Titan Fine Art has dated this piece to the 17th Century.
The clothing in these portraits is not representative of what was worn on the street or at court. This romantic style was commonly used by whom many consider to be the greatest portraitists working in England during the 17th century, Peter Lely and Anthony van Dyck.

The overall style and type is in line with the English studio appearance; this fine example is from the circle of the Dutch artist Jan van der Vaart who worked with Willem Wissing and later took over this studio. The fluid handling shows all the vigour and style of the artist, the clear fresh palette and beautiful rendering. The beautiful young sitter is likely a daughter or wife of a member of King William and Queen Mary’s court. In a good 18th century frame with gilt moulding.

Dutch-born Van der Vaart moved to England from Harleem around 1674 and worked as a portrait, landscape and still lives painter. Between 1685 and 1687, Willem Wissing had employed van der Vaart in his studio to depict the drapery and landscapes and he occasionally collaborated with Johann Kerseboom. After Wissing’s death he took over the workshop and worked as an independent portrait painter but in 1713 poor eyesight forced him to give up his practice. He sold his collection used the funds to buy a house in Covent Garden; from there he devoted his time to the restoration of paintings.
Titan Fine Art has dated this piece to the 17th Century.
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