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ID #SA989589
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£12,650
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Portrait of a Lady by Nathaniel Hone (1718-1784)
For sale by Roy Precious - Antiques & Fine Art
for sale €14,801     $16,066
£12,650
Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

Sellingantiques Verified Since Mar 2003
Browse dealers 92 items
  • About Us
    Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.
Id #SA989589
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Portrait of a Lady by Nathaniel Hone (1718-1784)

18th century
Description

Oil on canvas in a fine gilt frame.

The sitter wears a lace cap and fur trimmed silk robe, this was the 'relaxing at home' clothing of the wealthy.

It is a perfect example of a 'speaking portrait' whose sitter appears to commune with the viewer. Hone was a master of elegant and seductive female portraiture such as this. His portraits, such as this one, can be delightful and of outstanding quality. They have sometimes been attributed to Gainsborough.

NATHANIEL HONE RA (24 April 1718 – 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768. The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying Molly Earle - daughter of the Duke of Argyll - in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750–1752) studying in Italy.

In 1775, after an argument with Reynolds, President of the Royal Academy, Hone staged a 'retrospective one-man show' .. the first in the history of British painting.

He died at 44 Rathbone Place, London in 1784 and was buried at Hendon.

SIZE: 40 x 34 inches

PROVENANCE: Private Collection, Essex, for many years. Purchased from a London Gallery.

Physical Dimensions
Height
102cm (40.16")
Width
86.5cm (34.06")
Depth
8cm (3.15")
Declaration

Roy Precious - Antiques & Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA989589
Dealers Internal Reference
9304
Description
Oil on canvas in a fine gilt frame.
“
The sitter wears a lace cap and fur trimmed silk robe, this was the 'relaxing at home' clothing of the wealthy.
Roy Precious - Antiques & Fine Art

It is a perfect example of a 'speaking portrait' whose sitter appears to commune with the viewer. Hone was a master of elegant and seductive female portraiture such as this. His portraits, such as this one, can be delightful and of outstanding quality. They have sometimes been attributed to Gainsborough.

fig 1. An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.
fig 1. Portrait of a Lady by Nathaniel Hone (1718-1784)

NATHANIEL HONE RA (24 April 1718 – 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768. The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying Molly Earle - daughter of the Duke of Argyll - in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750–1752) studying in Italy.

fig 2. An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.
fig 2. Portrait of a Lady by Nathaniel Hone (1718-1784)

In 1775, after an argument with Reynolds, President of the Royal Academy, Hone staged a 'retrospective one-man show' .. the first in the history of British painting.

He died at 44 Rathbone Place, London in 1784 and was buried at Hendon.

SIZE: 40 x 34 inches

PROVENANCE: Private Collection, Essex, for many years. Purchased from a London Gallery.

Height
102cm (40.16")
Width
86.5cm (34.06")
Depth
8cm (3.15")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this 18th Century Portrait Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA989589
Dealers Internal Ref
9304
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.
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Archive I An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.

Portrait of a Lady by Nathaniel Hone (1718-1784)

Archive II An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame. View II
Archive III An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame. View III
Archive IV An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame. View IV
Archive V An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame. View V
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Location
Wiltshire
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Dealer Profile Page sellingantiques.co.uk/rp
Verified Since Mar 2003
Items For Sale 92
Items Sold 683
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Verified Since Mar 2003
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Location: Wiltshire, United Kingdom
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For Sale
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An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.
Portrait of a Lady by Nathaniel Hone (1718-1784)
Ref: SA989589
An 18th-century oil painting of a lady wearing a pink embroidered dress and lace bonnet, set within a carved gold swept frame.
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Archival Detail
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Painting
  • Period18th century
  • StyleGeorgian
  • MaterialOil on Canvas, Giltwood
  • ColourGold and Red
  • MotifsSwept gilt frame, Rocaille detail, Lace bonnet, Fur trim
  • SizeH 102 cm (40 in) x W 86.5 cm (34 in) x D 8 cm (3 in)

This 18th century Georgian oil painting on canvas depicts a female sitter wearing a lace bonnet, pink embroidered dress, and dark fur trim, set inside a carved gold swept frame with rocaille detail against a dark background. Nathaniel Hone was an Irish-born portrait painter and one of the founder members of the Royal Academy in 1768, known for elegant and seductive female portraits that have sometimes been attributed to Gainsborough. The sitter wears the 'relaxing at home' clothing of the wealthy and the work operates as a speaking portrait whose subject appears to commune with the viewer. The piece measures 102 cm high, 86.5 cm wide, and 8 cm deep. In a contemporary home, this English Country House style artwork suits placement above the mantel in a principal reception room or study. The gold and red colour palette integrates into traditional interior schemes alongside period furnishings and classic architectural details. The giltwood frame features elaborate carved scrolling corners and decorative mouldings that complement classical wall panelling or heritage paint finishes. The oil on canvas medium brings historical depth and refined portraiture craftsmanship to domestic spaces, echoing the aesthetic of private collections and established country house interiors.

Georgian portraiture typically features formal poses, precise rendering of luxurious fabrics like silk and lace, and soft, directional lighting influences derived from European masters. Artists often focused on capturing social status through meticulous detail in clothing, hairpieces, and jewel accessories.

Paintings from this era were rendered using hand-ground mineral pigments mixed with linseed or walnut oil on woven linen canvas. Frames were typically crafted from hand-carved wood layered with gesso and decorated with applied gold leaf.

Authentic period paintings show age-consistent fine surface cracking, known as craquelure, along with hand-cut timber stretcher bars and iron tacks. The reverse side of the canvas usually exhibits natural darkening and oxidisation consistent with centuries of exposure.

A gilt-framed period portrait serves as an impactful focal point when hung above a mantelpiece or modern sideboard, creating a striking contrast against contemporary paint tones or minimalistic architectural elements.

Keep the canvas away from direct sunlight, damp environments, and intense heat sources to prevent cracking or warping. Dust the giltwood frame gently with a soft dry brush, avoiding liquid cleaners that can damage fragile gold leaf finishes.
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