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ID #SA1243532
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£8,800
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School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).
For sale by Period Portraits
for sale €10,296     $11,176
£8,800
Period Portraits

Period Portraits

Sellingantiques Verified Since Jan 2017
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    Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints
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School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).

17th century
For Sale by Period Portraits
Description

School Of Van Dyck - 17th Century Oil On Panel Portrait Of Queen Henrietta Maria (1609-1669).

Fine and jewel like oil on panel portrait of Queen Henrietta Maria c.1635 by an artist in the circle of Van Dyck.

When Queen Henrietta Maria married Charles 1 in 1625 she brought with her the French fashions in clothing and make up with we see here. In this jewel like oil on panel we see the rouged cheeks and red lips of which the Puritan public disapproved, and also the ‘lovelock’ hairstyle - a single curling ringlet dangling down and inviting amorous fingers to play with it.

Such a low neckline is unusual in depictions of the monarch, except for those which she is whine wearing a crown to denote her high status. It is likely that this is the reason why this small corm is included, as it is an unusual feature.

Several Van Dyke portraits of Henrietta Maria reveal the same diagonal sweep of jewels over the chest, it being held in place by being intertwined with a horizontal string of pearls. The jewels are diamonds and we can see this from their square shape and the fact that they are table cut. Pearls such as this were worn to to accentuate the pearlescent quality of a woman’s complexion. Here they emphasise the rounded breast between which a circular jewel has been placed defying logic. Stripped of the usual cloth that would cover the breasts there is little space for the jewel to be pinned.

The overall effect is sumptuous and well as suggestive. It may also relate to another unusual feature of the sitters costume in the from of a high and wide waistline, which seems indicative of pregnancy, and although this was a regular feature of Henrietta Marias life throughout the 1630’s it is seldom seen in her iconography.

Date of Manufacture

Period Portraits has dated this 17th Century Oil Portrait to the 17th Century.

Physical Dimensions
Height
54cm (21.26")
Width
48cm (18.90")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Reference
SA1243532
Description
School Of Van Dyck - 17th Century Oil On Panel Portrait Of Queen Henrietta Maria (1609-1669).

Fine and jewel like oil on panel portrait of Queen Henrietta Maria c.1635 by an artist in the circle of Van Dyck.

“
When Queen Henrietta Maria married Charles 1 in 1625 she brought with her the French fashions in clothing and make up with we see here.
Period Portraits

In this jewel like oil on panel we see the rouged cheeks and red lips of which the Puritan public disapproved, and also the ‘lovelock’ hairstyle - a single curling ringlet dangling down and inviting amorous fingers to play with it.

fig 1. A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
fig 1. School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).

Such a low neckline is unusual in depictions of the monarch, except for those which she is whine wearing a crown to denote her high status. It is likely that this is the reason why this small corm is included, as it is an unusual feature.

fig 2. A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
fig 2. School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).

Several Van Dyke portraits of Henrietta Maria reveal the same diagonal sweep of jewels over the chest, it being held in place by being intertwined with a horizontal string of pearls. The jewels are diamonds and we can see this from their square shape and the fact that they are table cut. Pearls such as this were worn to to accentuate the pearlescent quality of a woman’s complexion. Here they emphasise the rounded breast between which a circular jewel has been placed defying logic. Stripped of the usual cloth that would cover the breasts there is little space for the jewel to be pinned.

fig 3. A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
fig 3. School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).

The overall effect is sumptuous and well as suggestive. It may also relate to another unusual feature of the sitters costume in the from of a high and wide waistline, which seems indicative of pregnancy, and although this was a regular feature of Henrietta Marias life throughout the 1630’s it is seldom seen in her iconography.

Date of Manufacture

Period Portraits has dated this 17th Century Oil Portrait to the 17th Century.

Height
54cm (21.26")
Width
48cm (18.90")
Depth
3cm (1.18")
Reference Numbers
Sellingantiques Ref
SA1243532
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
1 / 12
Archive I A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.

School of Van Dyck - 17th Century Oil on Panel Portrait of Queen Henrietta Maria (1609-1669).

Archive II A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View II
Archive III A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View III
Archive IV A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View IV
Archive V A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View V
Archive VI A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View VI
Archive VII A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View VII
Archive VIII A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View VIII
Archive IX A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View IX
Archive X A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View X
Archive XI A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View XI
Archive XII A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays. View XII
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Location
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United Kingdom
Verified Since Jan 2017
Items For Sale 47
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Period Portraits
Period Portraits
Verified Since Jan 2017
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Location: North Yorkshire, United Kingdom
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A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
School Of Van Dyck - 17th Century Oil On Panel Portrait Of Queen Henrietta Maria (1609-1669).
Ref: SA1243532
A 17th-century oil portrait of a woman in a teal dress set within an oval spandrel, framed by a black velvet surround and an ornate giltwood frame with teal marbleised panel inlays.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectOil Paintings
  • Period17th century
  • Style17th Century Baroque
  • MaterialOil on Wood Panel, Giltwood, Velvet, Faux Marble
  • ColourGold and Teal
  • MotifsOval spandrel, Lace collar, Pearl necklace, Gilded frame
  • SizeH 54 cm (21 in) x W 48 cm (19 in) x D 3 cm (1 in)

Baroque portraiture of the 17th century is characterised by dramatic lighting, rich colour palettes, and formal compositions that conveyed social standing. Court artists of this era, notably Anthony van Dyck and his followers, introduced a refined elegance and soft naturalism to portraiture across Europe.

Portraits during this period were predominantly executed in oil paints on solid timber panels, such as oak, or stretched linen canvases. Frames were hand-carved from wood and finished with gold leaf gilding, occasionally featuring velvet mounts or painted marbleised details.

Authentic period panel paintings typically display uniform age-related craquelure across the paint layer, bevelled edges on the reverse of the hand-planed timber, and evidence of historic wood movement. Scientific testing, including dendrochronology, can further confirm the timbers age.

A classic oil portrait serves as an impactful statement piece when placed above a fireplace mantelpiece or incorporated into a contemporary gallery wall. Juxtaposing historic artwork against modern wall finishes creates visual depth and architectural interest.

Oil paintings on timber panels require a stable climate away from direct sunlight, dampness, and strong heating sources to prevent warp and paint loss. Surface dust should be removed gently using a dry, soft camel-hair brush, avoiding all liquid cleaners.
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