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Antique Side Table Lamps

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Antique side table lamps bring character to a room, offering practical lighting paired with timber and marble surfaces.

£395
7 HOURS AGO
tables
£495
7 HOURS AGO
furniture
£195
7 HOURS AGO
tables
£520
10 HOURS AGO
tables
£225
YESTERDAY
tables
£475
YESTERDAY
tables
£360
YESTERDAY
tables
£450
YESTERDAY
furniture
£695
YESTERDAY
lighting
£295
YESTERDAY
lighting
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Sellingantiques  ·  Guide 116872026/2027 edition

Antique Side Table Lamps

Antique side table lamps bring character to a room, offering practical lighting paired with timber and marble surfaces.

Introduction

Antique Side Table Lamps

Buyers seeking antique side table lamps encounter a mix of occasional tables adapted for lighting and dedicated lamp tables spanning the Georgian, Victorian and Edwardian eras. These pieces function as small surfaces beside seating, supporting everything from brass columns to carved urn lamps.

The selection ranges from tripod wine tables and occasional tables in mahogany and walnut to tiered French centre tables mounted in ormolu. Forms vary from circular specimen marble tops to oak cricket tables and nests of tables.

Origins stretch across English workshops, French ateliers and Italian makers, utilising woods like rosewood, kingwood and oak alongside gilt metal and marble. Pieces emerge from periods including the Regency, Arts and Crafts and Jacobean Revival styles.

What sets them apart

What varies in quality

Quality rests in the crispness of carved details, the selection of figured timber veneers and the integration of gilt bronze or ormolu mounts. Tables bearing maker signatures or attributed to established cabinetmakers command attention for their superior joinery and material selection.

Finer examples display careful attention to secondary timbers, stable marble tops without hairline fractures, and balanced proportions across tripod bases or pedestal columns.

The market

Antique Side Table Lamps Retail Price Guide 2026

Entry-levelUnder £450
Typical prices£450 – £1,200
Premium examplesOver £1,200

Typical asking prices for side table lamps among the pieces listed under this phrase on Sellingantiques today, from the lower quarter to the upper quarter. They describe what is for sale here now, not the wider market.

From the Sellingantiques archive

Spider leg tables offer surprising stability despite delicate-looking supports.

Notable makers of side table lamps

James Shoolbred·Trevor Page & Co·Mappin & Webb

Terms antiques dealers use

The Antique Side Table Lamps Glossary

Occasional table
A small, movable table designed for intermittent use in a room, often serving as a surface for a lamp or decorative object.
Ormolu
Gilded bronze mounts applied to furniture, popular in French-inspired designs of the nineteenth century.
Marquetry
Decorative patterns formed by the insertion of different woods, veneers or shell into a solid wood surface.
Specimen marble
A composite surface made from various coloured marbles arranged in geometric or pictorial patterns.
Questions people ask

Antique Side Table Lamps: Frequently Asked Questions

How were these tables used historically?

Rooms relied on small tables positioned beside chairs and sofas to hold reading lamps, candles or decorative items. Their compact footprints allowed them to fit easily into corners or beside seating.

Multi-tiered tables and sewing tables also provided storage for small items while supporting a lamp on the primary surface.

How do I identify Victorian examples?

Victorian tables frequently utilise burr walnut, rosewood or mahogany, often displaying heavy turned pedestals, inlaid veneers or ormolu mounts. stylistic revivals also emerge strongly in this period.

Look for hallmarks of the era such as circular marble inserts, lacquered finishes and French-influenced freestanding designs suited for central room placement.

Are Edwardian tables different from Victorian ones?

Edwardian pieces tend to display lighter proportions, simpler lines and brighter oak or mahogany timbers. Arts and Crafts influences appear frequently in this period.

Inlay work remains common, but the overall aesthetic shifts towards airier forms compared to the heavier carved walnut typical of mid-nineteenth century production.

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