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Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
Titan Fine Art
sold SA466285
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Titan Fine Art

Titan Fine Art

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    Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.
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Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)

17th century
Description

Oil on canvas in a fine carved 17th 18th century frame.

The style and type of this portrait was popular in the 17th and 18th centuries as a means to emphasise and glorify a sitter’s importance. The attire is an indication of wealth and status and subjects often quite consciously engineered their public image in an ambition to stand out from others. Portraiture was often regarded as a means of displaying achievements, capabilities and superiority. The fine armour was never used in actual battle but signified the sitter’s importance in social rank. Sitters in these portraits were often placed in outdoor settings sometimes with military encampments or amongst battlefields. Here, the artist chose to concentrate solely on the sitter without any distractions.

The drawing is very good as is the treatment of the armour. In 1680s European fashion, mens wigs developed a middle part and this continued to grow in volume until by the 1690s two very high pronounced points developed on the forehead such as the present example.

A very good example of European aristocratic portraiture.

Joseph Vivien (1657-1735) was a French painter. He left his native Lyon for Paris at the age of twenty to work in the workshop of Charles Le Brun, a great privalege. He made his reputation by his portraits in pastels, to which he gave a sparkle and immediacy which to that time was unrivalled. He trained as a painter in Paris in the 1670s, eventually specialising in portraiture. The Académie Royale de Peinture et de Sculpture received him in 1698. His contemporaries admired his sophisticated use of color. He had a large influence on the greatest pastelist of the next generation, Maurice-Quentin de la Tour. In 1700 Vivien was appointed court painter to Maximilian II Emanuel, Elector of Bavaria, and thereafter divided his time between Paris, Maximilian Emmanuel's courts at Brussels and Munich, and the court of Maximilian Emmanuel's brother at Bonn.

Measurements: Height 94cm, Width 82cm framed (Height 37”, Width 32.25” framed)

Physical Dimensions
Height
94cm (37.01")
Width
82cm (32.28")
Depth
6cm (2.36")
Declaration

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA466285
Dealers Notes

Much more info about this item at: www.titanfineart.com

In a market saturated with available paintings, Titan Fine Art offers a distinct advantage: we sift through thousands of works to provide a specially curated selection. Each piece is meticulously chosen based on technical merit, provenance, and decorative appeal, ensuring our clients view only the finest examples of British and European art.

With over 20 years of expertise and 1,000+ works placed with collectors and institutions, we are one of the most prolific specialists in 17th and 18th-century portraiture. We combine a scholarly approach with museum-level rigor to replace the uncertainty of the open market with absolute confidence.

Why Buy From Titan Fine Art?

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We act as your expert eye, selecting only high-quality works that offer genuine historical and artistic value.

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Each portrait is supported by extensive academic research, often exceeding 40 hours, to establish attribution, sitter identity, and historical context.

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Description
Oil on canvas in a fine carved 17th 18th century frame.
The style and type of this portrait was popular in the 17th and 18th centuries as a means to emphasise and glorify a sitter’s importance.
Titan Fine Art

The attire is an indication of wealth and status and subjects often quite consciously engineered their public image in an ambition to stand out from others. Portraiture was often regarded as a means of displaying achievements, capabilities and superiority. The fine armour was never used in actual battle but signified the sitter’s importance in social rank. Sitters in these portraits were often placed in outdoor settings sometimes with military encampments or amongst battlefields. Here, the artist chose to concentrate solely on the sitter without any distractions.

fig 1. Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
fig 1. Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)

The drawing is very good as is the treatment of the armour. In 1680s European fashion, mens wigs developed a middle part and this continued to grow in volume until by the 1690s two very high pronounced points developed on the forehead such as the present example.

fig 2. Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
fig 2. Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)

A very good example of European aristocratic portraiture.

Joseph Vivien (1657-1735) was a French painter. He left his native Lyon for Paris at the age of twenty to work in the workshop of Charles Le Brun, a great privalege. He made his reputation by his portraits in pastels, to which he gave a sparkle and immediacy which to that time was unrivalled. He trained as a painter in Paris in the 1670s, eventually specialising in portraiture. The Académie Royale de Peinture et de Sculpture received him in 1698. His contemporaries admired his sophisticated use of color. He had a large influence on the greatest pastelist of the next generation, Maurice-Quentin de la Tour. In 1700 Vivien was appointed court painter to Maximilian II Emanuel, Elector of Bavaria, and thereafter divided his time between Paris, Maximilian Emmanuel's courts at Brussels and Munich, and the court of Maximilian Emmanuel's brother at Bonn.

Measurements: Height 94cm, Width 82cm framed (Height 37”, Width 32.25” framed)

Height
94cm (37.01")
Width
82cm (32.28")
Depth
6cm (2.36")
Date of Manufacture

Titan Fine Art has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA466285
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
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Archive I Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)

Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)

Archive II Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View II
Archive III Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View III
Archive IV Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View IV
Archive V Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View V
Archive VI Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View VI
Archive VII Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View VII
Archive VIII Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View VIII
Archive IX Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735) View IX
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Telephone 07875 412 111
Location
London
United Kingdom
Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 16
Items Sold 401
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
16
Sold
401
Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
Ref: SA466285
Portrait of a Gentleman, 17th Century French; Circle of Joseph Vivien (1657-1735)
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