Morel and Hughes Regency Carved Giltwood Daybed Likely Made for Badminton House Circa 1810

Provenance

Very likely part of the suite commissioned by the Duke of Beaufort for the Great Drawing Room in Badminton House when it was designed by Sir Jeffry Wyatville in 1811-12.

An extremely rare and elegant Grecian giltwood daybed from the Regency period attributed to Nicholas Morel and Robert Hughes.

English Circa 1810-1815.

The cushioned seat within padded and giltwood scrolled ends, the headrest being of greater height, the giltwood carved frame with leaf, husk, harebells and patera-carved facings over a gadrooned rail on palmette-carved baluster legs finishing on reeded cups and castors.

Retaining all of its original upholstery and bolster which have been traditionally reshaped and covered with a silk upholstery and fine matching piping. Some very small areas of original gilt work were retained whilst the rest carefully matched.

This important and rare giltwood daybed was designed to add both style and comfort to highly fashionable, furnished interiors. With its timeless elegance, it will provide a stylish and comfortable statement piece in any contemporary home.

The likes of the Royal Palaces and Important Houses have very similar quality and designed giltwood pieces in their collection, for more information please read below…

Morel and Hughes.

This elegant daybed is stylistically after the work of Nicholas Morel & Robert Hughes with the distinctive dense and finely wrought surface decoration. Nicholas Morel by 1827, had partnered with George Seddon, both partnerships enjoyed huge commercial success and were awarded some of the finest furnishing commissions in the first quarter of the nineteenth century. Their designs are marked by a distinctly Francophile ‘antique’ flavour thanks to the designs of Morel who was of French extraction and enjoyed the patronage of George IV as both Prince Regent and King.

The earliest documented mention of Morel is in a bill for the furnishing of the Prince Regent’s residence, Carlton House in 1795 and he also worked on Brighton Pavilion. In partnership, Morel and Hughes furnished some of finest aristocratic houses in England, including Harewood House, Kenwood, Southill, Weston Park and Northumberland House. In 1828 Morel was granted the royal warrant as Upholsterer in Ordinary to George IV, almost certainly due to being commissioned to provide furnishings for Windsor Castle along with his new partner George Seddon. Morel, Hughes and Seddon were held in the highest regard as furnishers of this period and their workshops produced quality, fashionable furnishings much sought after by the highest echelons of regency society.

The Badminton suite

Badminton has long been regarded as one of the finest houses in England and its collections of furniture are very well known. The suite of japanned furniture, including a wonderful bed now in the V&A museum, is familiar to all furniture enthusiasts, having been commissioned from the Linnell firm in the 1760s and later sold at auction.

The furniture relating to Wyatville's remodelling of the house is less studied and, sadly, seemingly not as well recorded in the Badminton archives. What is known is that Wyatville conducted a series of sympathetic alterations between roughly 1809 and 1813 and the Great Drawing Room was the result of the most important changes that he made to the house. This blog post, utilising images from various modern photo shoots in the house, shows the room as it looks today, complete with two settees which have identical feet to those on our daybed. Additionally, one of the settees is clearly of exactly the same pattern as our piece in its entirety, differing only in the fact that it has a back to it and the two scrolled ends are of equal height and not staggered as on the daybed.

http://theartoftheroom.com/2014/09/badminton-house-revisited/

What is particularly interesting about this is that close examinat

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