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ID #SA1063063
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Japanese Silk Textile by Iida Takashimaya Company
Steve Sly Japanese Works of Art
for sale €14,625     $15,875
£12,500
Steve Sly Japanese Works of Art

Steve Sly Japanese Works of Art

Sellingantiques Verified Since Jan 2012
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  • About Us
    Specialists in japanese works of art from the meiji period 1868-1912
  • Trade Associations
    Steve Sly Japanese Works of Art is a registered member of BADA 
Id #SA1063063
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Japanese Silk Textile by Iida Takashimaya Company

19th century
Description

As part of our Japanese works of art collection we are delighted to offer this charming Meiji period 1868-1912 embroidery of a chin dog aside a spray of peacock feathers and by one of the most famous textile company's of the period, the Iida Takashimaya company, the breathtaking and simply captivating detail of the silkwork demonstrates some of the finest possible stitching methods available at that time and not surpassed to this day, the silk picture is cushioned and housed within its original black lacquered wood frame and importantly bearing the original and scarce Iida Takashimaya factory label to the reverse, an absolute masterpiece from a golden period of textile production, this picture would light up the wall of any room particularly your Japanese themed space .

Provenance :

UK Collection .

Featured in - 2020 Vision of an enlightened ruler exhibition - plate 39

Literature :

There is little doubt that a major part of the phenomenon of Japanese works of art exploding onto the worldwide stage leading up to and during the Meiji period was bought about by the Textile manufacturers of Kyoto, the most recognized of which will undoubtedly be the Nishimura company, founded in Kyoto in 1670 as textile traders,

It was the 12th generation manager Nishimura Sozayemon (1855-1935) aged just 17 and remarkably adopted into the family as the son of a Chinese scholar who took the company to its dizzy heights. As early as 1873 just one year into his tenure the company were exhibiting at expositions and even during that early period the company picked up significant awards and medals with recognition both nationally and overseas , particularly in Paris in 1878 , thereafter the factory moved to new premises in Kyoto , presumably having outgrown their original site , this move coincided with the building of the new Imperial palace in Tokyo where Nishimura were commissioned to provide 64 embroidered wall panels . the highest accolade had surely now been achieved as “suppliers to the Imperial household” this was the ultimate marketing tool which was now used widely in the sales campaigns and specifically on the product labels , during the 1890's the company continued to innovate and execute new techniques , they employed the finest artists and embroiderers taking the company from strength to strength , multiple gold medals and notable awards were achieved at various national and international expositions , there is little doubt that the appetite for Nishimura products were insatiable particularly in America and Paris where know traders were buying and or commissioning multiple items for their clients collections, and indeed their own gallery's , make no mistake some of these incredible works of art would have been expensive items at the time , with the finest pieces commissioned for the clients of wealthy merchant traders and Imperial household members .

It seemed as if Sozayemon coupled with his accolade of supplier to the Imperial household had cornered this highly lucrative market ,this was the case certainly until the 1890's when the company faced stiff competition from the new kid on the block ,Iida Takashimaya , a company founded in 1831 by Iida Shinshich I (1803-1874) as a small retailer of non silk drapery products , this modest shop called Takashimaya would through successive generations of the Iida family quickly rise to prominence as a major player on the worlds stage, Imperial household suppliers and ultimately stiff competition for the long established Nishimura company . Having only gained a licence for the manufacture and sale of silk products as late as 1855 the new generation led by Iida Shinshichi II began to make inroads into the Kyoto retail market supplying mostly clothing rugs and its speciality Fukusa,  to the emerging middle classes , in 1877 Iida first exhibited  nationally winning numerous award

Physical Dimensions
Height
68cm (26.77")
Width
54.5cm (21.46")
Depth
8.5cm (3.35")
Declaration

Steve Sly Japanese Works of Art has dated this Japanese Silk Embroidery Panel to the 1890s.

Reference Numbers
Sellingantiques Reference
SA1063063
Dealers Notes

Available during usual business hours 7 days a week by prior appointment only.

Available out of hours for general enquiries : sales@stagsheadantiques.com or steve@steveslyjapaneseart.com

Tel 07774-635918

Description
As part of our Japanese works of art collection we are delighted to offer this charming Meiji period 1868-1912 embroidery of a chin dog aside a spray of peacock feathers and by one of the most famous textile company's of the period, the Iida Takashimaya company, the breathtaking and simply captivating detail of the silkwork demonstrates some of the finest possible stitching methods available at that time and not surpassed to this day, the silk picture is cushioned and housed within its original black lacquered wood frame and importantly bearing the original and scarce Iida Takashimaya factory label to the reverse, an absolute masterpiece from a golden period of textile production, this picture would light up the wall of any room particularly your Japanese themed space .
fig 1. A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.
fig 1. Japanese Silk Textile by Iida Takashimaya Company

Provenance :

UK Collection .

Featured in - 2020 Vision of an enlightened ruler exhibition - plate 39

Literature :

There is little doubt that a major part of the phenomenon of Japanese works of art exploding onto the worldwide stage leading up to and during the Meiji period was bought about by the Textile manufacturers of Kyoto, the most recognized of which will undoubtedly be the Nishimura company, founded in Kyoto in 1670 as textile traders,

It was the 12th generation manager Nishimura Sozayemon (1855-1935) aged just 17 and remarkably adopted into the family as the son of a Chinese scholar who took the company to its dizzy heights.
Steve Sly Japanese Works of Art

As early as 1873 just one year into his tenure the company were exhibiting at expositions and even during that early period the company picked up significant awards and medals with recognition both nationally and overseas , particularly in Paris in 1878 , thereafter the factory moved to new premises in Kyoto , presumably having outgrown their original site , this move coincided with the building of the new Imperial palace in Tokyo where Nishimura were commissioned to provide 64 embroidered wall panels . the highest accolade had surely now been achieved as “suppliers to the Imperial household” this was the ultimate marketing tool which was now used widely in the sales campaigns and specifically on the product labels , during the 1890's the company continued to innovate and execute new techniques , they employed the finest artists and embroiderers taking the company from strength to strength , multiple gold medals and notable awards were achieved at various national and international expositions , there is little doubt that the appetite for Nishimura products were insatiable particularly in America and Paris where know traders were buying and or commissioning multiple items for their clients collections, and indeed their own gallery's , make no mistake some of these incredible works of art would have been expensive items at the time , with the finest pieces commissioned for the clients of wealthy merchant traders and Imperial household members .

fig 2. A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.
fig 2. Japanese Silk Textile by Iida Takashimaya Company

It seemed as if Sozayemon coupled with his accolade of supplier to the Imperial household had cornered this highly lucrative market ,this was the case certainly until the 1890's when the company faced stiff competition from the new kid on the block ,Iida Takashimaya , a company founded in 1831 by Iida Shinshich I (1803-1874) as a small retailer of non silk drapery products , this modest shop called Takashimaya would through successive generations of the Iida family quickly rise to prominence as a major player on the worlds stage, Imperial household suppliers and ultimately stiff competition for the long established Nishimura company . Having only gained a licence for the manufacture and sale of silk products as late as 1855 the new generation led by Iida Shinshichi II began to make inroads into the Kyoto retail market supplying mostly clothing rugs and its speciality Fukusa,  to the emerging middle classes , in 1877 Iida first exhibited  nationally winning numerous award

Height
68cm (26.77")
Width
54.5cm (21.46")
Depth
8.5cm (3.35")
Date of Manufacture

Steve Sly Japanese Works of Art has dated this Japanese Silk Embroidery Panel to the 1890s.

Reference Numbers
Sellingantiques Ref
SA1063063
Steve Sly Japanese Works of Art
Steve Sly Japanese Works of Art
Sellingantiques verified Since Jan 2012

Specialists in japanese works of art from the meiji period 1868-1912

Dealer Profile

You can view the stock and full dealer information on the Steve Sly Japanese Works of Art Profile Page

Trade Associations

Steve Sly Japanese Works of Art is a registered member of BADA 

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A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.
1 / 4
Archive I A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.

Japanese Silk Textile by Iida Takashimaya Company

Archive II A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame. View II
Archive III A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame. View III
Archive IV A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame. View IV
Enlarged Archival View
Telephone 07774 635918
Location
Stags Head Antiques Ltd
Bournemouth
Dorset
United Kingdom
Verified Since Jan 2012
Items For Sale 30
Items Sold 1,665
Steve Sly Japanese Works of Art
Steve Sly Japanese Works of Art
Verified Since Jan 2012
View Dealer Info
Location: Stags Head Antiques Ltd, Bournemouth , Dorset, United Kingdom
Verified
Jan 2012
For Sale
30
Sold
1,665
A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.
Japanese Silk Textile By Iida Takashimaya Company
Ref: SA1063063
A framed Japanese silk embroidery depicting a black and white Japanese Chin dog lying beside peacock feathers set within a neutral silk mount and dark lacquer frame.
Detail View 1
Detail View 2
Detail View 3
Archival Detail
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Antiques are the ultimate green purchase. By choosing historical pieces over newly manufactured goods, you completely eliminate the carbon footprint of modern mass production while preserving exceptional, timeless craftsmanship.

During the Meiji period (18681912), Japanese artisans produced detailed silk embroideries primarily for export to Western markets, with major department stores and producers like Iida Takashimaya leading production.

These pieces were crafted using fine silk threads embroidered onto a woven silk substrate, often featuring varied stitch techniques to create texture, and mounted within lacquered wooden frames.

Authentic pieces feature hand-worked silk thread stitches with varying degrees of sheen, natural age-related toning on the silk ground, and original period mounting or maker stamps.

Framed silk embroideries can be integrated into gallery walls, hung in narrow wall spaces, or placed above sideboards to add subtle texture and historic depth.

Display silk embroideries away from direct sunlight to prevent fading, maintain stable environmental humidity, and ensure the piece is framed behind UV-protective glass.
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