16,038  PAGES BROWSED TODAY PAGES TODAY • 26 ANTIQUES UPLOADED TODAYNEW ARRIVALS
GIFTS
26 ITEMS ADDED TODAY
Sort Order
Items Per Page
Browse Categories
Sort order
Relevant Links
Items per page
ID #SA1121835
SOLD
Email Phone
Save
C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting
Sold by Titan Fine Art
sold SA1121835
Sorry, but this item has been sold.
Titan Fine Art

Titan Fine Art

Sellingantiques Verified Since Jul 2016
Browse dealers 24 items
  • About Us
    Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.
Id #SA1121835
PDF SHARE
SAVE

C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

18th century
Sold 13 May 2025 · Titan Fine Art
This “C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting” found a buyer.

It was listed by Titan Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing), of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work. They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right. The sitter’s daughter, Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride.

The sitter is Jane Wood. Her father was Thomas Wood (1682-176) and Dorothy Huby (1700-1759) and the family lived in Norwich, which in 1720 was a city second in importance only to London. Jane was baptised 14 Oct 1727 at Bracon Ash and had many siblings. Her aunt, also Jane (died in 1756 in Bruges, aged 79) was a Franciscan nun. A portrait of her younger sister, Dorothy Wood (1730-1759), is also with Titan Fine Art at the time of writing.

In 1758 Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet (Sheriff in 1710) and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives.

Knipe Gobbet was a prominent individual. In 1779 he gave the corporation of Norwich 100 pounds to be disposed of as they might think proper and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion.

Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829.

The couple had many children, most of which were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She later met Dr William Compton (1733- 1824), who was Chancellor of Ely and the next collateral male relation to the Earl of Northampton, and on 9th July 1799, they married in a famous and lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself (Ann and William then spent many years on the continent where they were British residents of Posilipo Naples).

The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a recent sale that raised worldwide interest. It accounts: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'.

Full description at: www.titanfineart.com

Physical Dimensions
Height
94cm (37.01")
Width
83.5cm (32.87")
Depth
8cm (3.15")
Declaration

Titan Fine Art has dated this Georgian Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1121835
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, professionally conserved and researched, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

Why Buy From Titan Fine Art?

• Expertly Curated Selection

We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.

• Museum-Level Research

Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.

• Professional Conservation

All paintings are carefully cleaned and stabilised by professional conservators, and are presented ready to hang.

• Transparent Pricing

No buyer’s premium or hidden fees—unlike auction houses, where additional costs can add 25–35%.

• Export Pricing Advantage

Reduced pricing is available for works exported outside the UK.

• Specialist Global Shipping

We manage the entire process, including custom crating, export documentation, and fully tracked delivery worldwide.

• Buy with Confidence

A 7-day return policy and the option to pay in GBP, USD, or EUR for convenience and transparency.

• Original Period Frames

Many works retain their original carved and gilded frames, which are works of art in their own right and enhance both historical authenticity and decorative impact.

• Personal Advisory Service

We work directly with collectors and interior designers, offering guidance on selection, scale, and placement—including bespoke room mock-ups on request.

Subscribe to our monthly 'new item alert' to be the first to hear about new works

Description
This work formed part of an ancient collection of family heirlooms of the Wood family of Bracon Ash, Norfolk. This painting, along with another (also with Titan Fine Art at the time of writing), of our sitter’s sister, descended within the family for around 275 years until recently dispersed; they are exquisite examples of Georgian portraiture in England and represents the best of the artist’s work.
“
They are held in their original carved and gilded frames, which are absolute top quality and condition and magnificent works of art in their own right.
Titan Fine Art

The sitter’s daughter, Ann, was famously married on board the Foudroyant, off Naples, in a lavish ceremony in 1799, with Lord Nelson himself giving away the bride.

fig 1. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 1. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

The sitter is Jane Wood. Her father was Thomas Wood (1682-176) and Dorothy Huby (1700-1759) and the family lived in Norwich, which in 1720 was a city second in importance only to London. Jane was baptised 14 Oct 1727 at Bracon Ash and had many siblings. Her aunt, also Jane (died in 1756 in Bruges, aged 79) was a Franciscan nun. A portrait of her younger sister, Dorothy Wood (1730-1759), is also with Titan Fine Art at the time of writing.

fig 2. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 2. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

In 1758 Jane married Knipe Gobbet (1730/5-1791) who was Sheriff in 1768 (and Mayor in 1771) of the City of Norwich, and later Lieutenant-Colonel of the West Norfolk Regiment, in which corps he had served in for many years. Knipe was born at his family seat, Tacolneston Hall, to parents George Gobbet (Sheriff in 1710) and Ann. The couple bought and lived in a house in Norwich (later known as Gurney’s Bank House) until 1778 before moving to another one at 10 St Stephen’s Street, Norwich. Later, they inherited the family seat of Tacolnestan Hall and lived there for the remainder of their lives.

fig 3. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 3. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

Knipe Gobbet was a prominent individual. In 1779 he gave the corporation of Norwich 100 pounds to be disposed of as they might think proper and soon after that he was presented with a handsome field tent, marquee, and camp equipage, in testimony of their esteem for his dedication to the defence and service of this country at a time when threatened by an invasion.

fig 4. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 4. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

Although Jane was baptised a Roman Catholic Knipe was a prominent local wine merchant, JP, Alderman, sheriff, mayor and Lieutenant. Roman Catholics may have paid lip service to religious conformity as they were excluded from certain areas of public life before the Catholic Emancipation Act of 1829.

fig 5. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 5. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

The couple had many children, most of which were schooled at the Order of the Immaculate Conception of Our Lady, in Paris. Their oldest daughter, Anne (1760-1817) first married Peter Bottalini of London 27 Oct 1783 at Tacolneston Hall. They had one son together. She later met Dr William Compton (1733- 1824), who was Chancellor of Ely and the next collateral male relation to the Earl of Northampton, and on 9th July 1799, they married in a famous and lavish ceremony on board the Foudroyant, off Naples, where the bride was given away by the Right Hon. Lord Nelson himself (Ann and William then spent many years on the continent where they were British residents of Posilipo Naples).

fig 6. An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
fig 6. C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

The marriage document, signed by Lord Nelson, Lady Emma Hamilton, Captain Thomas Hardy, and others descended within the family, until sold in a recent sale that raised worldwide interest. It accounts: 'This is to certify that, on board the Foudroyant lying in Naples Bay, on the ninth of July 1799 the marriage between William Compton & Mrs Anne Bottalin, widow, was solemnized by me S. G. Comyn HM. Chaplain to the Right Honble Lord Nelson, H.M.S. Foudroyant, in the presence of'.

Full description at: www.titanfineart.com

Height
94cm (37.01")
Width
83.5cm (32.87")
Depth
8cm (3.15")
Date of Manufacture

Titan Fine Art has dated this Georgian Oil Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1121835
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

PDF SHARE
SAVE
An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. SOLD6+ MONTHS AGO
1 / 12
Archive I An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. SOLD6+ MONTHS AGO

C.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; by John Theodore Heins (1697-1756), Oil on Canvas Painting

Archive II An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View II
Archive III An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View III
Archive IV An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View IV
Archive V An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View V
Archive VI An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View VI
Archive VII An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View VII
Archive VIII An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View VIII
Archive IX An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View IX
Archive X An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View X
Archive XI An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View XI
Archive XII An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame. View XII
FURTHER BROWSING

Visitors also looked at these ⇣

Enlarged Archival View
Telephone 07875 412 111
Location
London
United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 24
Items Sold 402
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
24
Sold
402
An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
c.1750 Portrait of a Lady, Jane Wood in a Pink Dress, Fine Carved and Gilded Frame; By John Theodore Heins (1697-1756), Oil on canvas painting
Ref: SA1121835
An 18th-century oil portrait of a woman in a pink dress and blue wrap, set within an ornate carved and gilded wooden frame.
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Detail View 5
Detail View 6
Detail View 7
Detail View 8
Detail View 9
Detail View 10
Detail View 11
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleGeorgian
  • MaterialOil paint, canvas, wood, gold leaf
  • ColourGold
  • MotifsScrollwork carving, Acorn corners, Gilded finish, Figurative subject
  • SizeH 94 cm (37 in) x W 83.5 cm (33 in) x D 8 cm (3 in)

Georgian portraiture typically features realistic depictions of sitters, often incorporating rich fabrics, detailed facial expressions, and sophisticated lighting characteristic of the periods portraiture conventions.

These works were executed using oil paints applied to stretched canvas, frequently housed within intricately carved and water-gilded wooden frames crafted by specialist frame-makers.

Authentication involves examining canvas weave, pigment composition via scientific analysis, stretcher frame construction, craquelure patterns, and documenting provenance or signatures where present.

Historic art creates a sophisticated focal point when paired with clean architectural lines, contrasting contemporary minimalism, or anchoring a traditional gallery wall arrangement.

Preservation requires maintaining stable temperature and relative humidity levels, avoiding direct sunlight exposure, and consulting a professional conservator for periodic cleaning and canvas tension checks.
items
Add keywords to the filter
Price
£100
£250000
Era
Period
Style
Material
Origin
Stock Location
Recently Added
Online Payments
Categories