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George III Candlesticks
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George III Candlesticks

14 items

George iii candlesticks bring the formal symmetry of the late eighteenth century to a room, offering functional candlelight through enduring metal and timber forms.

£159
1 MONTH AGO
lighting
£895
3+ MONTHS AGO
silver
£325
3+ MONTHS AGO
lighting
£325
3+ MONTHS AGO
lighting
£6,800
3+ MONTHS AGO
silver
Sellingantiques  ·  Guide 1671932026/2027 edition

George III Candlesticks

George iii candlesticks bring the formal symmetry of the late eighteenth century to a room, offering functional candlelight through enduring metal and timber forms.

 Unusual Pair of Antique George III Quality Sheffield Plated Telescopic Candlesticks
Plate I  ·  Unusual Pair of Antique George III Quality Sheffield Plated…, 1800London City Antiques
Introduction

George III Candlesticks

When buyers search for george iii candlesticks, they look for lighting pieces that date from the Georgian era or follow its distinct design principles. The pieces on this page span straightforward brass pairs to complex silver-plated candelabra and single chambersticks.

Brass examples dominate the selection, often taking tall proportions, petal bases, or seamed construction methods. Alongside metal, occasional wooden versions in oak or mahogany appear, demonstrating the material variety within the period style.

What sets them apart

What varies in quality

Proportion and weight dictate the distinction between standard domestic lighting and finer workshop output. Crisp casting detail on petal bases and firm joints across seamed shafts demonstrate superior manufacturing standards.

The preservation of original surface finishes and plating integrity influences the standing of silver-plated and metal pieces alike. Altered components or heavy wear to plated surfaces change the character of a pair.

The market

George III Candlesticks Retail Price Guide 2026

Entry-levelUnder £300
Typical prices£300 – £900
Premium examplesOver £900

Typical asking prices for george iii candlesticks among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Telescopic stems let eighteenth-century readers raise their light source as the tallow burned low.

Notable makers of george iii candlesticks

Matthew Boulton·Goldsmiths & Silversmith

Terms antiques dealers use

The George III Candlesticks Glossary

Candelabra
A branched lighting fixture holding multiple candles on a single base. These examples often incorporate several arms for formal dining settings.
Chamberstick
A low candlestick fitted with a handle and a shallow pan to catch melting wax. They were carried through houses before electricity.
Old Sheffield Plate
An early fusing technique where a sheet of silver is fused to a thicker copper base. It predates electroplating and shows a copper edge where layers meet.
Telescopic
A mechanical adjustment allowing the height of the candlestick shaft to alter. These extend or rise and fall via internal sliding mechanisms.
Petal base
A rounded foot moulded into overlapping lobes resembling flower petals. This decorative form provides stability to taller brass shafts.
Questions people ask

George III Candlesticks: Frequently Asked Questions

How do I clean brass george iii candlesticks?

Maintenance requires soft cloths and gentle cleaning agents to preserve the underlying metal and age patina.

Avoid harsh abrasives that strip the surface character accumulated over centuries of use.

Were these candlesticks made in pairs?

Many surviving examples exist as matching pairs intended for mantelpieces or sideboard symmetry.

Single items such as chambersticks and larger multi-light candelabra also occur within the period.

What is the difference between silver and old sheffield plate?

Solid silver pieces consist entirely of precious metal stamped with standard assay hallmarks.

Old sheffield plate bonds a thin silver sheet over a copper core through heat and pressure.

How do I spot a later reproduction?

Period pieces display authentic construction marks, such as vertical seams on brass shafts and natural wear patterns.

Modern copies often lack the precise weight distribution and hand-finished details of eighteenth-century workshops.

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