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Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)
Period Portraits
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Period Portraits

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Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

17th century
Description

A fine late 17th century British portrait of a Norfolk nobleman attributed to Frederick Kerseboom (1632 - 1690).

The elegant sitter is depicted half length within the oval wearing a large powdered full bottomed periwig and an aristocratic costume which includes a crimson silk wrap, a pale blue silk coat and a pristine white stock.

Although this gentleman’s costume leaves us in no doubt as to his status, despite his grand attire, the soft lighting employed by the artist and the sitters smooth, softly modelled face and ruddy cheeks, create a portrait which shuns baroque hauteur. This is a warm and welcoming work of a well characterised and sympathetic individual.

Frederick Kerseboom (1632-1690) Frederick Kerseboom was a German painter renowned for his portraiture, who trained across Europe before establishing a successful practice in late 17th-century England, where he captured the likenesses of notable figures including aristocrats and scholars. Born in Solingen, Germany, Kerseboom came from a family of artists and initially pursued history and portrait painting, but found greater demand for portraits among the aristocracy and middle ranks of society upon arriving in London in the 1680s.

Kerseboom's early career took him to Amsterdam for studies, followed by Paris in 1650, where he apprenticed under the prominent court painter Charles Le Brun. He later spent 14 years in Rome, including two under the tutelage of Nicolas Poussin, producing history paintings in Poussin's manner. By the 1680s, he had settled in London's Covent Garden alongside his nephew, the painter Johann Kerseboom, and adapted his style to English tastes, producing rigidly posed works influenced by contemporaries like Willem Wissing.

Among Kerseboom's known works are portraits such as those of Theophilus Leigh (1683) and the Hon. Mary Leigh, as well as experiments with painting on glass; his history scenes are known today mainly through engravings. He was mistakenly referred to as "Casaubon" in contemporary correspondence and burial records. Kerseboom died in London and was buried at St. Paul's, Covent Garden, on 30 March 1693.

This fine portrait is in an excellent state of conservation, it is the companion portrait to another portrait ( the sitters brother) also listed here. They are both ready to hang and enjoy either singly or ad a pair in their matching original carved and gilded oval ‘lely’ style frames.

Higher resolution images on request.

Worldwide shipping available.

Canvas: 36” x 46" / 86cm x 67cm.

Frame: 45" x 54” / 105cm x 85 cm.

Price: £6000

Physical Dimensions
Height
105cm (41.34")
Width
85cm (33.46")
Depth
5cm (1.97")
Declaration

Period Portraits has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1201628
Description
A fine late 17th century British portrait of a Norfolk nobleman attributed to Frederick Kerseboom (1632 - 1690).

The elegant sitter is depicted half length within the oval wearing a large powdered full bottomed periwig and an aristocratic costume which includes a crimson silk wrap, a pale blue silk coat and a pristine white stock.

fig 1. FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
fig 1. Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

Although this gentleman’s costume leaves us in no doubt as to his status, despite his grand attire, the soft lighting employed by the artist and the sitters smooth, softly modelled face and ruddy cheeks, create a portrait which shuns baroque hauteur. This is a warm and welcoming work of a well characterised and sympathetic individual.

fig 2. FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
fig 2. Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

Frederick Kerseboom (1632-1690) Frederick Kerseboom was a German painter renowned for his portraiture, who trained across Europe before establishing a successful practice in late 17th-century England, where he captured the likenesses of notable figures including aristocrats and scholars. Born in Solingen, Germany, Kerseboom came from a family of artists and initially pursued history and portrait painting, but found greater demand for portraits among the aristocracy and middle ranks of society upon arriving in London in the 1680s.

Kerseboom's early career took him to Amsterdam for studies, followed by Paris in 1650, where he apprenticed under the prominent court painter Charles Le Brun.
Period Portraits

He later spent 14 years in Rome, including two under the tutelage of Nicolas Poussin, producing history paintings in Poussin's manner. By the 1680s, he had settled in London's Covent Garden alongside his nephew, the painter Johann Kerseboom, and adapted his style to English tastes, producing rigidly posed works influenced by contemporaries like Willem Wissing.

fig 3. FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
fig 3. Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

Among Kerseboom's known works are portraits such as those of Theophilus Leigh (1683) and the Hon. Mary Leigh, as well as experiments with painting on glass; his history scenes are known today mainly through engravings. He was mistakenly referred to as "Casaubon" in contemporary correspondence and burial records. Kerseboom died in London and was buried at St. Paul's, Covent Garden, on 30 March 1693.

fig 4. FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
fig 4. Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

This fine portrait is in an excellent state of conservation, it is the companion portrait to another portrait ( the sitters brother) also listed here. They are both ready to hang and enjoy either singly or ad a pair in their matching original carved and gilded oval ‘lely’ style frames.

fig 5. FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
fig 5. Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

Higher resolution images on request.

Worldwide shipping available.

Canvas: 36” x 46" / 86cm x 67cm.

Frame: 45" x 54” / 105cm x 85 cm.

Price: £6000

Height
105cm (41.34")
Width
85cm (33.46")
Depth
5cm (1.97")
Date of Manufacture

Period Portraits has dated this piece to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1201628
Period Portraits
Period Portraits
Sellingantiques verified Since Jan 2017

Specialist dealer in portraits from the 17th century to the 20th century. Our stock includes quality oil paintings, drawings, and mezzotints

Dealer Profile

You can view the stock and full dealer information on the Period Portraits Profile Page

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FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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Archive I FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)

Frederick Kerseboom (1632-1690) - Portrait of a Nobleman (2)

Archive II FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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Archive III FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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Archive IV FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
 View IV
Archive V FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
 View V
Archive VI FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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Archive VII FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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Archive VIII FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
 View VIII
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Telephone 07889 859729
Location
North Yorkshire
United Kingdom
Verified Since Jan 2017
Items For Sale 48
Items Sold 61
Period Portraits
Period Portraits
Verified Since Jan 2017
View Dealer Info
Location: North Yorkshire, United Kingdom
Verified
Jan 2017
For Sale
48
Sold
61
FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
Ref: SA1201628
FREDERICK KERSEBOOM (1632-1690) - PORTRAIT OF A NOBLEMAN (2)
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