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Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)
Titan Fine Art
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Titan Fine Art

Titan Fine Art

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Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)

17th century
Description

This work is an excellent example of the portraiture produced by Dutch and Flemish artists during the 17th century. Meticulously rendered, the sitter is half length, holding a cluster of flowers. The painting abounds with ingenious flourishes and demonstrations of the painter's skill and superior pictorial technique.

The sitter’s sumptuous dress, of the finest material, and the large diamond brooch alludes to her wealth and status as a privelaged individual. Around her neck and also intertwined around her forearms is the accessory par excellence – pearls – which no self respecting prosperous lady would go without. Wautier’s adeptness and painterly virtuosity are evident in the finely rendered facial features, hands, and clothing notably the white cuff which is spectacular. This work has been signed and dated by the artist “C Wautier Fecit 1660”. A very fine example (oil on canvas) from the period.

A painting of James II when Duke of York by Charles Wautier (purchased by Queen Elizabeth II for the Royal Collection, 14 April 1960) is held in the Throne Room, Palace of Holyroodhouse. Another example from the artist is held at Osterley Park and House, London.

Charles Wautier (or Woutiers) was from a very old and illustrious noble family from Mons Belgium. His father, also Charles, was seigneur de Ham-sur-Heure and secretary to the Viceroy of Naples. The artist had five brothers and two sisters. He moved to Brussels in 1640 with his younger sister Michaelina Wautier (Mons c.1614-1689) who was also an exemplary painter of portraits, scenes from daily life, and large-scale history paintings (it is clear Michaelina, although neglected by contemporary writers on art, must have been a respected artist in the context of the Brussels’s court and aristocracy). Charles and Michaelina never married, and they lived together in a stately town house near the church of Notre-Dame de la Chapelle.

Provenance: Julian Simon Fine Art, Pimlico Rd, London (31 Jan 1992); Property of a titled Lady

Measurements: Height 135cm, Width 107cm framed (Height 53”, Width 42” framed)

Physical Dimensions
Height
135cm (53.15")
Width
107cm (42.13")
Depth
8cm (3.15")
Declaration

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA512314
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a distinct advantage: we sift through thousands of works to provide a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

Why Buy From Titan Fine Art?

• Expertly Curated Selection

We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.

• Museum-Level Research

Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.

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Description
This work is an excellent example of the portraiture produced by Dutch and Flemish artists during the 17th century. Meticulously rendered, the sitter is half length, holding a cluster of flowers.
The painting abounds with ingenious flourishes and demonstrations of the painter's skill and superior pictorial technique.
Titan Fine Art
fig 1. Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
fig 1. Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)

The sitter’s sumptuous dress, of the finest material, and the large diamond brooch alludes to her wealth and status as a privelaged individual. Around her neck and also intertwined around her forearms is the accessory par excellence – pearls – which no self respecting prosperous lady would go without. Wautier’s adeptness and painterly virtuosity are evident in the finely rendered facial features, hands, and clothing notably the white cuff which is spectacular. This work has been signed and dated by the artist “C Wautier Fecit 1660”. A very fine example (oil on canvas) from the period.

fig 2. Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
fig 2. Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)

A painting of James II when Duke of York by Charles Wautier (purchased by Queen Elizabeth II for the Royal Collection, 14 April 1960) is held in the Throne Room, Palace of Holyroodhouse. Another example from the artist is held at Osterley Park and House, London.

fig 3. Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
fig 3. Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)

Charles Wautier (or Woutiers) was from a very old and illustrious noble family from Mons Belgium. His father, also Charles, was seigneur de Ham-sur-Heure and secretary to the Viceroy of Naples. The artist had five brothers and two sisters. He moved to Brussels in 1640 with his younger sister Michaelina Wautier (Mons c.1614-1689) who was also an exemplary painter of portraits, scenes from daily life, and large-scale history paintings (it is clear Michaelina, although neglected by contemporary writers on art, must have been a respected artist in the context of the Brussels’s court and aristocracy). Charles and Michaelina never married, and they lived together in a stately town house near the church of Notre-Dame de la Chapelle.

Provenance: Julian Simon Fine Art, Pimlico Rd, London (31 Jan 1992); Property of a titled Lady

Measurements: Height 135cm, Width 107cm framed (Height 53”, Width 42” framed)

Height
135cm (53.15")
Width
107cm (42.13")
Depth
8cm (3.15")
Date of Manufacture

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA512314
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
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Archive I Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)

Portrait of a Lady, Signed & Dated 1660; by Charles Wautier (1609-1703)

Archive II Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View II
Archive III Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View III
Archive IV Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View IV
Archive V Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View V
Archive VI Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View VI
Archive VII Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View VII
Archive VIII Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703) View VIII
Enlarged Archival View
Telephone 07875 412 111
Location
London
United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 16
Items Sold 401
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
16
Sold
401
Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
Ref: SA512314
Portrait of a Lady, signed & dated 1660; by Charles Wautier (1609-1703)
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