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A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
Titan Fine Art
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Titan Fine Art

Titan Fine Art

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A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

18th century
Description

Oil on canvas

A stunning and highly refined capriccio of a Mediteranean harbour with figures conversing in the foreground. Coccorante was among the most extravagantly talented 18th century Italian painters. This large, highly atmospheric capriccio ‘veduta ideata’ features ancient classical ruins with local denizens conversing and pursuing their business, before a harbour with shipping. The scene is magnificently swathed in a twilight that is fully characteristic of Leonardo Coccorante’s work. The artist often used small figures to portray the expansiveness of the architecture and scene. The combination of the classical ruins with figures before a marine background, was a combination that proved highly successful for the artist and he produced many works using this theme.

For a painter of such celerity, Coccorante first learned his craft from an artist with all the time in the world. Angelo Maria Costa (1670-1721), an accomplished Sicilian painter of ruins, found himself in a Neapolitan prison awaiting execution for burglary. This is when he and Coccorante, a jailer’s assistant, first met. An art loving official intervened to spare Costa. There are multiple formal and compositional similarities in the works of the two artists. He also studied with Jan Frans van Bloemen (1662–1749) and with Gabriele Ricciardelli (act. 1741-1777). From 1737 – 1739, Coccorante worked in the court of Charles VII of Naples, and his projects included the decoration of the royal palace on the occasion of the betrothal of Charles III of Spain, King of the Two Sicilies, and Marie-Amelia of Saxony.

The painting was formally part of the Hassler Collection as per a label on verso (Hassler Collection Nr 3) which was a renowned 19th century collection initiated by Konrad Dietrich Hassler (born 1803 in Ulm, Germany). Hassler was a curator in Wuerttemberg and was influential with the preservation of the arts. In 1867, he was appointed head of the National Collection for Patriotic Art and Antiquity.

Held in a fine gilt ‘cassetta’ type frame.

Provenance: Collection of Mary von Toler, The Hassler Collection (according to label on verso)

Measurements: Height 79cm, Width 110cm framed (Height 31”, Width 43.25” framed)

Physical Dimensions
Height
79cm (31.10")
Width
110cm (43.31")
Depth
5cm (1.97")
Declaration

Titan Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA460519
Dealers Notes

Much more info about this item at: www.titanfineart.com

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Description
Oil on canvas
A stunning and highly refined capriccio of a Mediteranean harbour with figures conversing in the foreground.
Titan Fine Art

Coccorante was among the most extravagantly talented 18th century Italian painters. This large, highly atmospheric capriccio ‘veduta ideata’ features ancient classical ruins with local denizens conversing and pursuing their business, before a harbour with shipping. The scene is magnificently swathed in a twilight that is fully characteristic of Leonardo Coccorante’s work. The artist often used small figures to portray the expansiveness of the architecture and scene. The combination of the classical ruins with figures before a marine background, was a combination that proved highly successful for the artist and he produced many works using this theme.

fig 1. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
fig 1. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

For a painter of such celerity, Coccorante first learned his craft from an artist with all the time in the world. Angelo Maria Costa (1670-1721), an accomplished Sicilian painter of ruins, found himself in a Neapolitan prison awaiting execution for burglary. This is when he and Coccorante, a jailer’s assistant, first met. An art loving official intervened to spare Costa. There are multiple formal and compositional similarities in the works of the two artists. He also studied with Jan Frans van Bloemen (1662–1749) and with Gabriele Ricciardelli (act. 1741-1777). From 1737 – 1739, Coccorante worked in the court of Charles VII of Naples, and his projects included the decoration of the royal palace on the occasion of the betrothal of Charles III of Spain, King of the Two Sicilies, and Marie-Amelia of Saxony.

fig 2. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
fig 2. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

The painting was formally part of the Hassler Collection as per a label on verso (Hassler Collection Nr 3) which was a renowned 19th century collection initiated by Konrad Dietrich Hassler (born 1803 in Ulm, Germany). Hassler was a curator in Wuerttemberg and was influential with the preservation of the arts. In 1867, he was appointed head of the National Collection for Patriotic Art and Antiquity.

fig 3. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
fig 3. A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

Held in a fine gilt ‘cassetta’ type frame.

Provenance: Collection of Mary von Toler, The Hassler Collection (according to label on verso)

Measurements: Height 79cm, Width 110cm framed (Height 31”, Width 43.25” framed)

Height
79cm (31.10")
Width
110cm (43.31")
Depth
5cm (1.97")
Date of Manufacture

Titan Fine Art has dated this piece to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA460519
Titan Fine Art
Titan Fine Art
Sellingantiques verified Since Jul 2016

Specialist in 17th & 18thc portraits. Highly curated selection, museum-level research & pro conservation. Exceptional art, expertly vetted.

Dealer Profile

You can view the stock and full dealer information on the Titan Fine Art Profile Page

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A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
1 / 9
Archive I A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)

Archive II A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View II
Archive III A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View III
Archive IV A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View IV
Archive V A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View V
Archive VI A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View VI
Archive VII A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View VII
Archive VIII A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View VIII
Archive IX A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750) View IX
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Telephone 07875 412 111
Location
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Dealer Profile Page sellingantiques.co.uk/titan
Verified Since Jul 2016
Items For Sale 16
Items Sold 401
Titan Fine Art
Titan Fine Art
Verified Since Jul 2016
View Dealer Info
Location: London, United Kingdom
Verified
Jul 2016
For Sale
16
Sold
401
A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
Ref: SA460519
A Mediteranean Moonlit Bay, Italy 18th Century; Studio of Leonardo Coccorante (1680–1750)
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