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ID #SA1233034
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£5,950
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Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century
Sandbanks Antiques
for sale €6,962     $7,557
£5,950
Sandbanks Antiques

Sandbanks Antiques

Sellingantiques Verified Since Jan 2025
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    Specialising in antique silver, gold boxes, gold coins and objects de vertu. Rare fine-quality imperial chinese porcelain, jades, cloisonné
Id #SA1233034
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Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

18th century
Description

Katsukawa Shunshō (1726–1792) | The Seven Lucky Gods Sailing in the Takarabune

​An exceptional, authentic Edo-period Japanese woodblock print executed in the rare hashira-e (pillar print) format. The print's authenticity has been formally confirmed via email by specialists in the Asian department at Bonham's, London, who noted it as an authentic period work with typical, gentle period fading. The composition illustrates the traditional and auspicious theme of Shichifukujin (The Seven Lucky Gods) navigating the heavens and seas aboard the magical treasure ship, the Takarabune. Rendered with fine, expressive line work and subtle color layering, the vertical design cleverly stacks the beloved deities—including recognizable figures such as Daikoku and Ebisu near the bow—amidst rolling waves, auspicious symbols, and celestial details.

​Condition: Exhibiting a gentle, even period fading characteristic of a genuine 18th-to-early-19th-century woodblock print exposed over time, preserving a soft, unretouched historical patina favored by serious collectors.

​Dimensions: Framed dimensions are approximately 71.5 cm x 22.5 cm, maintaining the elongated, slender vertical proportions designed for traditional architectural display.

​Documentation & Provenance:

​Artist: Katsukawa Shunshō (1726–1792).

​Publisher: Published by Uemura-han (active c. 1793–1813).

​Authentication: Confirmed as an authentic period print via email correspondence from the Asian department at Bonham's, London. (2024)

​Verso Details: Inscribed with traditional catalog notes on the backing board identifying the subject (The 7 Lucky Gods Sailing in the Takarabune), individual deity callouts, the publisher, and the artist, alongside the official provenance green collector's label for The G.S. May Esquire Private Collection, London.

​About the Artist

​Katsukawa Shunshō (1726–1792) was a foundational figure and master of the ukiyo-e "pictures of the floating world" genre, best known for revolutionizing actor print (yakusha-e) design by depicting kabuki actors with individualized, lifelike facial expressions rather than generic heroic templates. As the head of the influential Katsukawa school—and the primary teacher to the legendary ukiyo-e master Hokusai—Shunshō’s work is celebrated for its draftsmanship, technical precision, and enduring impact on Japanese printmaking history.

Works by Katsukawa Shunshō, including rare pillar prints (hashira-e) of the Takarabune theme, are held in the permanent collections of major international institutions, such as the British Museum (London), the Brooklyn Museum (New York), the Spencer Museum of Art (Kansas), the Art Institute of Chicago, and the Worcester Art Museum. Comparable authenticated examples circulate exclusively within high-end private collections and specialized Asian art galleries.

Note on Photography: The print is housed behind protective glass for preservation. Any minor glare or reflection visible in the accompanying photographs is a result of the glass and lighting conditions rather than any defect on the surface of the print itself.

Physical Dimensions
Height
71.5cm (28.15")
Width
22.5cm (8.86")
Declaration

Sandbanks Antiques has dated this Japanese Woodblock Pillar Print to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1233034
Description
Katsukawa Shunshō (1726–1792) | The Seven Lucky Gods Sailing in the Takarabune
​An exceptional, authentic Edo-period Japanese woodblock print executed in the rare hashira-e (pillar print) format.
Sandbanks Antiques

The print's authenticity has been formally confirmed via email by specialists in the Asian department at Bonham's, London, who noted it as an authentic period work with typical, gentle period fading. The composition illustrates the traditional and auspicious theme of Shichifukujin (The Seven Lucky Gods) navigating the heavens and seas aboard the magical treasure ship, the Takarabune. Rendered with fine, expressive line work and subtle color layering, the vertical design cleverly stacks the beloved deities—including recognizable figures such as Daikoku and Ebisu near the bow—amidst rolling waves, auspicious symbols, and celestial details.

fig 1. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 1. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

​Condition: Exhibiting a gentle, even period fading characteristic of a genuine 18th-to-early-19th-century woodblock print exposed over time, preserving a soft, unretouched historical patina favored by serious collectors.

fig 2. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 2. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

​Dimensions: Framed dimensions are approximately 71.5 cm x 22.5 cm, maintaining the elongated, slender vertical proportions designed for traditional architectural display.

​Documentation & Provenance:

​Artist: Katsukawa Shunshō (1726–1792).

fig 3. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 3. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

​Publisher: Published by Uemura-han (active c. 1793–1813).

​Authentication: Confirmed as an authentic period print via email correspondence from the Asian department at Bonham's, London. (2024)

​Verso Details: Inscribed with traditional catalog notes on the backing board identifying the subject (The 7 Lucky Gods Sailing in the Takarabune), individual deity callouts, the publisher, and the artist, alongside the official provenance green collector's label for The G.S. May Esquire Private Collection, London.

fig 4. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 4. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

​About the Artist

​Katsukawa Shunshō (1726–1792) was a foundational figure and master of the ukiyo-e "pictures of the floating world" genre, best known for revolutionizing actor print (yakusha-e) design by depicting kabuki actors with individualized, lifelike facial expressions rather than generic heroic templates. As the head of the influential Katsukawa school—and the primary teacher to the legendary ukiyo-e master Hokusai—Shunshō’s work is celebrated for its draftsmanship, technical precision, and enduring impact on Japanese printmaking history.

fig 5. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 5. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

Works by Katsukawa Shunshō, including rare pillar prints (hashira-e) of the Takarabune theme, are held in the permanent collections of major international institutions, such as the British Museum (London), the Brooklyn Museum (New York), the Spencer Museum of Art (Kansas), the Art Institute of Chicago, and the Worcester Art Museum. Comparable authenticated examples circulate exclusively within high-end private collections and specialized Asian art galleries.

fig 6. A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
fig 6. Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

Note on Photography: The print is housed behind protective glass for preservation. Any minor glare or reflection visible in the accompanying photographs is a result of the glass and lighting conditions rather than any defect on the surface of the print itself.

Height
71.5cm (28.15")
Width
22.5cm (8.86")
Date of Manufacture

Sandbanks Antiques has dated this Japanese Woodblock Pillar Print to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1233034
Sandbanks Antiques
Sandbanks Antiques
Sellingantiques verified Since Jan 2025

Specialising in antique silver, gold boxes, gold coins and objects de vertu. Rare fine-quality imperial chinese porcelain, jades, cloisonné

Dealer Profile

You can view the stock and full dealer information on the Sandbanks Antiques Profile Page

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A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
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Archive I A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.

Katsukawa Shunshō (1726–1792) | the Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century

Archive II A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View II
Archive III A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View III
Archive IV A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View IV
Archive V A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View V
Archive VI A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View VI
Archive VII A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View VII
Archive VIII A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View VIII
Archive IX A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View IX
Archive X A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View X
Archive XI A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View XI
Archive XII A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View XII
Archive XIII A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View XIII
Archive XIV A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View XIV
Archive XV A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount. View XV
Enlarged Archival View
Telephone 07889 139677
Location
Sandbanks
Poole
Dorset
United Kingdom

By appointment only in Poole or London.
Verified Since Jan 2025
Items For Sale 199
Items Sold 82
Sandbanks Antiques
Sandbanks Antiques
Verified Since Jan 2025
View Dealer Info
Location: Sandbanks, Poole, Dorset, United Kingdom, , By appointment only in Poole or London.
Verified
Jan 2025
For Sale
199
Sold
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A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
Katsukawa Shunshō (1726–1792) | The Seven Lucky Gods Sailing in the Takarabune - Edo Period, 18th Century
Ref: SA1233034
A tall framed Japanese ukiyo-e woodblock print depicting seven figures aboard a vessel beneath a flying crane, presented in a gold frame with a wide cream mount.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Ukiyo-e, translating to pictures of the floating world, is a genre of Japanese art that flourished during the Edo period (16031867). Produced using carved wooden blocks, these prints depicted popular culture, kabuki actors, landscapes, and traditional mythology.

These prints were crafted using carved cherry blossom woodblocks, mulberry paper (washi), and natural mineral or plant-based pigments. The printing process involved hand-rubbing paper onto inked blocks using a pad called a baren.

Authentic 18th-century prints exhibit characteristics such as visible woodblock grain marks, vertical seam lines on composite sheets, pigment fading, and hand-cut publisher or censor seals. The paper texture typically shows natural fibre irregularities and age-appropriate toning.

A narrow vertical pillar print (hashira-e) is suited to slender wall spaces, such as between windows, within hallway nooks, or beside doorway frames. Combining the artwork with neutral tones, understated timber furniture, or minimalist decor ensures the art remains the visual focus.

To prevent colour fading and paper deterioration, keep prints out of direct sunlight and high-humidity areas. Display the piece behind UV-protective glass with acid-free mounting materials to preserve the paper fibre integrity.
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