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18th Century Portrait Painting of the Duchess of Newcastle by Charles Jervas (1701-1776)
Isherwood Fine Art
for sale €18,720     $20,320
£16,000
Isherwood Fine Art

Isherwood Fine Art

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    16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.
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Id #SA1060367
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18th Century Portrait Painting of the Duchess of Newcastle by Charles Jervas (1701-1776)

18th century
Description

Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk gown holding a sprig of flowers in her hand. Inscribed lower left 'Duchess of Newcastle' with a family crest above.

Henrietta Pelham-Holles was the wife of the British Prime Minister Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne. She was the daughter and co-heir of Francis Godolphin, 2nd Earl of Godolphin and the granddaughter of Sidney Dodolphin, 1st Earl of Godolphin and Sarah and John Churchill, 1st Duke of Marlborough. Until her marriage in 1717, she was known as Lady Harriet Godolphin. With her husband she was an active Whig and supporter of the Hanoverian succession. The Duchess died on the 17th of July 1776 and was buried alongside her husband at Laughton.

Charles Jervas was born in Ireland in 1675. He trained under Godfrey Kneller in London and in Rome, returning to London in 1709 establishing a successful portrait practice before becoming Painter to King George I after Kneller's death in 1723. Both Henrietta and her husband had their portraits painted by Jervas (National Portrait Gallery, London). His sitters also included intellectuals of the day such as friends Jonathan Swift and Alexander Pope (National Gallery, London). Jervas lived in London until his death in 1739.

Physical Dimensions
Height
126cm (49.61")
Width
104cm (40.94")
Declaration

Isherwood Fine Art has dated this Georgian Female Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1060367
Dealers Notes

Isherwood fine art

Description
Portrait of Henrietta Pelham-Holles (née Godolphin) (1701-1776), Duchess of Newcastle, standing in a wooded landscape with a river beyond, three-quarter length wearing an ivory silk gown holding a sprig of flowers in her hand. Inscribed lower left 'Duchess of Newcastle' with a family crest above.
Henrietta Pelham-Holles was the wife of the British Prime Minister Thomas Pelham-Holles, 1st Duke of Newcastle-upon-Tyne.
Isherwood Fine Art

She was the daughter and co-heir of Francis Godolphin, 2nd Earl of Godolphin and the granddaughter of Sidney Dodolphin, 1st Earl of Godolphin and Sarah and John Churchill, 1st Duke of Marlborough. Until her marriage in 1717, she was known as Lady Harriet Godolphin. With her husband she was an active Whig and supporter of the Hanoverian succession. The Duchess died on the 17th of July 1776 and was buried alongside her husband at Laughton.

fig 1. An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame.
fig 1. 18th Century Portrait Painting of the Duchess of Newcastle by Charles Jervas (1701-1776)

Charles Jervas was born in Ireland in 1675. He trained under Godfrey Kneller in London and in Rome, returning to London in 1709 establishing a successful portrait practice before becoming Painter to King George I after Kneller's death in 1723. Both Henrietta and her husband had their portraits painted by Jervas (National Portrait Gallery, London). His sitters also included intellectuals of the day such as friends Jonathan Swift and Alexander Pope (National Gallery, London). Jervas lived in London until his death in 1739.

Height
126cm (49.61")
Width
104cm (40.94")
Date of Manufacture

Isherwood Fine Art has dated this Georgian Female Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1060367
Isherwood Fine Art
Isherwood Fine Art
Sellingantiques verified Since Oct 2023

16th to 19th century old master, british and european paintings and sculpture, specialising in period portraiture. Member BADA, LAPADA.

Dealer Profile

You can view the stock and full dealer information on the Isherwood Fine Art Profile Page

Trade Associations

Isherwood Fine Art is a registered member of LAPADA  BADA 

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An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame.
1 / 3
Archive I An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame.

18th Century Portrait Painting of the Duchess of Newcastle by Charles Jervas (1701-1776)

Archive II An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame. View II
Archive III An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame. View III
Enlarged Archival View
Telephone 07984 699799
Location
Bath and London
United Kingdom

By appointment only.
Verified Since Oct 2023
Items For Sale 43
Items Sold 32
Isherwood Fine Art
Isherwood Fine Art
Verified Since Oct 2023
View Dealer Info
Location: Bath and London, United Kingdom, , By appointment only.
Verified
Oct 2023
For Sale
43
Sold
32
An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame.
18th century portrait painting of the Duchess of Newcastle by Charles Jervas (1701-1776)
Ref: SA1060367
An 18th-century three-quarter-length oil portrait of a woman in an ivory silk gown holding a sprig of small white flowers, set inside a carved gold gilt frame.
Detail View 1
Detail View 2
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Georgian portraiture from the 18th century typically depicted members of the aristocracy and landed gentry in formal poses, emphasizing social status, refined attire, and subtle botanical or symbolic props. Artists employed soft lighting, linear drapery, and subtle landscape backdrops to convey elegance and restraint.

Paintings from this period were primarily executed using oil pigments applied to hand-stretched linen or cotton canvas. Frames were constructed from carved timber coated in gesso and finished with applied gold leaf.

Authentic period paintings display uniform craquelure across the paint layers, natural darkening and oxidisation on the timber stretcher and canvas reverse, and period-appropriate hand-carved joinery on the frame.

Positioning a large-scale portrait above a simple console table or fireplace mantel creates an engaging visual focal point. Combining classical figurative art with minimalist modern furniture provides balanced architectural contrast.

Keep the artwork away from direct sunlight, damp environments, and active heat sources to prevent paint flaking and canvas tension loss. Dust the canvas and gilded frame gently using a dry, soft camel-hair brush without applying liquid cleaners.
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