Skippings Fine Arts has dated this Maurice Brianchon Ink Drawing to the 1950s.

Brianchon reduces the figures to fluid strokes, creating movement and rhythm with ease. The composition possesses an understated modernity: the elongated figures and restrained draftsmanship recall, in spirit, the elegant neoclassical drawings produced by Picasso during the 1910s and 1920s. Both artists were working within a broader current of refined French linear draftsmanship in which a few perfectly judged lines evoke an entire figure.

Brianchon was one of the leading figures of the generation often known as the Jeunes Peintres de la Tradition Française. Trained at the École des Arts Décoratifs in Paris, he quickly established a reputation for elegant, lyrical compositions depicting theatre, ballet, interiors, flowers and rituals of French life.

Alongside his career as a painter, Brianchon enjoyed a distinguished career as a designer for the theatre and opera, producing stage sets and costume designs for numerous productions. His lifelong fascination with performers, dancers and backstage life became one of the defining themes of his work.

His paintings and graphic works are represented in numerous public collections, including the Centre Pompidou and the Musée d'Art Moderne de Paris, the Conservatoire National Supérieur d'Art Dramatique in Paris, the Musée d'Art et d'Histoire in Geneva, the National Gallery of Finland in Helsinki, the Museum Boijmans Van Beuningen in Rotterdam, the Moderna Museet in Stockholm, the Fine Arts Museums of San Francisco, and the National Gallery of Australia in Canberra, among others.

Our drawing, measuring 26 x 20 cm, is signed and dedicated "Pour Suzanne, à La Scala, affectueusement, MBrianchon.". Presented in its original and typically French frame, the overall size is 32 x 26 cm.
Skippings Fine Arts has dated this Maurice Brianchon Ink Drawing to the 1950s.
Modern french & continental pictures selected by a former french auction house expert
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