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Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)
Westcoast Fine Art
for sale €13,104     $14,224
£11,200
Westcoast Fine Art

Westcoast Fine Art

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Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

18th century
Description

La Belle Jardinière (Madonna and Child with Saint John the Baptist), XVIII After Raffaello Sanzio, called Raphael (1483-1520)

Period: Early 18th century

Medium: Oil on canvas

Overall size with the frame is 144cm x 113cm x 12cm and the painting itself measures 111cm x 92cm

The present work is a large and impressive, early 18th century version of Raphael’s celebrated Madonna and Child with the Infant Saint John the Baptist, known as La Belle Jardinière. Raphael's original, now in the Musée du Louvre, Paris, was acquired in Siena on behalf of King Francis I of France (1494 - 1547).

La Belle Jardinière, also known as the Madonna and Child with Saint John the Baptist, is a painting started by Raphael, and is widely accepted as having been finished by Ridolfo del Ghirlandaio, It depicts the Madonna, a young Christ, and a young John the Baptist. It is believed to have been commissioned by the Sienese patrician Fabrizio Sergardi in approximately 1507.

The size and quality of this composition is exceptional. The high quality of its execution would suggest that it is by a well-trained hand with technical ability. The rendering of the anatomy and the depiction of the landscape scene in the background shows great skill and understanding of perspective and tonality.

Raphael’s original is one of the several Madonna paintings executed by Raphael during his stay in Florence (1504-1508). Considered to be one of Raphael’s most important Madonnas, it is known for the harmonic and proportional balancing of the poses of the figures and for the high formal quality present in every element.

The present work shows the same sort of qualities for which the original is known. It is of a similar size to the original and evokes the same sort of awe and wonder. The way Raphael arranges the figures, the addition of the iconography, and the idyllic pastoral location in which the scene is set tell a story that elevates this composition beyond that of an object of worship.

Raphael is considered one of the most important European artists of all time and the outstanding figure of his time. He was born in the Italian town of Urbino in 1483, and lived there until moving to Florence in 1504. His father, Giovanni Santi, was painter to the cultured court of the Montefeltro and so, from an early age, Raphael was surrounded by art, literature, and poetry.

Although he had a relatively short career, Raphel had an enduring impact on the fabric of art history. Best known for his Madonnas and for his large figure compositions in the Vatican, Raphael’s work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur.

Condition report:

The canvas was lined most likely around 100-120 years ago. There appears to be minimal intervention within the majority of the painting. However, there has been a partial recent cleaning of the work with selective amounts of intervention in order to retain some of the patination.

The work undertaken is fully reversible and further cleaning of the work will be possible but preference on this occasion was to leave the age-related patination evenly distributed within the restoration. There is some retouching and strengthening of the background, mainly to the right-hand sky area.

There is one small area of infill and consolidation to the right-hand lower side of the child’s left foot within the ground foliage which is well blended. There is general craquelure throughout the painting commensurate with its age. The canvas is in excellent tension and the paint surface is stable.

Note: The frame had some old woodworm scattered throughout. This had had 5 coats of a specialist proprietary treatment as a precaution.

The aperture has been overlaid and double-layered for strengthening. The frame had been filled where required and r

Physical Dimensions
Height
144cm (56.69")
Width
113cm (44.49")
Depth
12cm (4.72")
Declaration

Westcoast Fine Art has dated this Madonna and Child Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1154778
Dealers Notes

****Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Please enquire about shipping before making a purchase.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please enquire

2) EU shipping please enquire

3) For other worldwide shipping, please contact us.

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

**The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

***Westcoast Fine Art is always willing to consider reasonable offers from prospective buyers. Please feel free to send us an inquiry regarding any proposal or offer; we will review and respond within 24 hours.

Note:

The buyer is responsible for paying any import duties and associated taxes in the destination country. All works will be professionally packed and insured for shipment.

Shipping:

Please contact for exact shipping charges before purchasing

1) UK shipping please request price

2) EU shipping please request price

3) For other worldwide shipping, please request price

We offer a 14-day return period to the EU and UK, provided the painting is returned in the same condition as received, packaged to the same packaging standards and insured at the price paid to Westcoast Fine Art Ltd for the artwork.

*The buyer is responsible for paying any customs charges of the destination country. We always advise the buyer to check with their local customs authorities for customs tariffs.

The frame is a gift and is therefore being provided to you at no additional cost. Any damages to the frame during transit do not give the buyer a basis for a claim or validate a request for the cancellation of a sale.

Westcoast Fine Art is a trademark of Westcoast Fine Art Ltd. Registered in England and Wales No. 15030029.

Registered office: 71-75 Shelton Street, Covent Garden, London, United Kingdom, WC2H 9JQ

Description
La Belle Jardinière (Madonna and Child with Saint John the Baptist), XVIII After Raffaello Sanzio, called Raphael (1483-1520)

Period: Early 18th century

Medium: Oil on canvas

Overall size with the frame is 144cm x 113cm x 12cm and the painting itself measures 111cm x 92cm

The present work is a large and impressive, early 18th century version of Raphael’s celebrated Madonna and Child with the Infant Saint John the Baptist, known as La Belle Jardinière.
Westcoast Fine Art

Raphael's original, now in the Musée du Louvre, Paris, was acquired in Siena on behalf of King Francis I of France (1494 - 1547).

fig 1. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 1. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

La Belle Jardinière, also known as the Madonna and Child with Saint John the Baptist, is a painting started by Raphael, and is widely accepted as having been finished by Ridolfo del Ghirlandaio, It depicts the Madonna, a young Christ, and a young John the Baptist. It is believed to have been commissioned by the Sienese patrician Fabrizio Sergardi in approximately 1507.

fig 2. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 2. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

The size and quality of this composition is exceptional. The high quality of its execution would suggest that it is by a well-trained hand with technical ability. The rendering of the anatomy and the depiction of the landscape scene in the background shows great skill and understanding of perspective and tonality.

fig 3. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 3. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

Raphael’s original is one of the several Madonna paintings executed by Raphael during his stay in Florence (1504-1508). Considered to be one of Raphael’s most important Madonnas, it is known for the harmonic and proportional balancing of the poses of the figures and for the high formal quality present in every element.

fig 4. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 4. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

The present work shows the same sort of qualities for which the original is known. It is of a similar size to the original and evokes the same sort of awe and wonder. The way Raphael arranges the figures, the addition of the iconography, and the idyllic pastoral location in which the scene is set tell a story that elevates this composition beyond that of an object of worship.

fig 5. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 5. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

Raphael is considered one of the most important European artists of all time and the outstanding figure of his time. He was born in the Italian town of Urbino in 1483, and lived there until moving to Florence in 1504. His father, Giovanni Santi, was painter to the cultured court of the Montefeltro and so, from an early age, Raphael was surrounded by art, literature, and poetry.

fig 6. An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
fig 6. Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

Although he had a relatively short career, Raphel had an enduring impact on the fabric of art history. Best known for his Madonnas and for his large figure compositions in the Vatican, Raphael’s work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur.

Condition report:

The canvas was lined most likely around 100-120 years ago. There appears to be minimal intervention within the majority of the painting. However, there has been a partial recent cleaning of the work with selective amounts of intervention in order to retain some of the patination.

The work undertaken is fully reversible and further cleaning of the work will be possible but preference on this occasion was to leave the age-related patination evenly distributed within the restoration. There is some retouching and strengthening of the background, mainly to the right-hand sky area.

There is one small area of infill and consolidation to the right-hand lower side of the child’s left foot within the ground foliage which is well blended. There is general craquelure throughout the painting commensurate with its age. The canvas is in excellent tension and the paint surface is stable.

Note: The frame had some old woodworm scattered throughout. This had had 5 coats of a specialist proprietary treatment as a precaution.

The aperture has been overlaid and double-layered for strengthening. The frame had been filled where required and r

Height
144cm (56.69")
Width
113cm (44.49")
Depth
12cm (4.72")
Date of Manufacture

Westcoast Fine Art has dated this Madonna and Child Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1154778
Westcoast Fine Art
Westcoast Fine Art
Sellingantiques verified Since May 2025

Westcoast fine art ltd is a UK based dealer in fine classical works of art.

Dealer Profile

You can view the stock and full dealer information on the Westcoast Fine Art Profile Page

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An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
1 / 7
Archive I An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.

Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), Xviii After Raffaello Sanzio, Called Raphael (1483-1520)

Archive II An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View II
Archive III An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View III
Archive IV An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View IV
Archive V An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View V
Archive VI An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View VI
Archive VII An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame. View VII
Enlarged Archival View
Telephone 07466 158064
Location
Northwest London
United Kingdom
Verified Since May 2025
Items For Sale 32
Items Sold 12
Westcoast Fine Art
Westcoast Fine Art
Verified Since May 2025
View Dealer Info
Location: Northwest London, United Kingdom
Verified
May 2025
For Sale
32
Sold
12
An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
Painting "La Belle Jardinière" (Madonna and Child with Saint John the Baptist), XVIII After Raffaello Sanzio, called Raphael (1483-1520)
Ref: SA1154778
An 18th-century oil painting depicting the Virgin Mary with the Christ Child and infant Saint John the Baptist in a landscape, presented in a carved giltwood frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the 18th century, artists frequently executed fine reproductions of High Renaissance compositions, such as Raphaels Madonna subjects, to supply Grand Tour collectors and European aristocrats seeking classical iconography for private galleries.

Artists worked with mineral pigments mixed with drying oils, applied onto hand-woven linen canvas. Picture frames were crafted from carved timber covered in gesso and finished with applied gold leaf.

Period paintings exhibit age-consistent craquelure across the paint surface, hand-hewn stretcher bars, and natural timber oxidisation on the reverse of the canvas and frame.

Position the artwork as a central focal point above a sideboard or console table, balancing the ornate gilded frame against muted, neutral wall finishes.

Dust the surface lightly using a dry, soft brush, avoiding water or chemical cleaners. Maintain stable environmental humidity and keep the canvas away from direct heat and sunlight.
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