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Painted Tall Clock

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A painted tall clock stands as a towering piece of functional furniture, offering both architectural presence and mechanical precision.

£450
2 WEEKS AGO
clocks

Current listings demonstrate a prevalence of mahogany and oak timbers, accompanied by painted iron dials spanning the Georgian and Victorian periods.

£1,875
1 MONTH AGO
clocks
£2,150
2 MONTHS AGO
clocks
£2,450
2 MONTHS AGO
clocks
£1,600
2 MONTHS AGO
clocks
£1,425
2 MONTHS AGO
clocks
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Sellingantiques  ·  Guide 2330912026/2027 edition

Painted Tall Clock

A painted tall clock stands as a towering piece of functional furniture, offering both architectural presence and mechanical precision.

Introduction

Painted Tall Clock

A painted tall clock brings together substantial timber cabinetry and a decorated dial, serving as a focal point in domestic spaces. These tall timepieces appear most frequently in Georgian, Victorian, and 19th century styles, often referenced as longcase or grandfather clocks.

The cabinetry spans regional varieties including Welsh, Scottish, and English workshops, constructed primarily in oak or mahogany. Dials feature painted iron or enamel surfaces, sometimes incorporating moon phases or subsidiary hands to track lunar cycles or seconds.

How they were made

Materials and construction

Cabinet makers utilised solid timber planks of oak and mahogany, occasionally applying veneers, banding, or inlaid details to enrich the surface grain. Woodwork joins housed intricate brass and iron gear trains designed to run for eight hours or eight days.

Dial faces combined iron or enamel substrates finished with painted numerals and decorative regional artwork. Glass protected the delicate hands and dial face within a hinged hood door.

The market

Painted Tall Clock Retail Price Guide 2026

Entry-levelUnder £1,300
Typical prices£1,300 – £3,200
Premium examplesOver £3,200

Typical asking prices for painted tall clock among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Regional Scottish workshops feature prominently among the recorded makers, alongside English provincial centres from Nantwich to Birmingham.

What sets them apart

Assessing quality in tall timepieces

The refinement of the cabinetry defines the upper tier of these pieces, seen in dense flame mahogany figuring, precise inlay work, and well-proportioned architectural hoods. Regional variations display differing levels of cabinet making skill, from provincial oak cases to elaborate urban examples.

Dial execution separates standard production from superior output, particularly where hand-painted floral motifs, moon phase indicators, and signed maker plaques demonstrate workshop skill. The complexity of the movement itself, such as musical capabilities or eight-day duration, influences the standing of the piece.

Notable makers of painted tall clock

Walker of Nantwich·Edward White Birmingham·Hendrie Ogg Dunfermline·D Straiton Montrose·Tait Peebles·Samuel Kellett Bredbury·Wotton Under Edge·D Williams of Crickhowell·Edward Shepley of Manchester·Thomas Webbe of New Quay·Charles Dowsett Of Canterbury·John Denbigh Merton Park·Will Lassell of Toxteth Park·David Craig Ford Path head

Terms antiques dealers use

The Painted Tall Clock Glossary

Longcase clock
A tall pendulum clock enclosed in a wooden case with a weighted movement. This term is often used interchangeably with grandfather clock.
Moon phase
A mechanical dial mechanism that tracks the phases of the moon through a rotating painted disc. It typically sits above the main dial in an arched opening.
Chinoiserie
A decorative style reflecting European interpretations of Chinese art, frequently featuring hand-painted lacquer motifs. This finish appears on select tall clocks alongside traditional timber cases.
Drum head
A circular dial housing resembling a drum, set atop the trunk of specific Victorian models. This distinct case shape alters the standard arched hood silhouette.
Dial
The visible face of the clock where hours and minutes are displayed. Painted iron and enamel variants provide the canvas for numerical markers and maker signatures.
Questions people ask

Painted Tall Clock: Frequently Asked Questions

How do I wind a tall clock?

Winding requires using a crank key to slowly raise the internal weights suspended by cords or chains inside the trunk. Care must be taken not to overwind the mechanism.

Ensuring the weights reach their upper limit gently protects the internal gearing and maintains accurate timekeeping over the operational cycle.

Where should I place a tall clock?

These vertical timepieces require a stable, level floor and sturdy attachment to a wall to prevent leaning and ensure the pendulum swings evenly. Placement away from direct heat sources and damp areas preserves the timber case.

Providing adequate clearance for the swinging pendulum and weight descent is essential for proper mechanical function.

How do I tell Georgian from Victorian examples?

Georgian models typically exhibit proportions from the 18th and early 19th centuries, featuring classical architectural mouldings in oak or mahogany. Victorian variants often display heavier proportions and distinct regional cabinetry developments.

Examining the construction methods within the hood and trunk reveals the period-specific woodworking techniques used by the cabinet maker.

What is a moon phase dial?

A moon phase dial is a secondary rotating disc positioned on the clock face that tracks the lunar month across twenty-nine and a half days. This complication served practical agricultural and tidal purposes.

Artisans hand-painted moons and starry skies onto these moving discs, adding visual complexity to the upper arch of the dial.

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