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Ealry 19th Century Brazil School Painting
Antiques Decorative (Sussex)
reserved SA1135399
RESERVED
Antiques Decorative (Sussex)

Antiques Decorative (Sussex)

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Ealry 19th Century Brazil School Painting

19th century
For Sale by Antiques Decorative (Sussex) (Reserved for a buyer)
Description

Early 19th century Capriccio view of Rio de Janeiro Painting

Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students.

Historical Context of Early 19th Century Portuguese Colonial Brazil

1.1 Transition from Colony to Empire

During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro.

1.2 European Artistic Influence in Brazil

With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama.

1.3 Rio de Janeiro as Cultural and Political Hub

Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants.

. Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro

2.1 Composition and Layout

The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city.

2.2 Architectural and Religious Landmarks

On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas.

2.3 Evoking Daily Life in Colonial Rio

One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of me

Physical Dimensions
Height
62cm (24.41")
Width
68cm (26.77")
Declaration

Antiques Decorative (Sussex) has dated this Antique Brazilian Landscape Painting to the 1800s.

Reference Numbers
Sellingantiques Reference
SA1135399
Dealers Notes

Shipping Options Delivery Time Price

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Paintings UK, £35

Paintings rest of world please contact for a quote

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Description
Early 19th century Capriccio view of Rio de Janeiro Painting

Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students.

Historical Context of Early 19th Century Portuguese Colonial Brazil

fig 1. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 1. Ealry 19th Century Brazil School Painting

1.1 Transition from Colony to Empire

During the early 19th century, Brazil underwent a seismic shift in its political status.

Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance.
Antiques Decorative (Sussex)

By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro.

fig 2. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 2. Ealry 19th Century Brazil School Painting

1.2 European Artistic Influence in Brazil

With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama.

fig 3. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 3. Ealry 19th Century Brazil School Painting

1.3 Rio de Janeiro as Cultural and Political Hub

Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants.

fig 4. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 4. Ealry 19th Century Brazil School Painting

Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro

2.1 Composition and Layout

The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city.

fig 5. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 5. Ealry 19th Century Brazil School Painting

2.2 Architectural and Religious Landmarks

On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas.

fig 6. An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
fig 6. Ealry 19th Century Brazil School Painting

2.3 Evoking Daily Life in Colonial Rio

One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of me

Height
62cm (24.41")
Width
68cm (26.77")
Date of Manufacture

Antiques Decorative (Sussex) has dated this Antique Brazilian Landscape Painting to the 1800s.

Reference Numbers
Sellingantiques Ref
SA1135399
Antiques Decorative (Sussex)
Antiques Decorative (Sussex)
Sellingantiques verified Since May 2024

Timeless treasures: elevate your space with decorative art and antiques

Dealer Profile

You can view the stock and full dealer information on the Antiques Decorative (Sussex) Profile Page

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An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
1 / 15
Archive I An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.

Ealry 19th Century Brazil School Painting

Archive II An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View II
Archive III An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View III
Archive IV An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View IV
Archive V An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View V
Archive VI An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View VI
Archive VII An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View VII
Archive VIII An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View VIII
Archive IX An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View IX
Archive X An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View X
Archive XI An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View XI
Archive XII An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View XII
Archive XIII An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View XIII
Archive XIV An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View XIV
Archive XV An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water. View XV
Enlarged Archival View
Telephone 07565 761917
Location
East Sussex
United Kingdom

By appointment only.
Verified Since May 2024
Items For Sale 62
Items Sold 38
Antiques Decorative (Sussex)
Antiques Decorative (Sussex)
Verified Since May 2024
View Dealer Info
Location: East Sussex, United Kingdom, , By appointment only.
Verified
May 2024
For Sale
62
Sold
38
An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
Ealry 19th century Brazil School Painting
Ref: SA1135399
An octagonal framed early 19th-century oil painting depicting a Brazilian coastal landscape with colonial buildings, figures along the shore, and boats on the water.
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Archival Detail
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Our dealers are highly experienced in packing and shipping fragile, high-value antiques. Because you are in direct contact with the dealer, you will be able to easily go through all available shipping and insurance options together to ensure your item arrives safely.
Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

Works from this period typically depict topographical landscapes, coastal harbour views, and daily life during the Portuguese colonial and imperial eras, influenced by European artistic traditions brought to Brazil.

Paintings from this era were primarily created using natural pigment oil paints on canvas or timber panels, often housed in carved wooden frames finished with leaf gilding or painted mouldings.

Authentic period paintings display natural craquelure in the paint surface, age-appropriate darkening or yellowing of the varnish, and hand-cut timber stretchers or backing panels with historical wear.

Mount the painting above a sideboard, mantelpiece, or console table to create a focal point, pairing the traditional artwork with contemporary lighting or understated furniture to balance the historical aesthetic.

Keep the painting away from direct sunlight, humidity fluctuations, and heat sources. Dust the frame gently with a soft dry brush, and consult a professional conservator for varnish cleaning or canvas repairs.
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