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Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting
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sold SA1128709
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Titan Fine Art

Titan Fine Art

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Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting

17th century
Sold 21 March 2025 · Titan Fine Art
This “Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting” found a buyer.

It was listed by Titan Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This charming jewel-like portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century. It represents a young woman dressed in resplendent scarlet attire with fashionable balloon-like slashed sleeves, and an elaborate openwork lace standing collar that has been painstakingly delineated. The accessory par excellence – pearls – are worn as a coronet, a necklace, and as earrings known as ‘unions excellence’ as they reflected the difficulty of finding perfectly matched pearls of such large size (they could range up to 20 millimetres in diameter). These expensive items, along with the whiteness of her skin, are indicative of the sitter’s wealth and social status.

These superb little portraits, reflections of high society in the French 17th century were very popular both at the time but also by collectors today some four hundred years later. The artist took great effect in rendering the facial details; this portrait sits within some of the best work by the artist and is a notable example of French portraiture. Held in a beautiful antique gilded frame.

Claude Deruet (1588–1660) was a prominent French Baroque painter of the 17th century. He was an apprentice to Jacques Bellange, who served as the official court painter for Charles III, Duke of Lorraine. Between approximately 1612 and 1619, Deruet was in Rome, where he reportedly studied under the painter and etcher Antonio Tempesta.

In 1621, Deruet was ennobled by the Duke of Lorraine, and in 1645, he was honoured as a Knight of the Order of St. Michel by Louis XIII, who had incorporated much of Lorraine into France. He owned an opulent residence in Nancy known as La Romaine, which hosted Louis XIII and his Queen during their visit in 1633. In 1623, Claude Lorrain apprenticed under Claude Deruet for a year. Deruet and his wife had two sons, one of whom pursued a career in painting.

Measurements: Height 70cm, Width 55cm framed (Height 27.5”, Width 21.5” framed)

Physical Dimensions
Height
70cm (27.56")
Width
55cm (21.65")
Depth
7cm (2.76")
Declaration

Titan Fine Art has dated this Antique Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1128709
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, professionally conserved and researched, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

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Description
This charming jewel-like portrait is an example of the type of small-scale panel portraits, often of splendid beauties of the time, that became fashionable from about the first quarter of the seventeenth century.
“
It represents a young woman dressed in resplendent scarlet attire with fashionable balloon-like slashed sleeves, and an elaborate openwork lace standing collar that has been painstakingly delineated.
Titan Fine Art

The accessory par excellence – pearls – are worn as a coronet, a necklace, and as earrings known as ‘unions excellence’ as they reflected the difficulty of finding perfectly matched pearls of such large size (they could range up to 20 millimetres in diameter). These expensive items, along with the whiteness of her skin, are indicative of the sitter’s wealth and social status.

fig 1. An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame.
fig 1. Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting

These superb little portraits, reflections of high society in the French 17th century were very popular both at the time but also by collectors today some four hundred years later. The artist took great effect in rendering the facial details; this portrait sits within some of the best work by the artist and is a notable example of French portraiture. Held in a beautiful antique gilded frame.

fig 2. An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame.
fig 2. Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting

Claude Deruet (1588–1660) was a prominent French Baroque painter of the 17th century. He was an apprentice to Jacques Bellange, who served as the official court painter for Charles III, Duke of Lorraine. Between approximately 1612 and 1619, Deruet was in Rome, where he reportedly studied under the painter and etcher Antonio Tempesta.

fig 3. An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame.
fig 3. Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting

In 1621, Deruet was ennobled by the Duke of Lorraine, and in 1645, he was honoured as a Knight of the Order of St. Michel by Louis XIII, who had incorporated much of Lorraine into France. He owned an opulent residence in Nancy known as La Romaine, which hosted Louis XIII and his Queen during their visit in 1633. In 1623, Claude Lorrain apprenticed under Claude Deruet for a year. Deruet and his wife had two sons, one of whom pursued a career in painting.

Measurements: Height 70cm, Width 55cm framed (Height 27.5”, Width 21.5” framed)

Height
70cm (27.56")
Width
55cm (21.65")
Depth
7cm (2.76")
Date of Manufacture

Titan Fine Art has dated this Antique Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1128709
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. SOLD6+ MONTHS AGO
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Archive I An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. SOLD6+ MONTHS AGO

Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery C.1620; by Claude Deruet (1588–1660), Oil on Panel Painting

Archive II An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. View II
Archive III An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. View III
Archive IV An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. View IV
Archive V An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. View V
Archive VI An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame. View VI
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Location
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United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 24
Items Sold 402
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
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Sold
402
An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame.
Portrait of a Lady with Scarlet Dress, Lace Collar, and Pearl Jewellery c.1620; by Claude Deruet (1588–1660), Oil on panel painting
Ref: SA1128709
An antique oil painting on panel depicts a woman in a scarlet dress with a lace collar and pearl jewellery, set inside an ornate gilded wooden frame.
Detail View 1
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Detail View 3
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period17th century
  • StyleBaroque
  • MaterialOil paint, wood panel, gesso, gold leaf
  • ColourGold
  • MotifsOrnate carved cartouches, Acanthus scrollwork, Beaded moulding, Corner crestings
  • SizeH 70 cm (28 in) x W 55 cm (22 in) x D 7 cm (3 in)

Seventeenth-century portraits typically feature dramatic lighting, rich textures in garments like lace and velvet, and meticulous attention to physiological detail and status symbols.

These works were commonly executed using oil-based pigments applied to prepared wooden panels, often housed within heavily carved and gilded gesso frames.

Authenticity is assessed through examination of craquelure, pigment composition under analysis, panel construction, and historical provenance or stylistic attribution.

Such pieces serve as striking focal points when hung against moody, saturated wall colours or contrasted within minimalist, modern spaces to add historical depth.

Conservation requires stable ambient temperatures and humidity levels, protection from direct sunlight, and gentle dusting by professionals to prevent damage to fragile gesso and old varnish.
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