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William Levinz C1690; Circle of Sir Godfrey Kneller.
Sold by Roy Precious - Antiques & Fine Art
sold SA1032071
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Roy Precious - Antiques & Fine Art

Roy Precious - Antiques & Fine Art

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William Levinz C1690; Circle of Sir Godfrey Kneller.

17th century
Sold 25 June 2026 · Roy Precious - Antiques & Fine Art
This “William Levinz C1690; Circle of Sir Godfrey Kneller” found a buyer.

It was listed by Roy Precious - Antiques & Fine Art. Sold pieces stay on Sellingantiques as a record of what has passed through, and the next one is rarely far away.

Description

Oil on canvas in the fine carved and giltwood original frame. VERSO old labels and a wax Collection seal.

WILLIAM LEVINZ (c. 1671–1747) of Grove Hall and Bilby, Nottinghamshire was a British lawyer and Tory politician who sat in the English and British House of Commons between 1702 and 1734. He fought a duel with an opposing Whig agent.

Levinz was the eldest son of Sir Creswell Levinz of Evenley, Northamptonshire, a prominent lawyer, and his wife Elizabeth Livesay, daughter of William Livesay of Lancashire. His uncle William Levinz was professor of Greek at Oxford, and another uncle Baptist Levinz was Bishop of Sodor and Man. He was admitted at Gray's Inn in 1681 and matriculated at St John's College, Oxford, where his uncle William Levinz was president, on 26 August 1688, aged 17.

In 1689, he transferred to Inner Temple and in 1693 he was called to the bar. He married Ann Buck, daughter of Samuel Buck of Gray's Inn on 4 June 1693. He succeeded his father in 1701 to his estates. one of which carried with it an electoral interest at Retford.

Levinz became one of the leaders of the Tories in Nottinghamshire. He stood as a Tory for East Retford at the second general election of 1701 but was defeated and his petition was dismissed. At the 1702 English general election he was defeated again but this time his petition prevailed and he was returned as Member of Parliament for East Retford on 28 November 1702. At the 1705 English general election, he was returned again for East Retford, but was unseated on petition on 17 January 1706. He was High Sheriff of Nottinghamshire for the year 1707 to 1708. He was returned again as MP for East Retford at the 1708 British general election. He fought a duel on 14 January 1709 with William Jessop, legal adviser and election manager to John Holles, 1st Duke of Newcastle, in which Jessop was wounded.

At the 1710 British general election he stood for Nottinghamshire where he was successfully returned. He was busy again in Parliament and was listed as a ‘worthy patriot’. In 1712 he was elected a Commissioner to inquire into crown grants. He presented an address from Nottinghamshire in favour of the peace in August 1712, and he voted against the French commerce bill on 18 June 1713. At the 1713 British general election he was returned unopposed for Nottinghamshire. He supported the government but demonstrated his Hanoverian loyalty when it was said in August 1715 that he was ‘as zealous to put the laws in execution against Roman Catholics as anybody’.

Levinz was returned unopposed at the 1715 British general election. He contributed £100 towards the cost of raising a Nottinghamshire regiment in the 1715 Jacobite rebellion. He was defeated in a close contest at the 1722 British general election of which he wrote ‘the methods of menaces and promises have been so extravagant and the corruption so open and avowed’. He was returned for one of the vacancies and a Whig candidate for the other at the by-election on 30 May 1732. Levinz’ son William came of age in 1734 and at the 1734 Levinz made an agreement with the Whigs so that his son was returned at Nottinghamshire in his place.

Levinz died in May 1747 leaving a son and two daughters.

SIR GODFREY KNELLER (1646-1723) was the most distinguished painter of baroque portraits in England.

Born in Lubeck, he trained with Bol and Rembrandt, coming to London in 1676.

By 1679 he had painted the King and remained the most famous and successful portrait painter in England until his death.

In 1688 he was made Principal Painter to the King and was knighted in 1692 and a made a baronet in 1715.

Those who emulated his fashionable style were many, his influence was great.

PROVENANCE: Starston Hall, Starston, Norfolk.

Physical Dimensions
Height
84cm (33.07")
Width
74cm (29.13")
Depth
6cm (2.36")
Declaration

Roy Precious - Antiques & Fine Art has dated this Antique Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Reference
SA1032071
Dealers Internal Reference
9319
Description
Oil on canvas in the fine carved and giltwood original frame. VERSO old labels and a wax Collection seal.

WILLIAM LEVINZ (c.

“
1671–1747) of Grove Hall and Bilby, Nottinghamshire was a British lawyer and Tory politician who sat in the English and British House of Commons between 1702 and 1734.
Roy Precious - Antiques & Fine Art

He fought a duel with an opposing Whig agent.

fig 1. An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
fig 1. William Levinz C1690; Circle of Sir Godfrey Kneller.

Levinz was the eldest son of Sir Creswell Levinz of Evenley, Northamptonshire, a prominent lawyer, and his wife Elizabeth Livesay, daughter of William Livesay of Lancashire. His uncle William Levinz was professor of Greek at Oxford, and another uncle Baptist Levinz was Bishop of Sodor and Man. He was admitted at Gray's Inn in 1681 and matriculated at St John's College, Oxford, where his uncle William Levinz was president, on 26 August 1688, aged 17.

fig 2. An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
fig 2. William Levinz C1690; Circle of Sir Godfrey Kneller.

In 1689, he transferred to Inner Temple and in 1693 he was called to the bar. He married Ann Buck, daughter of Samuel Buck of Gray's Inn on 4 June 1693. He succeeded his father in 1701 to his estates. one of which carried with it an electoral interest at Retford.

fig 3. An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
fig 3. William Levinz C1690; Circle of Sir Godfrey Kneller.

Levinz became one of the leaders of the Tories in Nottinghamshire. He stood as a Tory for East Retford at the second general election of 1701 but was defeated and his petition was dismissed. At the 1702 English general election he was defeated again but this time his petition prevailed and he was returned as Member of Parliament for East Retford on 28 November 1702. At the 1705 English general election, he was returned again for East Retford, but was unseated on petition on 17 January 1706. He was High Sheriff of Nottinghamshire for the year 1707 to 1708. He was returned again as MP for East Retford at the 1708 British general election. He fought a duel on 14 January 1709 with William Jessop, legal adviser and election manager to John Holles, 1st Duke of Newcastle, in which Jessop was wounded.

fig 4. An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
fig 4. William Levinz C1690; Circle of Sir Godfrey Kneller.

At the 1710 British general election he stood for Nottinghamshire where he was successfully returned. He was busy again in Parliament and was listed as a ‘worthy patriot’. In 1712 he was elected a Commissioner to inquire into crown grants. He presented an address from Nottinghamshire in favour of the peace in August 1712, and he voted against the French commerce bill on 18 June 1713. At the 1713 British general election he was returned unopposed for Nottinghamshire. He supported the government but demonstrated his Hanoverian loyalty when it was said in August 1715 that he was ‘as zealous to put the laws in execution against Roman Catholics as anybody’.

fig 5. An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
fig 5. William Levinz C1690; Circle of Sir Godfrey Kneller.

Levinz was returned unopposed at the 1715 British general election. He contributed £100 towards the cost of raising a Nottinghamshire regiment in the 1715 Jacobite rebellion. He was defeated in a close contest at the 1722 British general election of which he wrote ‘the methods of menaces and promises have been so extravagant and the corruption so open and avowed’. He was returned for one of the vacancies and a Whig candidate for the other at the by-election on 30 May 1732. Levinz’ son William came of age in 1734 and at the 1734 Levinz made an agreement with the Whigs so that his son was returned at Nottinghamshire in his place.

Levinz died in May 1747 leaving a son and two daughters.

SIR GODFREY KNELLER (1646-1723) was the most distinguished painter of baroque portraits in England.

Born in Lubeck, he trained with Bol and Rembrandt, coming to London in 1676.

By 1679 he had painted the King and remained the most famous and successful portrait painter in England until his death.

In 1688 he was made Principal Painter to the King and was knighted in 1692 and a made a baronet in 1715.

Those who emulated his fashionable style were many, his influence was great.

PROVENANCE: Starston Hall, Starston, Norfolk.

Height
84cm (33.07")
Width
74cm (29.13")
Depth
6cm (2.36")
Date of Manufacture

Roy Precious - Antiques & Fine Art has dated this Antique Oil Painting to the 17th Century.

Reference Numbers
Sellingantiques Ref
SA1032071
Dealers Internal Ref
9319
Roy Precious - Antiques & Fine Art
Roy Precious - Antiques & Fine Art
Sellingantiques verified Since Mar 2003

Roy and nadine precious: specialists in portraiture from the 16th to the 20th century. Established in 1972.

Dealer Profile

You can view the stock and full dealer information on the Roy Precious - Antiques & Fine Art Profile Page

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An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. SOLD25 JUN 26
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Archive I An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. SOLD25 JUN 26

William Levinz C1690; Circle of Sir Godfrey Kneller.

Archive II An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. View II
Archive III An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. View III
Archive IV An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. View IV
Archive V An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. View V
Archive VI An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame. View VI
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Roy Precious - Antiques & Fine Art
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An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
William Levinz c1690; Circle of Sir Godfrey Kneller.
Ref: SA1032071
An oval antique oil painting depicting a historical portrait within an ornate carved gilt frame.
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Written by Sellingantiques from the dealer’s photographs and listing
  • ObjectPaintings
  • Period17th century
  • StyleBaroque
  • MaterialOil, Canvas, Gilt Wood
  • ColourGold
  • MotifsOval canvas, Carved gilt frame, Period costume drapery, Chiaroscuro lighting
  • SizeH 84 cm (33 in) x W 74 cm (29 in) x D 6 cm (2 in)

Seventeenth-century British portraiture is characterised by a focus on realism, rich drapery, and formal composition, heavily influenced by European court painters working in London.

Traditional portraits from this period were typically painted in oil on a stretched linen canvas, housed within a hand-carved, gilded wooden frame.

Authentication involves examining the weave of the canvas, the ageing of the oil paint and craquelure under magnification, and inspecting the construction and joinery of the wooden frame.

An antique portrait adds gravity and historical contrast when hung against a darkly painted or panelled wall, acting as a sophisticated focal point in a contemporary room.

Keep paintings away from direct sunlight and fluctuating humidity levels, and consult a professional conservator for periodic cleaning and varnish maintenance.
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