37,984  PAGES BROWSED TODAY PAGES TODAY 277 ANTIQUES UPLOADED TODAYNEW ARRIVALS
277 ITEMS ADDED TODAY
Sort Order
Items Per Page
Browse Categories
Sort order
Items per page
ID #SA661891
SOLD
Email
Save
Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)
Titan Fine Art
sold SA661891
Sorry, but this item has been sold.
Titan Fine Art

Titan Fine Art

Sellingantiques Verified Since Jul 2016
View Dealers Stock Page
  • About Us
    Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.
Id #SA661891
PDF SHARE
SAVE

Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

17th century
Description

*An opportunity to purchase an item with a long and interesting provenance. This work formed part of a collection of pictures from the antiquaire André Coltée Ducarel (1713-1785). It descended through the Coltée Ducarel family the Palmer Baronets for over 300 years.

This half-length portrait depicts a gentleman believed to be an ancestor of André Coltée Ducarel (1713-1785). The sitter is wearing a Japanese rok which was a type of banyan of rich brocaded silk, a crisp white lace cravat and silk bows. These garments were at the height of fashion in 1680s France. The banyan was commonly worn indoors (sometimes called an Indian or Persian gown due to their Eastern origin and Oriental cut) when visitors were met. Although very comfortable they were highly respectable and quite splendid (often made from brocades, velvets and silks, with elegant masses of fabric protecting against the cold or draughts). These garments and the full bottomed wig would have cost a fortune.

The popularity of wigs was immense and this intensified the demand for them so much that natural hair became a valued commodity. Dealers in hair arose in all quarters and there are accounts in France that every peasant girl was trying to sell her hair. Unfortunately wig theft became common.

The delicate modelling of the face and the sophisticated handling of the garments, notably the cravat, is indicative of a talented artist who excelled at the oil technique of painting. Presented in a good quality gilded antique frame.

Provenance: The portrait has descended through the Coltée Ducarel family and Palmer Baronets for over 300 years:-

• André (Andrew) Coltée Ducarel (1713-1785), Doctor of Civil Law in 1742, English antiquary, archivist, and librarian at Lambeth Palace, m. Sarah Desborough (1696-1791) and then to:

• the son of his deceased youngest brother Gérard Gustavus Coltée du Carel (1745-1800), Marquis du Carel, Governor of Bengal m. daughter of the Maharajah of Purnea, and then to their son:

• Philip John Ducarel (1778-1855) of Newland, Gloucestershire m. Catherine Jane Hyde Shawe (1786-1802) and then to:

• his sister Mary's niece Elizabeth Julian Fench Simpson m. Charles Archdale Palmer (1813-1860), and then to their son:

• Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933), and then to their son:

• Sir John Archdale Palmer, 7th Baronet Palmer (1894-1963), and then to their son:

• Sir John Edward Somerset Palmer, 8th Baronet Palmer (1926-)

André (Andrew) Coltée Ducarel was born in Paris. His parents, Jacques Coltée Ducarel (1680-1718) and Jeanne Crommelin (1690-1723), were Huguenots from Normandy. Jacques was a banker and merchant. He died in 1718, just as a new wave of Huguenot persecution was beginning, and in 1719 Jeanne fled with her three infant sons to England where they settled in Greenwich. There, Jeanne married her second husband, Jacques Girardot, another Huguenot. Andrew was sent to be educated at Eton and he later matriculated at Oxford from Trinity College, and graduated as a Bachelor of Civil Law. He was created Doctor of Civil Law in 1742 before being admitted a member of the College of Advocates at Doctors' Commons in 1743, and afterwards served as librarian there 1754-7, and as treasurer 1757-61. Ducarel was a fellow of the Society of Antiquaries of London, and he was one of the first fellows of the society on its incorporation in 1755. He was a fellow of the Royal Society of London. He was keeper of Lambeth Palace Library; a post that he remained in for nearly 30 years. He published a number of his own works.

The work later passed to Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933). This branch of the Palmer Baronetcy, family seat Wanlip Hall in the County of Leicester, was created in 1791 for Charles Grave Hudson, a Director of the South Sea Company and High Sheriff of Leicestershire in 1784. Today, the heir apparent is Robert John Hudson Palmer (born 1960).

Physical Dimensions
Height
96cm (37.80")
Width
83cm (32.68")
Depth
9cm (3.54")
Declaration

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA661891
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a distinct advantage: we sift through thousands of works to provide a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

Why Buy From Titan Fine Art?

• Expertly Curated Selection

We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.

• Museum-Level Research

Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.

• Professional Conservation

All paintings are carefully cleaned and stabilised by professional conservators, and are presented ready to hang.

• Transparent Pricing

No buyer’s premium or hidden fees—unlike auction houses, where additional costs can add 25–35%.

• Export Pricing Advantage

Reduced pricing is available for works exported outside the UK.

• Specialist Global Shipping

We manage the entire process, including custom crating, export documentation, and fully tracked delivery worldwide.

• Buy with Confidence

A 7-day return policy and the option to pay in GBP, USD, or EUR for convenience and transparency.

• Original Period Frames

Many works retain their original carved and gilded frames, which are works of art in their own right and enhance both historical authenticity and decorative impact.

• Personal Advisory Service

We work directly with collectors and interior designers, offering guidance on selection, scale, and placement—including bespoke room mock-ups on request.

Subscribe to our monthly 'new item alert' to be the first to hear about new works

Description
*An opportunity to purchase an item with a long and interesting provenance.
This work formed part of a collection of pictures from the antiquaire André Coltée Ducarel (1713-1785).
Titan Fine Art

It descended through the Coltée Ducarel family the Palmer Baronets for over 300 years.

fig 1. Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
fig 1. Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

This half-length portrait depicts a gentleman believed to be an ancestor of André Coltée Ducarel (1713-1785). The sitter is wearing a Japanese rok which was a type of banyan of rich brocaded silk, a crisp white lace cravat and silk bows. These garments were at the height of fashion in 1680s France. The banyan was commonly worn indoors (sometimes called an Indian or Persian gown due to their Eastern origin and Oriental cut) when visitors were met. Although very comfortable they were highly respectable and quite splendid (often made from brocades, velvets and silks, with elegant masses of fabric protecting against the cold or draughts). These garments and the full bottomed wig would have cost a fortune.

fig 2. Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
fig 2. Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

The popularity of wigs was immense and this intensified the demand for them so much that natural hair became a valued commodity. Dealers in hair arose in all quarters and there are accounts in France that every peasant girl was trying to sell her hair. Unfortunately wig theft became common.

fig 3. Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
fig 3. Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

The delicate modelling of the face and the sophisticated handling of the garments, notably the cravat, is indicative of a talented artist who excelled at the oil technique of painting. Presented in a good quality gilded antique frame.

fig 4. Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
fig 4. Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

Provenance: The portrait has descended through the Coltée Ducarel family and Palmer Baronets for over 300 years:-

• André (Andrew) Coltée Ducarel (1713-1785), Doctor of Civil Law in 1742, English antiquary, archivist, and librarian at Lambeth Palace, m. Sarah Desborough (1696-1791) and then to:

• the son of his deceased youngest brother Gérard Gustavus Coltée du Carel (1745-1800), Marquis du Carel, Governor of Bengal m. daughter of the Maharajah of Purnea, and then to their son:

• Philip John Ducarel (1778-1855) of Newland, Gloucestershire m. Catherine Jane Hyde Shawe (1786-1802) and then to:

• his sister Mary's niece Elizabeth Julian Fench Simpson m. Charles Archdale Palmer (1813-1860), and then to their son:

• Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933), and then to their son:

• Sir John Archdale Palmer, 7th Baronet Palmer (1894-1963), and then to their son:

• Sir John Edward Somerset Palmer, 8th Baronet Palmer (1926-)

André (Andrew) Coltée Ducarel was born in Paris. His parents, Jacques Coltée Ducarel (1680-1718) and Jeanne Crommelin (1690-1723), were Huguenots from Normandy. Jacques was a banker and merchant. He died in 1718, just as a new wave of Huguenot persecution was beginning, and in 1719 Jeanne fled with her three infant sons to England where they settled in Greenwich. There, Jeanne married her second husband, Jacques Girardot, another Huguenot. Andrew was sent to be educated at Eton and he later matriculated at Oxford from Trinity College, and graduated as a Bachelor of Civil Law. He was created Doctor of Civil Law in 1742 before being admitted a member of the College of Advocates at Doctors' Commons in 1743, and afterwards served as librarian there 1754-7, and as treasurer 1757-61. Ducarel was a fellow of the Society of Antiquaries of London, and he was one of the first fellows of the society on its incorporation in 1755. He was a fellow of the Royal Society of London. He was keeper of Lambeth Palace Library; a post that he remained in for nearly 30 years. He published a number of his own works.

The work later passed to Sir Frederick Archdale Palmer, 6th Baronet Palmer (1857-1933). This branch of the Palmer Baronetcy, family seat Wanlip Hall in the County of Leicester, was created in 1791 for Charles Grave Hudson, a Director of the South Sea Company and High Sheriff of Leicestershire in 1784. Today, the heir apparent is Robert John Hudson Palmer (born 1960).

Height
96cm (37.80")
Width
83cm (32.68")
Depth
9cm (3.54")
Date of Manufacture

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA661891
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

PDF SHARE
SAVE
Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
1 / 5
Archive I Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)

Portrait of a Gentleman C.1680; Circle of Nicholas De Largilierre (1656-1746)

Archive II Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746) View II
Archive III Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746) View III
Archive IV Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746) View IV
Archive V Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746) View V
Enlarged Archival View
Telephone 07875 412 111
Location
London
United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 16
Items Sold 401
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
16
Sold
401
Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
Ref: SA661891
Portrait of a Gentleman c.1680; Circle of Nicholas de Largilierre (1656-1746)
Detail View 1
Detail View 2
Detail View 3
Detail View 4
Archival Detail
Every single antique dealer on our platform is individually approved by our internal team. We verify their professional trade history, ethical standards, and photographic quality to ensure a secure, high-standard buying environment. Upon joining, every dealer agrees to a strict 9-point code of conduct. While issues can occasionally arise, our dealers typically resolve them swiftly and directly with the buyer. In fact, since our founding in 2002, Sellingantiques has only had to step in to help resolve an issue on roughly five occasions—a true testament to the quality of our dealers and their dedication to your happiness.
Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.
items
Add keywords to the filter
Price
£100
£250000
Era
Movements
Material
Origin
Stock Location
Freshness
Online Payments
Categories