What periods do these silhouettes come from?

The pieces span the 18th century, the Georgian era, the Regency period, and the wider 19th century. Dating relies upon costume details, framing styles, and occasionally recorded dates on the works. Fashion shifts, such as turban caps and high-collared coats, help narrow down the decade in which the sitter was portrayed.

How were these profiles constructed?

Artists employed cut paper, ink, paint, pastel, and plaster to render the likeness. Some makers painted directly onto glass using reverse techniques to achieve a glossy depth. Frames were commonly built from ebonised wood and fitted with brass accents to protect the delicate interior.

How should I display an oval silhouette?

These pieces suit small wall spaces, gallery groupings, or study rooms where their intimate scale can be appreciated up close. Direct sunlight should be avoided to protect paper, ink, and painted glass from fading. Stable indoor humidity helps preserve the wooden frames and the integrity of the internal materials.

Who are the notable makers?

Recognised practitioners include John Miers, George Atkinson, James Gillespie, John Smith of Edinburgh, and Nathaniel Bermingham. Their works often feature distinct stylistic traits or signed backing papers. Signed pieces provide a direct link to specific workshops operating during the Georgian and Regency periods.

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Oval Framed Silhouette

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An oval framed silhouette captures a likeness in profile, offering an intimate glimpse into the faces of the Georgian and Regency eras.

George Atkinson, Gilded Silhouette of a Regency Lady

19th century

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George Atkinson, Gilded Silhouette of a Regency Lady

From Wigs on the Green

£165

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Oval Framed Silhouette

George Atkinson, Gilded Silhouette of a Regency Lady

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