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Antique Amber Jewellery

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Antique amber jewellery brings together warm organic resin and precious metals across periods from the nineteenth century to the art deco era.

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Sellingantiques  ·  Guide 1178432026/2027 edition

Antique Amber Jewellery

Antique amber jewellery brings together warm organic resin and precious metals across periods from the nineteenth century to the art deco era.

Introduction

Antique Amber Jewellery

When you search for antique amber jewellery, you are looking at pieces shaped from fossilised tree resin, often paired with silver or gold. The selections span necklaces, drop earrings, and brooches from Victorian, Edwardian, and 1930s periods.

Necklaces dominate the offerings, ranging from graduated butterscotch beads to long natural pieces. You will also encounter matched earrings and rings utilising amber alongside materials like citrine and tortoiseshell.

In brief

How they were made

Maker techniques involve setting natural Baltic amber and glass into sterling silver and gold mounts. Jewellers drilled, polished, and carved the organic resin into beads, luohan heads, and cabochons.

Metalwork utilises casting and wirework to secure the amber, seen clearly in Edwardian chain drop earrings and sterling silver necklaces.

The market

Antique Amber Jewellery Retail Price Guide 2026

Entry-levelUnder £200
Typical prices£200 – £1,400
Premium examplesOver £1,400

Typical asking prices for amber jewellery among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Listings feature items from the 19th Century, Victorian, Edwardian, and 1930s periods, incorporating sterling silver, gold, tortoiseshell, and glass.

What sets them apart

What varies in quality

Quality rests in the uniformity and depth of the amber beads, alongside the refinement of the metal setting. Pieces featuring well-matched graduated beads or intricate silver mounts stand apart from simpler iterations.

The clarity of the material and the integrity of the original clasps or mounts determine the overall standard of the jewellery.

Notable makers of amber jewellery

Charles Horner·R Lalique·S Theeman

Terms antiques dealers use

The Antique Amber Jewellery Glossary

Baltic amber
Fossilised tree resin originating from the Baltic region, prized for its natural warmth and inclusion range. It forms the core material of many period necklaces and beads.
Butterscotch amber
An opaque, yellowish-cream variety of fossilised resin highly sought after by collectors. It appears frequently in graduated bead necklaces from the 1930s.
Cabochon
A gemstone or piece of amber shaped and polished with a smooth, convex upper surface rather than faceted. This cut highlights the natural internal patterns of the resin.
Graduated beads
Beads increasing in size progressively from the clasp to the centre of a necklace. This traditional arrangement ensures a balanced drape around the neck.
Questions people ask

Antique Amber Jewellery: Frequently Asked Questions

How do I identify genuine antique amber?

Genuine antique amber feels warm to the touch rather than cold like glass or stone. It often contains natural inclusions and exhibits variations in colour and transparency.

Examination under magnification reveals organic growth patterns rather than machine-made uniformity. Period settings in sterling silver or gold also help confirm the age of the piece.

Can I wear my amber necklace every day?

While many period necklaces are robust enough for regular wear, amber remains relatively soft compared to gemstones. Store individual pieces separately in soft pouches to prevent scratching from harder metals.

Put your jewellery on after applying perfumes and hairspray to protect the resin from chemical degradation over time.

What is the difference between butterscotch and clear amber?

Butterscotch amber is opaque and creamy due to countless microscopic air bubbles trapped within the resin during fossilisation. Clear amber allows light to pass directly through, often revealing ancient plant or insect inclusions.

Both varieties appear across Victorian and twentieth-century designs, depending on the source material.

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