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Putti Candlestick Holders

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Putti candlestick holders combine classical figures with functional lighting, bringing sculptural elegance to mantelpieces and dining tables.

£7,200
FOR SALE
lighting
£1,500
FOR SALE
lighting
£220
FOR SALE
lighting

Listings feature items from the eighteenth, nineteenth, and early twentieth centuries, spanning Georgian, Victorian, and French Empire Revival design periods.

£1,350
FOR SALE
lighting
£2,950
FOR SALE
lighting
← 1 2 →
Sellingantiques  ·  Guide 1093682026/2027 edition

Putti Candlestick Holders

Putti candlestick holders combine classical figures with functional lighting, bringing sculptural elegance to mantelpieces and dining tables.

Introduction

Putti Candlestick Holders

Putti candlestick holders depict winged cherubs or children supporting sockets for wax tapers, drawing on classical iconography that persisted through the Georgian and Victorian eras. These figural works appear most frequently as matched pairs, designed to balance symmetry on side tables and mantelpieces.

The selection ranges from single-light desk candlesticks to elaborate multi-arm candelabra holding several branches. Figures stand, dance, or recline upon plinths of marble or metal drums, often incorporating floral motifs alongside the central cherub motif.

How they were made

Materials and construction

Foundry workers cast these pieces in bronze, brass, or spelter, frequently applying surface treatments such as gilt bronze, ormolu, or dark patination to create textural contrast. Many examples anchor the metal figures onto heavy bases of white or variegated marble.

Ceramic versions utilise porcelain, blanc de chine, and enamel techniques. Factories shaped these bodies by hand before applying delicate glazes and painted details.

The market

Putti Candlestick Holders Retail Price Guide 2026

Entry-levelUnder £600
Typical prices£600 – £2,600
Premium examplesOver £2,600

Typical asking prices for putti candlestick holders among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Materials span gilt bronze, marble, patinated bronze, ormolu, porcelain, enamel, and gold leaf, often combined within a single pair.

What sets them apart

Assessing craftsmanship

The integration of mixed materials dictates overall refinement. Heavy, stable marble plinths paired with substantial gilt bronze or carefully modelled porcelain denote superior workshop output.

Notable makers of putti candlestick holders

Francois Redmond·Chelsea·Minton·Triebner, ENS & Eckert Volkstedt·Sitzendorf·Claude Clodion

Terms antiques dealers use

The Putti Candlestick Holders Glossary

Ormolu
Gilded bronze produced by applying a mercury-gilding amalgam to cast bronze. This technique creates a rich golden surface that resists tarnish over centuries.
Putti
Plural of putto, representing plump, winged male infants in classical art. They resemble cherubs and appear frequently in Renaissance revival decorative metalwork.
Candelabra
A branched candlestick holding multiple lights. These branch out from a central stem, often supported by figural bases.
Patination
The surface sheen or colour developed on metal through age or chemical treatment. It distinguishes the original metal tone from later paint.
Blanc de chine
White porcelain produced in China and later emulated by European factories. The smooth glaze highlights moulded figural details without added colour.
Questions people ask

Putti Candlestick Holders: Frequently Asked Questions

How do I identify French Empire style putti holders?

French Empire pieces rely on classical antiquity, displaying formal symmetry, heavy ormolu mounts, and strict architectural bases. The putti on these works often hold neoclassical attributes or stand beside military trophies.

They date primarily from the nineteenth century and reflect the revived interest in Roman and Greek design motifs.

Are these candle holders made of solid bronze?

Most metal examples combine cast bronze or brass figures with weighted bases of marble or secondary metals for stability. Some nineteenth-century items utilise bronzed spelter, a cheaper zinc alloy finished to imitate true bronze.

Examining the underside and weight helps distinguish solid metal casting from plated or alloy alternatives.

How should I clean antique ormolu and marble?

Dust ormolu gently with a dry, soft brush to protect the delicate gold leaf or mercury gilding. Avoid chemical polishes that strip historical surface finishes.

Marble bases require only a damp cloth followed by immediate drying. Keep moisture away from any exposed metal joints or porcelain sections.

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