Wigs on the Green has dated this piece to the 18th Century.
Her hair is curled on top with ringlets falling onto her shoulder and a long chignon at the back tied with a ribbon bow. She has double hooped earrings and a pearl necklace that compliments the rope of pearls in her hair. The profile dates to the 1780s.

Reverse painted on convex glass and backed with plaster within a handsome verre églomisé border, the silhouette is housed in the original turned pearwood frame. There is a small area of paint loss to her lower arm and slight delamination to the paintwork on her face. The verre églomisé border was likely painted by Mrs Beetham’s husband, Edward, as he had travelled to Murano around this time to study glass painting.

Isabella Beetham began cutting silhouettes out of necessity to support her young family and was fortunate to be taught painting during the early 1780s by John Smart, the acclaimed miniaturist. Her husband meantime was a dabbler: he tried acting on stage, he designed a theatre safety curtain, he took in lodgers, he built and sold new-fangled washing machines, he offered insurance cover and so on.
Frame Size: 185 x 160mm
Wigs on the Green has dated this piece to the 18th Century.
Small portraiture of character & historical interest
You can view the stock and full dealer information on the Wigs on the Green Profile Page