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ID #SA727872
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£1,450
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James W. Booth. "In the Quarry". Staithes Group Landscape Watercolour.
For sale by William Greenwood Fine Art
for sale €1,697     $1,842
£1,450

William Greenwood Fine Art

Sellingantiques Verified Since Oct 2012
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Id #SA727872
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James W. Booth. "In the Quarry". Staithes Group Landscape Watercolour.

1900 - 1920
Description

Artist: James William Booth. R.C.A. (1867-1953). Staithes Group Artist.

Title: " In the Quarry".

Signed. circa 1910.

Watercolour and gouache.

Size: 11 1/4"x 16". Framed size: 21 1/4"x 25 1/2".

An extremely fine example of the artist's Staithes era work.

Now cleaned and framed.

In very good ready to hang condition. Free UK delivery.

James William Booth R.Cam.A. (1867-1953). A member of the Staithes Group who studied art at Manchester under E.M. Bancroft. He is noted for his horse subjects and like the artist John Atkinson, favoured painting horse fairs, harvesting scenes, ploughing scenes and quarry scenes. He exhibited prolifically at the Royal Cambrian Academy as well as other Yorkshire institutes.

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

Physical Dimensions
Height
54cm (21.26")
Width
65cm (25.59")
Depth
4cm (1.57")
Declaration

William Greenwood Fine Art has dated this Staithes Group Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Reference
SA727872
Dealers Internal Reference
WGB
Description
Artist: James William Booth. R.C.A. (1867-1953). Staithes Group Artist.

Title: " In the Quarry".

Signed. circa 1910.

Watercolour and gouache.

Size: 11 1/4"x 16". Framed size: 21 1/4"x 25 1/2".

An extremely fine example of the artist's Staithes era work.

fig 1. A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face.
fig 1. James W. Booth. "In the Quarry". Staithes Group Landscape Watercolour.

Now cleaned and framed.

In very good ready to hang condition. Free UK delivery.

James William Booth R.Cam.A. (1867-1953). A member of the Staithes Group who studied art at Manchester under E.M. Bancroft.

“
He is noted for his horse subjects and like the artist John Atkinson, favoured painting horse fairs, harvesting scenes, ploughing scenes and quarry scenes.
William Greenwood Fine Art

He exhibited prolifically at the Royal Cambrian Academy as well as other Yorkshire institutes.

For more information please contact us at:

Tel: 01677 424830

Mob: 07885 175279

Email: williamgreenwoodfineart@gmail.com

Trade enquiries welcome.

Height
54cm (21.26")
Width
65cm (25.59")
Depth
4cm (1.57")
Date of Manufacture

William Greenwood Fine Art has dated this Staithes Group Watercolour Painting to the 1910s.

Reference Numbers
Sellingantiques Ref
SA727872
Dealers Internal Ref
WGB
William Greenwood Fine Art
Sellingantiques verified Since Oct 2012
Dealer Profile

You can view the stock and full dealer information on the William Greenwood Fine Art Profile Page

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A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face.
1 / 6
Archive I A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face.

James W. Booth. "In the Quarry". Staithes Group Landscape Watercolour.

Archive II A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face. View II
Archive III A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face. View III
Archive IV A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face. View IV
Archive V A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face. View V
Archive VI A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face. View VI
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William Greenwood Fine Art
Telephone 01677 424 830 or 07885 175279
Location
Oakdene
Church Wynd
Burneston
Bedale
DL8 2JE
United Kingdom
Dealer Profile Page sellingantiques.co.uk/williamgreenwoodfineart
Verified Since Oct 2012
Items For Sale 213
Items Sold 516
William Greenwood Fine Art
Verified Since Oct 2012
View Dealer Info
Location: Oakdene, Church Wynd, Burneston, Bedale, DL8 2JE, United Kingdom
Profile: sellingantiques.co.uk/williamgreenwoodfineart
Verified
Oct 2012
For Sale
213
Sold
516
A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face.
James W. Booth. "In the Quarry". Staithes Group landscape watercolour.
Ref: SA727872
A watercolour painting depicting quarrymen working beside horse-drawn wooden carts against a tall sandstone cliff face.
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Cataloguer’s note

Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1900 - 1920
  • StyleBritish Impressionism
  • MaterialWatercolour, Paper
  • ColourEarthy Brown
  • MotifsQuarry cliff face, Horse-drawn carts, Working figures, Earth-toned washes
  • SizeH 54 cm (21 in) x W 65 cm (26 in) x D 4 cm (2 in)

This British Impressionism watercolour and gouache painting by James William Booth dates from 1910 and portrays a quarry cliff face with horse-drawn carts and working figures executed in earthy brown washes. The composition shows two horses standing beside a wooden cart with spoked wheels, a wheelbarrow in the foreground, and several laborers working near a stone wall under a partially cloudy sky. The artwork is presented within a frame and measures 54 cm high, 65 cm wide, and 4 cm deep. Positioned in an English Country House interior scheme, this piece hangs suitably above a sideboard in a dining room, living area, or hallway. The neutral earth tones of the pigments complement traditional wooden furniture and neutral wall treatments, providing a focal point for an established art collection.

FAQs

The Staithes Group was an artists collective active in North Yorkshire between 1894 and 1909. Influenced by French Impressionism and the plein air movement, artists painted outdoors using loose brushwork, earthy tonal palettes, and subjects focused on coastal and rural working life.

Artists typically painted on heavy cotton rag paper using transparent and opaque watercolour pigments. Works were executed outdoors directly from observation before being mounted on acid-free card and framed behind protective glass.

Authentic pieces generally display period-appropriate paper aging, distinctive monogrammed or signed signatures, and evidence of original mounting. Provenance records, exhibition labels on the reverse, and stylistic consistency with documented works also assist authentication.

Period landscape paintings integrate well into contemporary spaces when hung above timber sideboards or incorporated into gallery walls. Framing the artwork in a simple dark oak or gilt moulding balances traditional subject matter with modern architectural lines.

Watercolours must be displayed away from direct sunlight to prevent pigment fading. Frame the work using UV-filtering glass and museum-grade archival mounts, maintaining a stable room temperature away from excessive humidity.
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