Brave Fine Art has dated this piece to the 1880s.
His approach was heavily influenced by his adoration for the Dutch and Flemish masters of the 17th century, hence his nickname, the 'modern Ter Borch'.
His attention to detail was quite extraordinary and led to a keen following during his lifetime. At just 19, King Leopold I of Belgium had acquired his ‘The Music Lesson’ and at 21 he’d been awarded a gold medal at the Paris Salon.
This particular piece appears to have been mentioned directly in Clarence Cook’s book, ‘Art and Artists of Our Time’ (1888).
“Willems's satin dresses, soberly handsome tables and cabinets, his leather-covered chairs - certainly not designed for a self-indulgent owner! A certain mirror in a black frame set easel-fashion on my lady's table, with her velvet pincushion in its mounting of filigree silver: all this externality, evidently studied from the real, and beautifully painted.”
Willems studied at the Academy of Mechelen and exhibited regularly at the salons of Brussels and Paris. He’s represented at numerous museums including the British Museum, the Musée d'Orsay, and Royal Museums of Fine Arts of Belgium.
Note the tricky reflection, which is rendered with ease and dexterity. The confident hand of a master.
Signed in the lower left and held within a gilt frame.
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Medium: Oil on panel
Overall size: 19½” x 22½” / 49cm x 57cm
Year of creation: c. 1880
Labels & Inscriptions: Inscribed on reverse.
Provenance: Private collection, England.
Condition: Artwork presents well. Frame with some light wear.
Artist’s auction maximum: £33,368
Brave Fine Art has dated this piece to the 1880s.
Exquisite antique paintings that capture the imagination.
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Florent Willems, Élégante Au Face À Main - Antique Oil Painting
