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Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)
Sold by Quiet Street Antiques of Bath
sold SA1127809
Sorry, but this item has been sold.
Quiet Street Antiques of Bath

Quiet Street Antiques of Bath

Sellingantiques Verified Since Apr 2012
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Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)

1900 - 1920
Sold 8 March 2025 · Quiet Street Antiques of Bath
This “Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)” found a buyer.

It was listed by Quiet Street Antiques of Bath. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

A good quality gilt framed (and glazed) original watercolour painting by Henry John Sylvester STANNARD (1860-1951) entitled “The Restful Hour”. Flitwick, Bedfordshire. Depicting a rural idyll at sunrise, with a timber framed and thatched country house adjacent to a farm track with a gaggle of geese grazing next to a small wooden bridge over a stream.

Signed to the lower left corner. Verso: Further signature and title.

Label – Exhibited at The Dudley Gallery, Egyptian Hall, Piccadilly.

Dimensions: Width: 45 inches (114.5 cm).  Height: 26.5 inches (67 cm)

Dated: c.1900-1910.

Recommended – Ready to hang. Great value.

About the Artist. Stannard typically depicted pastoral scenes and the rural idyll. He exhibited fifteen works at the Royal Academy (including “The Old Homestead”, “The Trees Began to Whisper” and “The Trysting Lane”), the Royal Institute of Painters in Water Colours, the New gallery, the Royal Society of British Artists and the Royal Cambrian Academy of Art.

In 1906 Stannard was honoured by Queen Alexandra with a commission for a number of pictures including Her Majesty’s Wild Garden and Woods at Sandringham. In 1922 he held an exhibition with his daughter at Brook Street Galleries in London where Queen Mary became a patron of his colour drawings. In 1934 he was commissioned by the Governors of Guernsey to paint a view of St Fermain’s Bay and the harbour, a painting that was subsequently presented to the Prince of Wales. In 1936 he painted a view of the Prince of Siam’s gardens at Virginia Water, and in 1937 two of his watercolours of the River Dart were hung in the Royal Institute of Painters in Water Colours.

Date of Manufacture

Quiet Street Antiques of Bath has dated this Framed Antique Watercolour to the 1900s.

Physical Dimensions
Height
67cm (26.38")
Width
114.5cm (45.08")
Reference Numbers
Sellingantiques Reference
SA1127809
Dealers Internal Reference
1583/Q
Dealers Notes

Shop Open: 10.00am - 6.00pm Monday-Saturday (Closed Sundays)

Description
A good quality gilt framed (and glazed) original watercolour painting by Henry John Sylvester STANNARD (1860-1951) entitled “The Restful Hour”. Flitwick, Bedfordshire.
“
Depicting a rural idyll at sunrise, with a timber framed and thatched country house adjacent to a farm track with a gaggle of geese grazing next to a small wooden bridge over a stream.
Quiet Street Antiques of Bath
fig 1. A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount.
fig 1. Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)

Signed to the lower left corner. Verso: Further signature and title.

Label – Exhibited at The Dudley Gallery, Egyptian Hall, Piccadilly.

Dimensions: Width: 45 inches (114.5 cm).  Height: 26.5 inches (67 cm)

fig 2. A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount.
fig 2. Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)

Dated: c.1900-1910.

Recommended – Ready to hang. Great value.

About the Artist. Stannard typically depicted pastoral scenes and the rural idyll. He exhibited fifteen works at the Royal Academy (including “The Old Homestead”, “The Trees Began to Whisper” and “The Trysting Lane”), the Royal Institute of Painters in Water Colours, the New gallery, the Royal Society of British Artists and the Royal Cambrian Academy of Art.

fig 3. A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount.
fig 3. Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)

In 1906 Stannard was honoured by Queen Alexandra with a commission for a number of pictures including Her Majesty’s Wild Garden and Woods at Sandringham. In 1922 he held an exhibition with his daughter at Brook Street Galleries in London where Queen Mary became a patron of his colour drawings. In 1934 he was commissioned by the Governors of Guernsey to paint a view of St Fermain’s Bay and the harbour, a painting that was subsequently presented to the Prince of Wales. In 1936 he painted a view of the Prince of Siam’s gardens at Virginia Water, and in 1937 two of his watercolours of the River Dart were hung in the Royal Institute of Painters in Water Colours.

Date of Manufacture

Quiet Street Antiques of Bath has dated this Framed Antique Watercolour to the 1900s.

Height
67cm (26.38")
Width
114.5cm (45.08")
Reference Numbers
Sellingantiques Ref
SA1127809
Dealers Internal Ref
1583/Q
Quiet Street Antiques of Bath
Quiet Street Antiques of Bath
Sellingantiques verified Since Apr 2012

Fine antiques at sensible prices

Dealer Profile

You can view the stock and full dealer information on the Quiet Street Antiques of Bath Profile Page

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A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. SOLD6+ MONTHS AGO
1 / 13
Archive I A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. SOLD6+ MONTHS AGO

Framed Watercolour “The Restful Hour” – Henry John Sylvester Stannard (1860-1951)

Archive II A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View II
Archive III A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View III
Archive IV A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View IV
Archive V A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View V
Archive VI A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View VI
Archive VII A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View VII
Archive VIII A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View VIII
Archive IX A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View IX
Archive X A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View X
Archive XI A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View XI
Archive XII A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View XII
Archive XIII A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount. View XIII
Enlarged Archival View
Location
Quiet Street Antiques
3 Quiet Street
Bath
BA1 2JS
United Kingdom
Verified Since Apr 2012
Items For Sale 149
Items Sold 2,529
Quiet Street Antiques of Bath
Quiet Street Antiques of Bath
Verified Since Apr 2012
View Dealer Info
Location: Quiet Street Antiques, 3 Quiet Street, Bath, BA1 2JS , United Kingdom
Verified
Apr 2012
For Sale
149
Sold
2,529
A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount.
Framed Watercolour “The Restful Hour” – Henry John Sylvester STANNARD (1860-1951)
Ref: SA1127809
A framed antique landscape watercolour depicting a rural path leading towards a cottage at dusk, enclosed in a gilded wooden frame with a multi-layered mount.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings & Artwork
  • Period1900 - 1920
  • StyleVictorian & Edwardian
  • MaterialPaper, Watercolour Pigment, Wood, Glass
  • ColourMuted Earth Tones
  • MotifsRural cottage, Dirt track, Sunset sky, Gilded frame
  • SizeH 67 cm (26 in) x W 114.5 cm (45 in)

During the Victorian and Edwardian periods, watercolour painting became a prominent medium in Britain, characterised by depictions of rural life, natural landscapes, and picturesque cottages, often produced by members of established artistic families.

Authentic period pieces are generally framed using wooden mouldingsoften gilded or stainedwith multiple acid-free mount boards and glass protection to prevent moisture damage and fading of the delicate pigments.

Authentication involves examining the paper texture for watermarks, inspecting the brushwork and pigment application under magnification for hand-applied details rather than dot-matrix printing, and checking the backing materials and framing construction for age-appropriate wear.

Such artworks serve as focal points in traditional or transitional spaces, and can be balanced in modern minimalist settings by pairing them with clean-lined furniture and neutral walls to create a sophisticated contrast.

To prevent fading and paper degradation, antique watercolours should be displayed away from direct sunlight and high humidity environments, maintaining stable indoor temperatures and using UV-protective glazing when possible.
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