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Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees
Sold by Cheshire Antiques Consultant Ltd
sold SA1052871
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Cheshire Antiques Consultant Ltd

Cheshire Antiques Consultant Ltd

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Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

19th century
Sold 18 March 2025 · Cheshire Antiques Consultant Ltd
This “Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees” found a buyer.

It was listed by Cheshire Antiques Consultant Ltd. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

1 Fine Huge Victorian Scottish Work of Art Oil Painting Highland Landscape Glen Goil Ben Donich.

Make a big statement, amaze your clients & guest by adding a touch of Scotlands beauty to your office & home wall space with this Scottish masterpiece.

Title “Glengoil” & dated 1886 by James M Robert Greenlees.

Oil on canvas.

Subject landscape view of the known Scottish Highlands landscape honeypot view of Glen Goil in Argyll and Bute Scotland.

Signed near the bottom corner by the known Scottish artist James M Roberts Greenlees and also inscribed by the artist verso.

Circa late 19th century Victorian era dated 1886.

Set in the original heavy decorative gilded frame which enhances this painting even further.

Such an impressive display size with the frame being 134 cm wide and 109 cm high & 10 cm in depth.

Your first notice about this painting is the incredible detailed deep perspective that it has to Glen Goil, you are drawn to the meandering River Goil that flows through this scene, which has many sall stone boulders along its river bank edges, a rough old wooden fence that slopes down to the river edge, with deep tall green lush vegetation on either side, to your right is a footpath that goes back and you can see a sole Scottish gentleman wearing a red tartan kilt walking along. You can see birds flying low, further back a forest of trees around the base of the sloping hills and mountains, with smoke rising on either flank from 2 small fires, then right at the back is the fabulous view of the jagged summit highest peak Ben Donich, above with a mix of bright blue sky with white & grey clouds lower down. You can feel the peace and tranquility in this scene. The different hues are so vivid and vibrant and really stand out which you will adore.

In our opinion this is his very finest work.

Artist biography James M Roberts Greenlees was a known British artist who was born in the year 1820, Robert Greenlees (1820– 6 September 1894) was a Scottish artist and educationalist. He was employed at the Glasgow School of Art as a pupil teacher, both teaching and studying. Greenlees taught drawing in the elementary classes, and became the Second Master. In 1863 the headmaster of the school, Charles Heath Wilson, retired and Greenlees was appointed his successor. He was the headmaster until 1881. Initially Greenlees worked in stained glass. He later moved to landscape painting in oils and watercolours. Greenlees advocated for the attendance of women pupils at life classes, and appointed four female teachers at the school. His daughter Georgina was one of the teachers. Greenlees also introduced the teaching of nautical draughtsmanship – a number of designers at the Clyde shipyards were graduates of the school. One of his pupils was the landscape artist Alexander Brownlie Docharty while another was the noted landscape artist Archibald Kay. His paintings and have been exhibited and sold in auctions around the world like Christies & Bonhams.

‘Glen Goil’. The peak on the right is Ben Donich, the mountains to the left Beinn an t-seilich and Stob an East. The view is from the south end of Glen Goil near Lochgoilhead. Loch Goil; (Scottish Gaelic: Loch Goil) is a small sea loch forming part of the coast of the Cowal peninsula in Argyll and Bute, Scotland. The sea loch is entirely within the Loch Lomond and The Trossachs National Park. It is an arm of Loch Long. The village of Lochgoilhead stands at its head. Located in the Loch Lomond and the Trossachs National Park, Lochgoilhead sits at the head of Loch Goil, a fjord type sea loch. Only an hour from the Erskine Bridge, Glasgow Airport the M8 and Glasgow. The village is accessed from the Rest & Be Thankful pass by way of a 6 miles (10 km) single-track road. The area is surrounded by hills and mountains, with loch views, and a range of accommodation, leisure activities and entert

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Oil Painting to the Victorian era.

Physical Dimensions
Height
109cm (42.91")
Width
134.5cm (52.95")
Depth
10cm (3.94")
Reference Numbers
Sellingantiques Reference
SA1052871
Dealers Internal Reference
542
Dealers Notes

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Description
1 Fine Huge Victorian Scottish Work of Art Oil Painting Highland Landscape Glen Goil Ben Donich.
“
Make a big statement, amaze your clients & guest by adding a touch of Scotlands beauty to your office & home wall space with this Scottish masterpiece.
Cheshire Antiques Consultant Ltd
fig 1. A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
fig 1. Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

Title “Glengoil” & dated 1886 by James M Robert Greenlees.

Oil on canvas.

Subject landscape view of the known Scottish Highlands landscape honeypot view of Glen Goil in Argyll and Bute Scotland.

Signed near the bottom corner by the known Scottish artist James M Roberts Greenlees and also inscribed by the artist verso.

fig 2. A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
fig 2. Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

Circa late 19th century Victorian era dated 1886.

Set in the original heavy decorative gilded frame which enhances this painting even further.

Such an impressive display size with the frame being 134 cm wide and 109 cm high & 10 cm in depth.

fig 3. A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
fig 3. Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

Your first notice about this painting is the incredible detailed deep perspective that it has to Glen Goil, you are drawn to the meandering River Goil that flows through this scene, which has many sall stone boulders along its river bank edges, a rough old wooden fence that slopes down to the river edge, with deep tall green lush vegetation on either side, to your right is a footpath that goes back and you can see a sole Scottish gentleman wearing a red tartan kilt walking along. You can see birds flying low, further back a forest of trees around the base of the sloping hills and mountains, with smoke rising on either flank from 2 small fires, then right at the back is the fabulous view of the jagged summit highest peak Ben Donich, above with a mix of bright blue sky with white & grey clouds lower down. You can feel the peace and tranquility in this scene. The different hues are so vivid and vibrant and really stand out which you will adore.

fig 4. A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
fig 4. Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

In our opinion this is his very finest work.

Artist biography James M Roberts Greenlees was a known British artist who was born in the year 1820, Robert Greenlees (1820– 6 September 1894) was a Scottish artist and educationalist. He was employed at the Glasgow School of Art as a pupil teacher, both teaching and studying. Greenlees taught drawing in the elementary classes, and became the Second Master. In 1863 the headmaster of the school, Charles Heath Wilson, retired and Greenlees was appointed his successor. He was the headmaster until 1881. Initially Greenlees worked in stained glass. He later moved to landscape painting in oils and watercolours. Greenlees advocated for the attendance of women pupils at life classes, and appointed four female teachers at the school. His daughter Georgina was one of the teachers. Greenlees also introduced the teaching of nautical draughtsmanship – a number of designers at the Clyde shipyards were graduates of the school. One of his pupils was the landscape artist Alexander Brownlie Docharty while another was the noted landscape artist Archibald Kay. His paintings and have been exhibited and sold in auctions around the world like Christies & Bonhams.

fig 5. A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
fig 5. Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

‘Glen Goil’. The peak on the right is Ben Donich, the mountains to the left Beinn an t-seilich and Stob an East. The view is from the south end of Glen Goil near Lochgoilhead. Loch Goil; (Scottish Gaelic: Loch Goil) is a small sea loch forming part of the coast of the Cowal peninsula in Argyll and Bute, Scotland. The sea loch is entirely within the Loch Lomond and The Trossachs National Park. It is an arm of Loch Long. The village of Lochgoilhead stands at its head. Located in the Loch Lomond and the Trossachs National Park, Lochgoilhead sits at the head of Loch Goil, a fjord type sea loch. Only an hour from the Erskine Bridge, Glasgow Airport the M8 and Glasgow. The village is accessed from the Rest & Be Thankful pass by way of a 6 miles (10 km) single-track road. The area is surrounded by hills and mountains, with loch views, and a range of accommodation, leisure activities and entert

Date of Manufacture

Cheshire Antiques Consultant Ltd has dated this Victorian Oil Painting to the Victorian era.

Height
109cm (42.91")
Width
134.5cm (52.95")
Depth
10cm (3.94")
Reference Numbers
Sellingantiques Ref
SA1052871
Dealers Internal Ref
542
Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
Sellingantiques verified Since Jan 2021

Source the historic in 17th, 18th, 19th & 20th century fine arts, painting, sculptures & collectibles

Dealer Profile

You can view the stock and full dealer information on the Cheshire Antiques Consultant Ltd Profile Page

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A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. SOLD6+ MONTHS AGO
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Archive I A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. SOLD6+ MONTHS AGO

Huge Victorian Oil Painting Highlands Glen Goil by James Greenlees

Archive II A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View II
Archive III A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View III
Archive IV A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View IV
Archive V A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View V
Archive VI A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View VI
Archive VII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View VII
Archive VIII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View VIII
Archive IX A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View IX
Archive X A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View X
Archive XI A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XI
Archive XII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XII
Archive XIII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XIII
Archive XIV A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XIV
Archive XV A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XV
Archive XVI A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XVI
Archive XVII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XVII
Archive XVIII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XVIII
Archive XIX A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XIX
Archive XX A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XX
Archive XXI A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXI
Archive XXII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXII
Archive XXIII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXIII
Archive XXIV A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXIV
Archive XXV A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXV
Archive XXVI A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXVI
Archive XXVII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXVII
Archive XXVIII A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXVIII
Archive XXIX A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXIX
Archive XXX A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame. View XXX
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Cheshire Antiques Consultant Ltd
Cheshire Antiques Consultant Ltd
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Location: 71-75 Shelton Street, Covent Garden, London, WC2H 9JQ, United Kingdom, , By appointment
Verified
Jan 2021
For Sale
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Sold
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A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
Huge Victorian Oil Painting Highlands Glen Goil By James Greenlees
Ref: SA1052871
A large Victorian oil painting of a Scottish highland landscape, housed in an ornate, heavily carved and gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period19th century
  • Style[Victorian, Romanticism]
  • Material[Oil paint, Canvas, Wood, Gesso, Gold leaf]
  • ColourGold
  • MotifsHighland landscape, Ornate gilt moulding, Cloudscapes, River valley
  • SizeH 109 cm (43 in) x W 134.5 cm (53 in) x D 10 cm (4 in)

Victorian landscape painting is characterised by a focus on dramatic natural scenery, often romanticising the countryside and highlighting the sublime power of nature with meticulous attention to detail and atmospheric light.

Artists of this era typically used ground pigments suspended in drying oils such as linseed, applied to stretched canvas. Frames were frequently crafted from carved wood and plaster, then gilded with gold leaf.

Authenticity is assessed by examining the canvas weave, stretcher bars, ageing of the oil paint layers through craquelure, and the construction methods of the frame, alongside any artist signatures or historic labels.

Positioning such a piece as a focal point above a mantelpiece or a large sideboard anchors the room, pairing traditional gravitas with modern minimalist furnishings to create visual balance.

Preservation involves keeping the artwork away from direct sunlight and dramatic humidity fluctuations. Cleaning should be left to professional conservators to avoid damaging the delicate varnish and paint layers.
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