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Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas
Sold by Skippings Fine Arts
sold SA1104380
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Skippings Fine Arts

Skippings Fine Arts

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Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

1900 - 1920
Sold 15 September 2025 · Skippings Fine Arts
This “Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas” found a buyer.

It was listed by Skippings Fine Arts. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

“He dipped his brush in light and air” – wrote the artist Sir John Lavery RA about Alexander Jamieson's art. See the evidence of this in this wonderful view of the Paris with dappled light on the Seine and an atmospheric pink sky.

Alexander Jamieson was born in Glasgow in 1873, the son of Elizabeth Reid Jamieson and Alexander Jamieson, who worked for a Blacksmith. Jamieson attended The Glasgow School of Art (then known as The Haldane Academy) from 1886 to 1899. He received the Haldane Bursary for three consecutive years between 1899 and 1891. In 1898 he won a scholarship to spend a year in Paris, which proved a formative experience that would influence his work for the rest of his life and spark an abiding love for France. He met many of the French impressionists and his future wife, the painter Gertrude (Biddy) MacDonald.

Jamieson’s work was characterised by this preference for painting en plein air, working wet-into-wet with bold, bravura brushstrokes to capture the transient nature of light. Concentrating on painting landscapes and townscapes, often of Continental subjects, his reputation grew, and he exhibited at the likes of the Groupil and Carfax galleries in London. However, his life was interrupted by the First World War.

He enlisted in Kitchener's "New Army" as a volunteer, aged 42, in 1914 and in 1915 was commissioned into the 10th Bn York & Lancs Regiment. He served throughout the Great War, taking part in the bloody battles of Loos, the Somme and Arras from 1915-18. The National Army Museum has a painting by Jamieson of Field Marshal Lord Kitchener inspecting the 10th Battalion at their tented training camp in Halton, Buckinghamshire.

The war had unfortunately taken its toll on his health and he died in 1937 aged 63. He is buried in the churchyard of St Mary the Virgin, Weston Turville, a short distance from his home, Burnside. His contemporary Sir John Lavery RA wrote in an obituary ‘Alexander Jamieson, a great landscape painter – perhaps one of the greatest of our time’.

Our oil on canvas is signed and dated 1902 by Jamieson at the lower left. Measuring 41 x 51 cm (16 x 20 inches), the overall framed size is 49 x 60 cm.

The Tate Gallery has a painting by Jamieson in its collection which is interestingly also a Paris scene from the very same period, 1901-2.

Date of Manufacture

Skippings Fine Arts has dated this Impressionist Oil Painting to the 1900s.

Physical Dimensions
Height
41cm (16.14")
Width
51cm (20.08")
Depth
1cm (0.39")
Reference Numbers
Sellingantiques Reference
SA1104380
Dealers Notes

Nous parlons français, und wir sprechen auch Deutsch! Paintings may be viewed in Norwich and in Paris, as well as in London and Cambridge by appointment. Please contact us if you would like further details and images of an artwork.

Description
“He dipped his brush in light and air” – wrote the artist Sir John Lavery RA about Alexander Jamieson's art.
“
See the evidence of this in this wonderful view of the Paris with dappled light on the Seine and an atmospheric pink sky.
Skippings Fine Arts
fig 1. An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
fig 1. Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

Alexander Jamieson was born in Glasgow in 1873, the son of Elizabeth Reid Jamieson and Alexander Jamieson, who worked for a Blacksmith. Jamieson attended The Glasgow School of Art (then known as The Haldane Academy) from 1886 to 1899. He received the Haldane Bursary for three consecutive years between 1899 and 1891. In 1898 he won a scholarship to spend a year in Paris, which proved a formative experience that would influence his work for the rest of his life and spark an abiding love for France. He met many of the French impressionists and his future wife, the painter Gertrude (Biddy) MacDonald.

fig 2. An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
fig 2. Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

Jamieson’s work was characterised by this preference for painting en plein air, working wet-into-wet with bold, bravura brushstrokes to capture the transient nature of light. Concentrating on painting landscapes and townscapes, often of Continental subjects, his reputation grew, and he exhibited at the likes of the Groupil and Carfax galleries in London. However, his life was interrupted by the First World War.

fig 3. An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
fig 3. Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

He enlisted in Kitchener's "New Army" as a volunteer, aged 42, in 1914 and in 1915 was commissioned into the 10th Bn York & Lancs Regiment. He served throughout the Great War, taking part in the bloody battles of Loos, the Somme and Arras from 1915-18. The National Army Museum has a painting by Jamieson of Field Marshal Lord Kitchener inspecting the 10th Battalion at their tented training camp in Halton, Buckinghamshire.

fig 4. An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
fig 4. Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

The war had unfortunately taken its toll on his health and he died in 1937 aged 63. He is buried in the churchyard of St Mary the Virgin, Weston Turville, a short distance from his home, Burnside. His contemporary Sir John Lavery RA wrote in an obituary ‘Alexander Jamieson, a great landscape painter – perhaps one of the greatest of our time’.

fig 5. An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
fig 5. Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

Our oil on canvas is signed and dated 1902 by Jamieson at the lower left. Measuring 41 x 51 cm (16 x 20 inches), the overall framed size is 49 x 60 cm.

The Tate Gallery has a painting by Jamieson in its collection which is interestingly also a Paris scene from the very same period, 1901-2.

Date of Manufacture

Skippings Fine Arts has dated this Impressionist Oil Painting to the 1900s.

Height
41cm (16.14")
Width
51cm (20.08")
Depth
1cm (0.39")
Reference Numbers
Sellingantiques Ref
SA1104380
Skippings Fine Arts
Skippings Fine Arts
Sellingantiques verified Since Feb 2018

Modern french & continental pictures selected by a former french auction house expert

Dealer Profile

You can view the stock and full dealer information on the Skippings Fine Arts Profile Page

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An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. SOLD6+ MONTHS AGO
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Archive I An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. SOLD6+ MONTHS AGO

Masterpiece: A Scotsman in Paris, 1902 Evening Clouds Over the Seine Impressionist Scottish Oil on Canvas

Archive II An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View II
Archive III An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View III
Archive IV An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View IV
Archive V An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View V
Archive VI An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View VI
Archive VII An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View VII
Archive VIII An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame. View VIII
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Telephone 0747 257 2398
Location
Norfolk
United Kingdom

By appointment
Verified Since Feb 2018
Items For Sale 163
Items Sold 691
Skippings Fine Arts
Skippings Fine Arts
Verified Since Feb 2018
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Location: Norfolk, United Kingdom, , By appointment
Verified
Feb 2018
For Sale
163
Sold
691
An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
Masterpiece: A Scotsman in Paris, 1902 Evening Clouds over the Seine Impressionist Scottish oil on canvas
Ref: SA1104380
An impressionist oil painting on canvas depicting a river scene with buildings, set within an ornate carved gold frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1900 - 1920
  • StyleImpressionist
  • MaterialOil paint, canvas, carved wood, gesso, gold leaf
  • ColourMuted Gold
  • MotifsVisible impasto brushwork, Ornate acanthus leaf frame, Urban river landscape
  • SizeH 41 cm (16 in) x W 51 cm (20 in) x D 1 cm (0 in)

Impressionist art from this period is characterised by visible brushstrokes, an emphasis on light and its changing qualities, and ordinary subject matter often captured outdoors.

Traditional pieces typically utilise pigment mixed with linseed oil applied to stretched woven canvas, housed within hand-carved and gilded wooden frames.

Authenticity is assessed through canvas ageing, pigment analysis, artist signatures, stretcher frame construction, and provenance documentation reviewed by specialists.

Such artworks serve as focal points when paired with neutral walls, balanced lighting, and minimalist furniture that allows the historical texture and colour palette to stand out.

To preserve these works, maintain stable indoor humidity and temperature levels, avoid direct sunlight to prevent fading, and keep the canvas free from dust using a soft brush.
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