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ID #SA1226460
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Ernest Arthur Rowe Brockenhurst Gardens
Darnley Fine Art
for sale €7,605     $8,255
£6,500

Darnley Fine Art

Sellingantiques Verified Since Jul 2026
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Ernest Arthur Rowe Brockenhurst Gardens

1900 - 1920
For Sale by Darnley Fine Art
Description

Watercolour, signed lower left and dated 1900 bottom left

Image Size: 12 x 18 3/4 inches (46 x 30.5 cm)

Original Victorian frame

Provenance

Dowdeswell and Dowdeswell

The collection of C. Buttersworth

Sale, Bonhams, London, 10th June 1998, lot 63

This watercolour is one of Rowe's few pictures of Brockenhurst park garden in the New Forest, Hampshire. Here Rowe exemplifies the garden's splendour through his deliberate low positioning within the composition. As well as the scenes mirrored framing between the hedge rows. Rowe further emulates the luxury of the Topiary garden, capturing its tucked away paths as well as the two roaming peacocks that stand around the central fountain.

Brockenhurst estate was purchased in 1769 by Edward Morant who replaced the sites Elizabethan farmhouse with a Georgian mansion. In 1865 ornamental lakes and a topiary garden was added to the manor, however, after standing empty for a number of years the house was demolished in 1958 and replaced with a new building in the 1960s.

Ernest Arthur Rowe

Rowe was a watercolourist specialising in garden scenes. He spent his career responding to the Victorian love of formal gardens with his meticulous paintings of the grounds of the country’s finest historic houses. Ernest Arthur Rowe was born in West Ham, which was then in Essex. He trained first as a lithographer and, in 1884, began studying at the Royal Institute of Painters in Water Colours where he won a President’s Medal in 1885.

Initially, Rowe painted landscapes in general, but by the 1890s he was specialising in gardens. During that decade, he joined the London Sketch Club where he met Arthur Rackham and Beatrice Parsons, among others. Rowe’s early career was marked with little financial success. However, in 1895, he embarked on a sketching tour of the south coast and, upon meeting Mrs Hamlyn, the owner of Clovelly Court in Devon, became engaged in a series of country house commissions.

Exhibited

Royal Institute of Painters in Watercolour, as 'Relics of the Civil Wars, Compton Wynyates', no.1

Physical Dimensions
Height
46cm (18.11")
Width
30.5cm (12.01")
Declaration

Darnley Fine Art has dated this Antique Garden Watercolour Painting to the 1900s.

Reference Numbers
Sellingantiques Reference
SA1226460
Description
Watercolour, signed lower left and dated 1900 bottom left

Image Size: 12 x 18 3/4 inches (46 x 30.5 cm)

Original Victorian frame

Provenance

Dowdeswell and Dowdeswell

The collection of C. Buttersworth

Sale, Bonhams, London, 10th June 1998, lot 63

This watercolour is one of Rowe's few pictures of Brockenhurst park garden in the New Forest, Hampshire.
Darnley Fine Art

Here Rowe exemplifies the garden's splendour through his deliberate low positioning within the composition. As well as the scenes mirrored framing between the hedge rows. Rowe further emulates the luxury of the Topiary garden, capturing its tucked away paths as well as the two roaming peacocks that stand around the central fountain.

fig 1. A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.
fig 1. Ernest Arthur Rowe Brockenhurst Gardens

Brockenhurst estate was purchased in 1769 by Edward Morant who replaced the sites Elizabethan farmhouse with a Georgian mansion. In 1865 ornamental lakes and a topiary garden was added to the manor, however, after standing empty for a number of years the house was demolished in 1958 and replaced with a new building in the 1960s.

fig 2. A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.
fig 2. Ernest Arthur Rowe Brockenhurst Gardens

Ernest Arthur Rowe

Rowe was a watercolourist specialising in garden scenes. He spent his career responding to the Victorian love of formal gardens with his meticulous paintings of the grounds of the country’s finest historic houses. Ernest Arthur Rowe was born in West Ham, which was then in Essex. He trained first as a lithographer and, in 1884, began studying at the Royal Institute of Painters in Water Colours where he won a President’s Medal in 1885.

Initially, Rowe painted landscapes in general, but by the 1890s he was specialising in gardens. During that decade, he joined the London Sketch Club where he met Arthur Rackham and Beatrice Parsons, among others. Rowe’s early career was marked with little financial success. However, in 1895, he embarked on a sketching tour of the south coast and, upon meeting Mrs Hamlyn, the owner of Clovelly Court in Devon, became engaged in a series of country house commissions.

Exhibited

Royal Institute of Painters in Watercolour, as 'Relics of the Civil Wars, Compton Wynyates', no.1

Height
46cm (18.11")
Width
30.5cm (12.01")
Date of Manufacture

Darnley Fine Art has dated this Antique Garden Watercolour Painting to the 1900s.

Reference Numbers
Sellingantiques Ref
SA1226460
Darnley Fine Art
Sellingantiques verified Since Jul 2026
Dealer Profile

You can view the stock and full dealer information on the Darnley Fine Art Profile Page

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A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.
1 / 3
Archive I A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.

Ernest Arthur Rowe Brockenhurst Gardens

Archive II A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame. View II
Archive III A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame. View III
Enlarged Archival View
Telephone 0207 379 0499
Location
2-4 Cecil Court
London
WC2N 4HE
United Kingdom

Opening Times
Monday to Saturday: 10:30 - 5:30
(excluding Bank Holidays)
Dealer Profile Page sellingantiques.co.uk/dfa
Verified Since Jul 2026
Items For Sale 76
Darnley Fine Art
Verified Since Jul 2026
View Dealer Info
Location: 2-4 Cecil Court, London, WC2N 4HE, United Kingdom, , Opening Times, Monday to Saturday: 10:30 - 5:30, (excluding Bank Holidays)
Verified
Jul 2026
For Sale
76
A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.
Ernest Arthur Rowe Brockenhurst Gardens
Ref: SA1226460
A framed watercolour painting depicting a formal garden with manicured topiary, a central stone fountain, and peacocks, set within a wide gold mount and dark wood frame.
Detail View 1
Detail View 2
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the late Victorian and Edwardian eras, artists rendered formal English garden scenes using watercolour to capture natural light, topiary, and architectural elements with precise detail.

These artworks were created using pigments suspended in a water-soluble binder applied to paper, mounted behind glass, and presented within gilded wood frames or mounts.

Identification relies on artist signatures, period-correct paper watermarks, age-appropriate light exposure marks, and distinct brushwork techniques characteristic of the named painter.

Hang the piece above a console table or integrate it into a gallery wall, using its architectural perspective and gilded frame to contrast with clean, contemporary lines.

Display the artwork away from direct sunlight and moisture, using UV-protective glass and acid-free archival mounting materials to prevent paper discoloration and pigment fading.
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