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ID #SA1158536
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£2,650
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Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings
Mansion House Antiques & Fine Art
for sale €3,101     $3,366
£2,650
Mansion House Antiques & Fine Art

Mansion House Antiques & Fine Art

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Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

18th century
Description

ABOUT THE ORIGINAL MONA LISA

The Mona Lisa (La Gioconda or La Joconde) is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world.''''''''

The painting, thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, is in oil on a poplar panel, and is believed to have been painted between 1503 and 1506.It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Musée du Louvre in Paris since 1797

The title of the painting that is known in English as Mona Lisa stems from a description by Renaissance art historian Giorgio Vasari, who wrote Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.'''''''' Mona in Italian is a polite form of address originating as ma donna —similar to Ma’am, Madam, or my lady in English. This became madonna, and its contraction mona.

Leonardo da Vinci began painting the Mona Lisa in 1503 or 1504 in Florence, Italy.According to Leonardo’s contemporary, Giorgio Vasari, after he had lingered over it four years, left it unfinished.Leonardo, later in his life, is said to have regretted never having completed a single work.

In 1516 Leonardo was invited by King François I to work at the Clos Lucé near the kings castle in Amboise. It is believed that he took the Mona Lisa with him and continued to work after he moved to France. On his death the painting was inherited, by his pupil and assistant Salaì.[9] The king bought the painting for 4,000 écus and kept it at Palace of Fontainebleau, where it remained until given to Louis XIV. Louis XIV moved the painting to the Palace of Versailles. After the French Revolution, it was moved to the Louvre, but spent a brief period in the bedroom of Napoleon in the Tuileries Palace and then finally to the Ingres Museum in Montauban.

AESTHETICS

Leonardo used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Leonardo referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time. The woman sits markedly upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome him to this silent communication.

LEONARDO DA VINCI

Leonardo di ser Piero da Vinci (B.April 15 1452 – D.May 2 1519,was an Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer.

Born out of wedlock to a notary, Piero da Vinci, and a peasant woman, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded him by Francis I.

FRAME: Presented in a beautiful decorative plaster & gilt later replacement

MEASUREMENTS ( Including Frame ) HEIGHT 27.75 Inches / WIDTH 24 Inches

CONDITION: Original canvas with two small well restored patch repairs verso.

DELIVERY: UK & EUROPE Add £50 / Europe £175 / USA & Asia £200

TELEPHONE ENQUIRIES : 07765 856171

Physical Dimensions
Height
70cm (27.56")
Width
60cm (23.62")
Depth
6cm (2.36")
Declaration

Mansion House Antiques & Fine Art has dated this Mona Lisa Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Reference
SA1158536
Dealers Internal Reference
0492
Dealers Notes

Payments are accepted by Bank Transfer & by Debit / Credit Cards Via the BUY NOW Payment Link Tab shown below each items description.

PAY-PAL Account Holders are welcome. CHEQUES Drawn from UK banks.

Description
ABOUT THE ORIGINAL MONA LISA

The Mona Lisa (La Gioconda or La Joconde) is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world.''''''''

The painting, thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, is in oil on a poplar panel, and is believed to have been painted between 1503 and 1506.
Mansion House Antiques & Fine Art

It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at the Musée du Louvre in Paris since 1797

fig 1. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 1. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

The title of the painting that is known in English as Mona Lisa stems from a description by Renaissance art historian Giorgio Vasari, who wrote Leonardo undertook to paint, for Francesco del Giocondo, the portrait of Mona Lisa, his wife.'''''''' Mona in Italian is a polite form of address originating as ma donna —similar to Ma’am, Madam, or my lady in English. This became madonna, and its contraction mona.

fig 2. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 2. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

Leonardo da Vinci began painting the Mona Lisa in 1503 or 1504 in Florence, Italy.According to Leonardo’s contemporary, Giorgio Vasari, after he had lingered over it four years, left it unfinished.Leonardo, later in his life, is said to have regretted never having completed a single work.

fig 3. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 3. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

In 1516 Leonardo was invited by King François I to work at the Clos Lucé near the kings castle in Amboise. It is believed that he took the Mona Lisa with him and continued to work after he moved to France. On his death the painting was inherited, by his pupil and assistant Salaì.[9] The king bought the painting for 4,000 écus and kept it at Palace of Fontainebleau, where it remained until given to Louis XIV. Louis XIV moved the painting to the Palace of Versailles. After the French Revolution, it was moved to the Louvre, but spent a brief period in the bedroom of Napoleon in the Tuileries Palace and then finally to the Ingres Museum in Montauban.

fig 4. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 4. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

AESTHETICS

Leonardo used a pyramid design to place the woman simply and calmly in the space of the painting. Her folded hands form the front corner of the pyramid. Her breast, neck and face glow in the same light that models her hands. The light gives the variety of living surfaces an underlying geometry of spheres and circles. Leonardo referred to a seemingly simple formula for seated female figure: the images of seated Madonna, which were widespread at the time. The woman sits markedly upright with her arms folded, which is also a sign of her reserved posture. Only her gaze is fixed on the observer and seems to welcome him to this silent communication.

fig 5. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 5. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

LEONARDO DA VINCI

Leonardo di ser Piero da Vinci (B.April 15 1452 – D.May 2 1519,was an Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer.

fig 6. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 6. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

Born out of wedlock to a notary, Piero da Vinci, and a peasant woman, Caterina, at Vinci in the region of Florence, Leonardo was educated in the studio of the renowned Florentine painter, Verrocchio. Much of his earlier working life was spent in the service of Ludovico il Moro in Milan. He later worked in Rome, Bologna and Venice, and he spent his last years in France at the home awarded him by Francis I.

fig 7. An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
fig 7. Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

FRAME: Presented in a beautiful decorative plaster & gilt later replacement

MEASUREMENTS ( Including Frame ) HEIGHT 27.75 Inches / WIDTH 24 Inches

CONDITION: Original canvas with two small well restored patch repairs verso.

DELIVERY: UK & EUROPE Add £50 / Europe £175 / USA & Asia £200

TELEPHONE ENQUIRIES : 07765 856171

Height
70cm (27.56")
Width
60cm (23.62")
Depth
6cm (2.36")
Date of Manufacture

Mansion House Antiques & Fine Art has dated this Mona Lisa Oil Painting to the 18th Century.

Reference Numbers
Sellingantiques Ref
SA1158536
Dealers Internal Ref
0492
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Sellingantiques verified Since Nov 2009

Private fine art dealer specialising in quality 17th 18th 19th & 20thc oil paintings shipping worldwide

Dealer Profile

You can view the stock and full dealer information on the Mansion House Antiques & Fine Art Profile Page

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An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
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Archive I An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.

Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings

Archive II An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View II
Archive III An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View III
Archive IV An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View IV
Archive V An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View V
Archive VI An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View VI
Archive VII An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View VII
Archive VIII An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View VIII
Archive IX An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View IX
Archive X An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View X
Archive XI An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View XI
Archive XII An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View XII
Archive XIII An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View XIII
Archive XIV An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View XIV
Archive XV An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame. View XV
Enlarged Archival View
Telephone 07765 856 171
Location
East Midlands
United Kingdom
Dealer Profile Page sellingantiques.co.uk/mha
Verified Since Nov 2009
Items For Sale 125
Items Sold 652
Mansion House Antiques & Fine Art
Mansion House Antiques & Fine Art
Verified Since Nov 2009
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Location: East Midlands, United Kingdom
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An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
Mona Lisa After Leonardo Da Vinci 18th Century Art Oil Portrait Paintings
Ref: SA1158536
An eighteenth-century oil painting depicting the Mona Lisa portrait set within an ornate carved gold frame.
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the eighteenth century, fine art students and established painters frequently created hand-painted master copies of Renaissance masterpieces as a key part of their academic training and to satisfy private collector demand across Europe.

Artisans typically used oil pigments suspended in linseed or walnut oil, applied onto stretched linen canvas or wooden panels, and housed inside hand-carved, gilded timber frames.

Authentic period paintings display natural craquelure across the paint layer, timber oxidation on the stretcher or panel back, and original joinery techniques in the framing rather than uniform modern machine cuts.

A classical portrait can be hung as a focal point above a mantelpiece or console table, creating an appealing juxtaposed aesthetic when paired with clean minimalist architecture or modern furniture.

Keep the artwork away from direct sunlight, radiators, and high humidity to prevent canvas warping and paint flaking. Dust the frame gently with a soft dry brush rather than liquid cleaners.
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