 1918 on the stretcher).
Bushells Antiques

Bearing an exhibition label on the reverse, this work measures Painting: 29” x 24” Frame 36” x 32” Born Alphonsine Marie Antoinette Clementine Leroi in 1879, Clémentine Ballot hailed from the Creuse region of France. Encouraged by her husband, she settled there for much of her life, befriending fellow artists such as Eugene Alluaud, Anders Osterlind, Mania Mavro, Georges-Hanna Sabbagh, Alfred Smith, Francis Picabia, Paul Madeline, Armand Point, and Armand Guillaumin. Her travels and painting expeditions took her across Creuse, Brittany, the Lot and Dordogne, the Balearic Islands, and the South of France. Exhibiting in Parisian salons from 1923 onward—at venues like Galerie Georges Petit and, later, Bernheim Jeune—Ballot became known for her Impressionist-influenced style and her keen sensitivity to light and color. The soothing, delicate quality of her landscapes continues to captivate, earning her a place in numerous museum collections, including those in Ajaccio, Limoges, Montauban, Paris, and beyond.

fig 1. A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones.
fig 1. Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1918

Born Alphonsine Marie Antoinette Clémentine Leroi in Paris, December 20, 1891, she died in Paris, November 19, 1964. Clémentine Ballot is attached to the school of Crozant. She met Armand Guillaumin in 1906. Painter of landscape, she works in the Creuse, in Brittany, in the Lot and Dordogne, in the Balearic Islands and also in the South of France. In the Creuse Valley, she meets Eugène Alluaud, Anders Osterlind, Leon Detroy, Mania Mavro, Georges-Hanna-Sabbagh, Alfred Smith and Francis Picabia. She exhibited at the Georges Petit gallery in 1923 and at the Bernheim Jeune gallery in 1936. Amie of the painter Jean-Eugène Clary and his wife, she received from his widow the portrait of Suzanne Valadon at age twenty, painted by her husband around 1887. She would donate this work in 1956 to the Musée National d’Art Moderne. Clémentine Ballot wasdecorated with the Legion of Honor and received the Puvis de Chavannes Prize in 1950.

Date of Manufacture

Bushells Antiques has dated this French Impressionist Landscape Painting to the 19th Century.

Reference Numbers
Sellingantiques Ref
SA1156111
Bushells Antiques
Bushells Antiques
Sellingantiques verified Since Apr 2020

Fine art, porcelain, jewellery, silver, clocks, pictures, oriental objects d’art and furniture

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A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones.
1 / 14
Archive I A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones.

Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1918

Archive II A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View II
Archive III A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View III
Archive IV A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View IV
Archive V A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View V
Archive VI A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View VI
Archive VII A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View VII
Archive VIII A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View VIII
Archive IX A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View IX
Archive X A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View X
Archive XI A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View XI
Archive XII A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View XII
Archive XIII A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View XIII
Archive XIV A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones. View XIV
Enlarged Archival View
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Bushells Antiques
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A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones.
Clementine Ballot (1879-1964) Autumn in Pont Charraud Signed Dated 1918
Ref: SA1156111
A framed French Post-Impressionist oil painting depicting a countryside landscape in autumn with soft purple, green, and pink tones.
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

French Post-Impressionist landscape painting emerged as artists moved beyond capturing immediate atmospheric light to focus on structure, symbolic colour, and expressive brushwork. Painters often applied vibrant palette choices and stylized forms to convey subjective interpretations of rural landscapes.

Artworks of this period were predominantly executed using oil paints applied to stretched flax canvas or wood panels. Framing typically consisted of carved wood coated in gesso and finished with leaf gilded surfaces or painted patinas.

Authentic works feature visible impasto brushstrokes, period-appropriate canvas weave, signature markings, and natural aging characteristics such as fine craquelure. Inspecting the reverse reveals age-darkened wood stretchers and historical framing hardware.

Positioning an antique oil painting above a contemporary sideboard or fireplace creates a balanced contrast between modern lines and historic textures. Using picture lighting or neutral wall shades allows the original colour palette of the painting to remain the focal point.

Store and display the canvas away from direct sunlight, heating vents, and high humidity to prevent cracking or warping. Dust the frame gently with a soft dry brush, avoiding liquid cleaners or abrasive cloths on the painted surface.
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