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Antique Costume Jewellery

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Antique costume jewellery delivers striking ornament through silver, chrome, paste glass and enamel across periods from the Georgian era to the mid-twentieth century.

£425
9 DAYS AGO
jewellery
£345
3+ MONTHS AGO
jewellery

Listings span periods from the Georgian era through Victorian, Edwardian, Art Deco and Retro to nineteen-fifties modernism.

£345
3+ MONTHS AGO
jewellery
£195
3+ MONTHS AGO
jewellery
1 2 3
Sellingantiques  ·  Guide 1307182026/2027 edition

Antique Costume Jewellery

Antique costume jewellery delivers striking ornament through silver, chrome, paste glass and enamel across periods from the Georgian era to the mid-twentieth century.

Introduction

Antique Costume Jewellery

Art Deco examples from the nineteen-thirties dominate the aesthetic landscape, utilising chrome, enamel, green glass, bakelite and celluloid in geometric designs. Alongside these modernist items sit earlier pieces including nineteenth-century silver paste items and Georgian steel filigree work. This mix provides access to both opulent high-period glamour and industrial modernist innovation within a single collecting field.

In brief

How they were made

Maker techniques rely heavily on setting faceted paste glass and faux gemstones into silver, chrome, metal and gold-plated bases to emulate fine jewellery. Artisans utilise screwback and clip-on mechanisms for earrings alongside traditional pin backs and clasps for brooches and necklaces. Enamel work and coloured glass pastes provide vibrant hues without relying on precious stones.

Mid-century manufacturing incorporates industrial materials like bakelite, celluloid and chromium alongside traditional metalworking. Jakob Bengel pieces demonstrate this industrial shift by combining chrome with geometric enamel and glass elements. Filigree work in steel and silver demonstrates finer hand-assembly skills found in Georgian and nineteenth-century examples.

From the Sellingantiques archive

Materials recorded across current items include silver, chrome, enamel, glass, paste glass, faux pearl, bakelite and celluloid.

What sets them apart

What varies in quality

Quality rests upon the precision of stone setting and the integrity of mechanical components like screwbacks, hinges and clasps. Superior pieces display secure prong or bezel settings where every paste glass or faux pearl sits level and firm. Inferior manufacture reveals uneven metalwork, glue residues or poorly aligned geometric enamel patterns.

The sophistication of the underlying metalwork and material combination dictates the standing of a piece. Jakob Bengel chrome designs and Georgian steel filigree show distinct execution levels where fine detailing elevates the object. The crispness of the moulding in bakelite and celluloid items further separates standard production from superior artistry.

Notable makers of costume jewellery

Jakob Bengel·Christian Dior

Terms antiques dealers use

The Antique Costume Jewellery Glossary

Paste glass
Hand-cut and polished lead glass designed to imitate diamonds and coloured gemstones. It reflects light brightly and forms the glittering centrepiece of many Georgian and Art Deco designs.
Filigree
Delicate openwork jewellery formed from twisted fine metal threads soldered together. It appears frequently in Georgian steel and silver pieces.
Screwback
An earring fastening mechanism featuring a threaded post and small turning nut that tightens against the lobe. This fitting allows non-pierced ears to wear substantial drop earrings securely.
Bakelite
An early synthetic phenol-formaldehyde plastic introduced in the twentieth century. It provides vibrant colour and smooth surfaces in modernist Art Deco jewellery.
Marcasite
Small faceted pyrite stones set closely into silver mountings to create a dark, metallic sparkle. It provides a subtle contrast to brighter paste glass.
Questions people ask

Antique Costume Jewellery: Frequently Asked Questions

How do I date antique costume jewellery?

Dating relies on identifying material choices, fastening types and stylistic motifs characteristic of specific decades. Georgian and Victorian pieces frequently employ hand-cut steel or silver settings with closed-back foils beneath paste stones.

Twentieth-century items introduce chrome, plastics like bakelite and celluloid, and mechanical innovations such as screwbacks. Design geometry, particularly the clean lines of nineteen-thirties Art Deco, provides clear chronological markers.

Are screwback earrings comfortable to wear?

Screwback earrings allow wearers to adjust the tension precisely against the earlobe for a secure fit. Users can find the exact pressure point that prevents slipping without pinching too tightly.

They represent the standard ear fitting for non-pierced ears throughout the early and mid-twentieth century. Most wearers adapt quickly to setting the screw mechanism for all-day comfort.

What is paste glass?

Paste glass is heavy, high-lead glass that artisans hand-cut and polish to replicate precious gemstones and diamonds. In antique pieces, individual stones receive careful faceting to catch light intensely.

Unlike modern plastic imitations, antique paste possesses weight and optical depth akin to genuine crystal. It serves as the primary sparkling element in Georgian shoe buckles and Art Deco necklaces alike.

How should I clean antique metal and glass?

Cleaning requires gentle wiping with a dry or barely damp soft microfibre cloth to remove surface dust. Moisture must stay away from closed-back paste stones and glued faux pearls to prevent clouding.

Harsh chemical dips and ultrasonic cleaners destroy delicate metal plating, enamel and vintage plastics. Professional advice should be sought for pieces with complex or fragile structural elements.

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