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Pair Framed Botanical Prints
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Pair Framed Botanical Prints

13 items

These pair framed botanical prints bring interior walls alive with the disciplined observation of past centuries.

£825
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miscellaneous
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£775
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£850
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miscellaneous
£250
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£400
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£1,280
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£950
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Sellingantiques  ·  Guide 1858892026/2027 edition

Pair Framed Botanical Prints

These pair framed botanical prints bring interior walls alive with the disciplined observation of past centuries.

Introduction

Pair Framed Botanical Prints

When you search for pair framed botanical prints, you encounter matched pairs of wall art spanning the eighteenth century, nineteenth century, and early twentieth century. The selection includes hand-coloured engravings, gouache flower still lifes, and watercolour studies mounted behind glass.

The dominant forms are prints and engravings alongside original paintings in oil and gouache, often framed in wood or giltwood. Pieces draw upon Victorian botanical styles, neoclassical symmetry, and the Italian School.

Subjects reach beyond standard flora to encompass ornithological studies of birds, butterfly prints, animal portraits, and fruit pictures. These matched works offer balanced decoration for domestic interiors.

In brief

How they were made

Makers utilised paper as the primary support for engravings, watercolours, and hand-coloured prints, occasionally employing board for oil paintings. Pigments included applied gouache, ink, and hand-applied watercolours to articulate natural subjects.

Frames incorporate wood and gold leaf or gilt finishes, protecting the works behind glass. Engravings relied on inked plates before artists added colour by hand.

From the Sellingantiques archive

Butterflies and fruit pictures keep company with rigorous botanical studies.

What sets them apart

What varies in quality

Quality rests in the precision of the hand-colouring and the fidelity of the natural rendering, distinguishing routine production from accomplished work. The delicacy of the brushwork in gouache and watercolour dictates visual impact.

The harmony of the framing materials, particularly genuine gold leaf and period wood moulding, elevates the presentation of the paired artworks.

Notable makers of pair framed botanical prints

Georg Wolfgang Knorr·M.K Rhodes

Terms antiques dealers use

The Pair Framed Botanical Prints Glossary

Gouache
An opaque water-based pigment used to achieve flat fields of saturated colour in floral and still life subjects.
Engraving
A printmaking technique where an image is incised into a metal plate to hold ink for transfer to paper.
Giltwood
Timber carved and surfaced with a thin layer of gold leaf or metallic powder, providing a reflective border.
Ornithological
Pertaining to the scientific and artistic study of birds, frequently documented in large nineteenth-century plate series.
Questions people ask

Pair Framed Botanical Prints: Frequently Asked Questions

How should I hang pair framed botanical prints?

Hang them at eye level where their balanced composition creates a natural focal point on the wall.

Keep them away from direct sunlight to protect the paper, ink, and watercolours from fading over time.

Are these prints hand-coloured?

Many examples feature hand-applied watercolour or gouache over engraved lines, bringing vibrant detail to the botanical and ornithological subjects.

Close inspection under good light reveals the subtle brushstrokes characteristic of this manual finishing.

What periods do these prints come from?

The selection spans the eighteenth century, the nineteenth century, and into the 1910s and 1920s.

Each era brings distinct framing materials, such as early wood mouldings and gold leaf.

Do they always come as matching pairs?

The listings consist of matched pairs created as companion pieces for balanced interior display.

This pairing preserves the original decorative intent of the publishers and artists.

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