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View of a Lake - Antique Oil Painting
Sold by Rue des Fontenelles
sold SA1152879
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Rue des Fontenelles

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View of a Lake - Antique Oil Painting

1900 - 1920
Sold 12 November 2025 · Rue des Fontenelles
This “View of a Lake - Antique Oil Painting” found a buyer.

It was listed by Rue des Fontenelles. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Framed oil on panel by the artist Leon Houyoux (1856-1940). The painting shows a view of a lake and is framed in an attractive gilt Fram with painted slip and plaque with artists name.

Léon Jean Jacques Houyoux, born on November 24, 1856, in Brussels and was distinguished Belgian painter renowned for his landscapes, nudes, and genre scenes. He died on 10 October 1940, in Auderghem. Houyoux, who was the uncle of architect Maurice Houyoux and publisher George Houyoux, had an influential career in the art world.

From an early age, Léon was deeply inspired by nature. Although he did not begin formal art studies until the age of 19, he quickly immersed himself in the artistic community. Houyoux attended evening painting classes at the Brussels Academy of Painting before studying under the guidance of Jean François Portaels at the Royal Academy of Fine Arts in Brussels from 1877 to 1879.

Following his academic training, Houyoux traveled extensively across Europe, where he encountered and embraced Impressionism, which seriously influenced his work. His journeys took him to Munich, Paris, the Netherlands, London, Scotland, Dresden, and Berlin. By 1885, he settled in Brussels, where he established his studio and began making a name for himself.

In 1881, Houyoux debuted at the Salon Triennal de Bruxelles and joined the artistic circle “L’Essor.” He exhibited his work at various prestigious venues, including the Cercle Artistique et Littéraire de Bruxelles and in London. His association with Fernand Khnopff was notable, with Khnopff creating a significant piece for Houyoux’s home in 1880.

A significant milestone in Houyoux’s career came in 1896 when he became a member of the Société Nationale des Beaux-Arts in Paris and won a gold medal for his painting “Sous la Feuillée.” This accolade established his reputation in the art world.

Throughout his career, Houyoux maintained an active presence in artistic circles. He co-signed a declaration in support of Émile Zola during the Dreyfus Affair in 1898 and exhibited at the 1904 World’s Fair in St. Louis, Louisiana. His works were also showcased at the International Fine Arts Exhibition in Bruges in 1908.

Houyoux’s contributions to art extended beyond painting; he also played a role in Belgian philately. In 1922, the Belgian postal service issued a series of stamps featuring his design of King Albert I, which continued until 1930. The “Houyoux” series is remembered as an important part of Belgian postal history.

During World War I, Houyoux painted “Secours d’ Hiver,” depicting a winter scene by the American Commission for Relief in Belgium. Due to a shortage of canvases, he even painted on flour sacks, with some of these works preserved at St. Edward’s University in Austin, Texas.

Léon Houyoux’s legacy as a painter is marked by his dedication to capturing the beauty of nature and his influence on the Belgian art scene. He was buried in Auderghem Cemetery following his death in 1940. His works continue to be cherished in private and public collections, including the Berlin Museum and the Bremen Museum.

Dimensions - 87 x 72 cm

Physical Dimensions
Height
72cm (28.35")
Width
87cm (34.25")
Depth
4cm (1.57")
Declaration

Rue des Fontenelles has dated this Antique Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Reference
SA1152879
Description
Framed oil on panel by the artist Leon Houyoux (1856-1940).
“
The painting shows a view of a lake and is framed in an attractive gilt Fram with painted slip and plaque with artists name.
Rue des Fontenelles

Léon Jean Jacques Houyoux, born on November 24, 1856, in Brussels and was distinguished Belgian painter renowned for his landscapes, nudes, and genre scenes. He died on 10 October 1940, in Auderghem. Houyoux, who was the uncle of architect Maurice Houyoux and publisher George Houyoux, had an influential career in the art world.

fig 1. An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
fig 1. View of a Lake - Antique Oil Painting

From an early age, Léon was deeply inspired by nature. Although he did not begin formal art studies until the age of 19, he quickly immersed himself in the artistic community. Houyoux attended evening painting classes at the Brussels Academy of Painting before studying under the guidance of Jean François Portaels at the Royal Academy of Fine Arts in Brussels from 1877 to 1879.

fig 2. An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
fig 2. View of a Lake - Antique Oil Painting

Following his academic training, Houyoux traveled extensively across Europe, where he encountered and embraced Impressionism, which seriously influenced his work. His journeys took him to Munich, Paris, the Netherlands, London, Scotland, Dresden, and Berlin. By 1885, he settled in Brussels, where he established his studio and began making a name for himself.

fig 3. An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
fig 3. View of a Lake - Antique Oil Painting

In 1881, Houyoux debuted at the Salon Triennal de Bruxelles and joined the artistic circle “L’Essor.” He exhibited his work at various prestigious venues, including the Cercle Artistique et Littéraire de Bruxelles and in London. His association with Fernand Khnopff was notable, with Khnopff creating a significant piece for Houyoux’s home in 1880.

fig 4. An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
fig 4. View of a Lake - Antique Oil Painting

A significant milestone in Houyoux’s career came in 1896 when he became a member of the Société Nationale des Beaux-Arts in Paris and won a gold medal for his painting “Sous la Feuillée.” This accolade established his reputation in the art world.

fig 5. An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
fig 5. View of a Lake - Antique Oil Painting

Throughout his career, Houyoux maintained an active presence in artistic circles. He co-signed a declaration in support of Émile Zola during the Dreyfus Affair in 1898 and exhibited at the 1904 World’s Fair in St. Louis, Louisiana. His works were also showcased at the International Fine Arts Exhibition in Bruges in 1908.

Houyoux’s contributions to art extended beyond painting; he also played a role in Belgian philately. In 1922, the Belgian postal service issued a series of stamps featuring his design of King Albert I, which continued until 1930. The “Houyoux” series is remembered as an important part of Belgian postal history.

During World War I, Houyoux painted “Secours d’ Hiver,” depicting a winter scene by the American Commission for Relief in Belgium. Due to a shortage of canvases, he even painted on flour sacks, with some of these works preserved at St. Edward’s University in Austin, Texas.

Léon Houyoux’s legacy as a painter is marked by his dedication to capturing the beauty of nature and his influence on the Belgian art scene. He was buried in Auderghem Cemetery following his death in 1940. His works continue to be cherished in private and public collections, including the Berlin Museum and the Bremen Museum.

Dimensions - 87 x 72 cm

Height
72cm (28.35")
Width
87cm (34.25")
Depth
4cm (1.57")
Date of Manufacture

Rue des Fontenelles has dated this Antique Oil Painting to the 1920s.

Reference Numbers
Sellingantiques Ref
SA1152879
Rue des Fontenelles
Sellingantiques verified Since Mar 2015

Specialists in french antiiques, decorative objects and french and european paintings.

Dealer Profile

You can view the stock and full dealer information on the Rue des Fontenelles Profile Page

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An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. SOLD6+ MONTHS AGO
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Archive I An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. SOLD6+ MONTHS AGO

View of a Lake - Antique Oil Painting

Archive II An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. View II
Archive III An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. View III
Archive IV An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. View IV
Archive V An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. View V
Archive VI An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky. View VI
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Location
Chagford
Devon
United Kingdom
Verified Since Mar 2015
Items For Sale 147
Items Sold 1,202
Rue des Fontenelles
Verified Since Mar 2015
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Location: Chagford, Devon, United Kingdom
Verified
Mar 2015
For Sale
147
Sold
1,202
An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
View of a Lake - Antique Oil Painting
Ref: SA1152879
An impressionist oil painting depicting a tranquil lake surrounded by dense trees under an overcast sky.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period1900 - 1920
  • StyleImpressionist
  • MaterialOil paint, Canvas, Wood
  • ColourMuted Green and Blue
  • MotifsImpressionistic brushwork, Tree reflections, Water landscape
  • SizeH 72 cm (28 in) x W 87 cm (34 in) x D 4 cm (2 in)

Impressionist landscape art is characterised by visible brushstrokes, an emphasis on light and its changing qualities, and ordinary subject matter painted out-of-doors to capture an immediate visual impression.

Traditional pieces typically utilise oil paints applied to stretched woven canvas, often supported by a wooden stretcher frame and finished with a protective varnish layer.

Authenticity is evaluated by inspecting canvas fibre degradation, pigment composition, stretcher frame construction, artist signatures, and the presence of natural craquelure in the paint layer.

Integrating historical artwork into modern spaces is achieved by pairing traditional canvases with minimalist framing, neutral walls, and balanced accent lighting to create a focal point.

Preservation requires maintaining stable temperature and humidity levels, avoiding direct sunlight exposure, and keeping the canvas surface clean from dust using soft, non-abrasive methods.
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