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Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)
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sold SA1117835
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Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

18th century
Sold 1 August 2025 · Titan Fine Art
This “Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)” found a buyer.

It was listed by Titan Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

This exquisite work, painted circa 1740, formed part of the collection of family pictures and heirlooms of the Barons de Saumarez, descendants of the sitter, at their magnificent 1,400-acre manor, Shrubland Park, near Ipswich. The manor was considered amongst the finest Italianate country homes in Britain and the family held the estate for over 200 years until it was sold in 2006.

Signed by the prolific Suffolk artist, Thomas Bardwell, it is a finely depicted portrait of a beautiful young lady and a prime example of his work. His graceful portraits were very much admired at the time and today his work is represented in many museums and grand country houses throughout Britain.

Our portrait, depicts a subject about thirty years of age, and on the basis of clothing and hairstyle, it was painted around 1740. Mr Kirby Talley Jr., in his writing for the Walpole Society (Thomas Bardwell of Bungay, Artist and Author 1704-1767 with a Checklist of Works', Walpole Society, Vol. XLVI, 1976-78) identified the sitter as the wife of William Acton of Bramford Hall (c.1684-1744) and recorded it in the Saumarez collection, descendants of the sitter at their magnificent family home, Shrubland Park, Suffolk. Our painting was thought to be the companion portrait to that of her husband, William Acton. The year before William's portrait, he was High Sherrif for Suffolk, a plausible event to commission a portrait. The couple are believed to have had a daughter, Isabella Acton, (born after 1707 and died before 1744) - it is plausible that she is in fact the subject of our portrait.

William Acton was the second son of John Acton of Bramford Hall (1650-1695) and either his first wife Isabel Buxton or his second wife Elizabeth Lamb (1654-1727). Bramford Hall passed through several generations and was still held by his descendants in the mid-twentieth century, Jane Anne Vere-Broke, Lady de Saumarez at Shrubland Park (who had also inherited Broke Hall).

For Shrubland is one of those rare entities, a complete country estate, owned by the same family for more than 200 years. It was sold to Sir William Fowle Middleton, 1st Baronet (1748-1829) in 1795. He married Harriet Acton. Sir William’s father had just returned to Suffolk from South Carolina when he inherited Crowfield Hall (at Middleton Place near Charleston, the Middleton’s had created what remains one of the largest and grandest houses and gardens on the eastern seaboard of America.

It descended to Jane Ann Broke (1847-1933), who married James St Vincent, 4th Baron de Saumarez (1843-1937) in 1882, thus becoming The Right Honorable Jane Ann, Baroness de Saumarez and then descended to the 7th Baron de Saumarez before it was sold to pay death duties in 2006 (our portrait lot 279, Sotheby’s London, held on the premises, on Sept 19-21). The sale was described as the most important property sale in East Anglia in a generation: “In almost every other European country it would be called a palace”.

Presented in a beautiful gilded period frame.

Thomas Bardwell, was born, probably at Worlingworth, Suffolk, in 1704, son of John Bardwell, a farmer at Worlingworth. Thomas established himself as a decorative painter at Bungay, Suffolk and by 1732 had a thriving business, employing at least one apprentice, a business that he handed over to his younger brother Robert in 1738 so he could focus on portrait painting. By 1740 his business was thriving as he painted much of the local clientele. He may also have worked briefly in London, as 1740–1741, he produced the portraits John Campbell, Duke of Argyll, and David Garrick, newly acclaimed as Richard III at Goodman's Fields. In 1752 he journeyed to Scotland, via Yorkshire, painting several portraits and some decorative work. Thomas was back in the south by the end of 1753 and from 1759 to the end of his life thrived as a portraitist in Norwich.

Full description at: www.titanfineart.com

Physical Dimensions
Height
143.5cm (56.50")
Width
118cm (46.46")
Depth
8.5cm (3.35")
Declaration

Titan Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1117835
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, professionally conserved and researched, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

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Description
This exquisite work, painted circa 1740, formed part of the collection of family pictures and heirlooms of the Barons de Saumarez, descendants of the sitter, at their magnificent 1,400-acre manor, Shrubland Park, near Ipswich.
“
The manor was considered amongst the finest Italianate country homes in Britain and the family held the estate for over 200 years until it was sold in 2006.
Titan Fine Art
fig 1. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 1. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

Signed by the prolific Suffolk artist, Thomas Bardwell, it is a finely depicted portrait of a beautiful young lady and a prime example of his work. His graceful portraits were very much admired at the time and today his work is represented in many museums and grand country houses throughout Britain.

fig 2. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 2. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

Our portrait, depicts a subject about thirty years of age, and on the basis of clothing and hairstyle, it was painted around 1740. Mr Kirby Talley Jr., in his writing for the Walpole Society (Thomas Bardwell of Bungay, Artist and Author 1704-1767 with a Checklist of Works', Walpole Society, Vol. XLVI, 1976-78) identified the sitter as the wife of William Acton of Bramford Hall (c.1684-1744) and recorded it in the Saumarez collection, descendants of the sitter at their magnificent family home, Shrubland Park, Suffolk. Our painting was thought to be the companion portrait to that of her husband, William Acton. The year before William's portrait, he was High Sherrif for Suffolk, a plausible event to commission a portrait. The couple are believed to have had a daughter, Isabella Acton, (born after 1707 and died before 1744) - it is plausible that she is in fact the subject of our portrait.

fig 3. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 3. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

William Acton was the second son of John Acton of Bramford Hall (1650-1695) and either his first wife Isabel Buxton or his second wife Elizabeth Lamb (1654-1727). Bramford Hall passed through several generations and was still held by his descendants in the mid-twentieth century, Jane Anne Vere-Broke, Lady de Saumarez at Shrubland Park (who had also inherited Broke Hall).

fig 4. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 4. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

For Shrubland is one of those rare entities, a complete country estate, owned by the same family for more than 200 years. It was sold to Sir William Fowle Middleton, 1st Baronet (1748-1829) in 1795. He married Harriet Acton. Sir William’s father had just returned to Suffolk from South Carolina when he inherited Crowfield Hall (at Middleton Place near Charleston, the Middleton’s had created what remains one of the largest and grandest houses and gardens on the eastern seaboard of America.

fig 5. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 5. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

It descended to Jane Ann Broke (1847-1933), who married James St Vincent, 4th Baron de Saumarez (1843-1937) in 1882, thus becoming The Right Honorable Jane Ann, Baroness de Saumarez and then descended to the 7th Baron de Saumarez before it was sold to pay death duties in 2006 (our portrait lot 279, Sotheby’s London, held on the premises, on Sept 19-21). The sale was described as the most important property sale in East Anglia in a generation: “In almost every other European country it would be called a palace”.

fig 6. An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
fig 6. Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

Presented in a beautiful gilded period frame.

Thomas Bardwell, was born, probably at Worlingworth, Suffolk, in 1704, son of John Bardwell, a farmer at Worlingworth. Thomas established himself as a decorative painter at Bungay, Suffolk and by 1732 had a thriving business, employing at least one apprentice, a business that he handed over to his younger brother Robert in 1738 so he could focus on portrait painting. By 1740 his business was thriving as he painted much of the local clientele. He may also have worked briefly in London, as 1740–1741, he produced the portraits John Campbell, Duke of Argyll, and David Garrick, newly acclaimed as Richard III at Goodman's Fields. In 1752 he journeyed to Scotland, via Yorkshire, painting several portraits and some decorative work. Thomas was back in the south by the end of 1753 and from 1759 to the end of his life thrived as a portraitist in Norwich.

Full description at: www.titanfineart.com

Height
143.5cm (56.50")
Width
118cm (46.46")
Depth
8.5cm (3.35")
Date of Manufacture

Titan Fine Art has dated this 18th Century Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1117835
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. SOLD6+ MONTHS AGO
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Archive I An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. SOLD6+ MONTHS AGO

Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-trimmed Cape C.1740; Signed Thomas Bardwell (1704-1767)

Archive II An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View II
Archive III An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View III
Archive IV An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View IV
Archive V An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View V
Archive VI An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View VI
Archive VII An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View VII
Archive VIII An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View VIII
Archive IX An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View IX
Archive X An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View X
Archive XI An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XI
Archive XII An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XII
Archive XIII An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XIII
Archive XIV An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XIV
Archive XV An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XV
Archive XVI An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XVI
Archive XVII An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame. View XVII
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Location
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United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 24
Items Sold 402
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
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Sold
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An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
Portrait of a Lady, Mrs William Acton of Bramford Hall, in a Silk Dress and Blue Fur-Trimmed Cape c.1740; Signed Thomas Bardwell (1704-1767)
Ref: SA1117835
An 18th-century oil portrait of a woman in a silk dress and blue cape, housed in an ornate carved gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period18th century
  • StyleGeorgian
  • MaterialOil paint, Canvas, Wood, Gilt gesso
  • ColourGold
  • MotifsOrnate carved gilt frame, Portrait subject, Classical drapery, Fine art brushwork
  • SizeH 143.5 cm (56 in) x W 118 cm (46 in) x D 8.5 cm (3 in)

Eighteenth-century portraiture often captured the aristocracy and gentry, emphasising status, refined clothing, and classical composition under the influence of prominent British and European portraitists.

These works typically utilise oil paints applied to hand-stretched linen canvases, secured to wooden stretcher frames and housed within heavily carved and gilded wood or compo frames.

Authenticity is assessed through examination of canvas weave, craquelure patterns, pigment analysis under ultraviolet light, stretcher bar age, and historical provenance documentation.

An antique portrait creates a striking focal point when hung against dark or neutral walls in a living space, study, or hallway, blending historical gravity with modern decor.

Keep paintings away from direct sunlight and high humidity fluctuations, avoid touching the painted surface, and consult a professional conservator for periodic cleaning and canvas tension checks.
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